Inni Inayati Istiana
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DONGENG MANUSIA LUAR BIASA: FOLKLOR LISAN “ISSUNBOUSHI: SANG KSATRIA MUNGIL” DAN “SI KELINGKING” (Super Ordinary Human Fairy Tales: Structural Analysis of “Issunboushi: Sang Ksatria Mungil” and “Si Kelingking”) Inni Inayati Istiana; Ratna Asmarani; Sarwo Ferdi Wibowo; Mochammad Fikri
Kandai Vol 18, No 2 (2022): KANDAI
Publisher : Kantor Bahasa Provinsi Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v18i2.4634

Abstract

This study examines two fairy tales from Japanese and Indonesian people namely the fairy tales “Issunboushi: Sang Ksatria Mungil” (Japan) and “Si Kelingking” (Indonesia) which have the same motif with different versions. This was done to answer the formulation of the problem in this study, how to compare the elements in the structure of the story which includes the similarities and differences in the story “Issunboushi: Sang Ksatria Mungil” with "Si Kelingking". To find out the similarities and differences in the structure of the fairy tales "Issunboushi: Sang Ksatria Mungil" (Japan) and "Si Kelingking" (Indonesia), the two stories have been analyzed used a narrative structure approach by A.J. Greimas. The writer used the structural approach of narratology by A.J. Greimas in order to produce an actant and functional scheme that show the similarities and differences in the structure of these fairy tales. The results of the study show that both have the same story stages, namely the initial situation, transformation, and the final situation. The different elements of the story included the actors (subjects) and their strengths, contradictions, solutions in getting helpers, and the form of helping objects. In addition, the two-fairy tales also have almost similar themes or motives, characterizations and plotting. The moral message of the story conveyed was also not much different. Based on these differences, it can be concluded that the fairy tales "Issunboushi: Sang Ksatria Mungil" and "Si Kelingking" were not related. These differences can be seen from the peculiarities of the two-fairy tales as a form of representation of people's lives at the time the fairy tales were created. In addition, the storytelling of each of these fairy tales took advantage of local geographical conditions to become the object of the story. Penelitian ini menelaah dua dongen dari masyarakat Jepang dan Indonesia, yang bermotif sama, tetapi memiliki versi berbeda, yaitu “Issunboushi: Sang Ksatria Mungil” (Jepang) dan “Si Kelingking” (Indonesia). Hal ini dilakukan untuk menjawab rumusan masalah dalam penelitian ini, yakni bagaimana perbandingan unsur-unsur dalam struktur cerita yang mencakupi kemiripan dan perbedaan cerita “Issunboushi: Sang Ksatria Mungil” dengan “Si Kelingking”. Untuk mengetahui persamaan dan perbedaan struktur cerita dongeng “Issunboushi: Sang Ksatria Mungil” (Jepang) dan “Si Kelingking” (Indonesia), kedua cerita tersebut akan dianalisis menggunakan pendekatan struktur naratologi oleh A.J. Greimas. Melalui pendekatan struktur naratologi oleh A.J. Greimas akan dihasilkan skema aktan dan fungsional yang menunjukkan persamaan dan perbedaan struktur cerita dongeng-dongeng tersebut. Hasil penelitian menunjukkan bahwa keduanya memiliki tahapan cerita yang sama, yakni situasi awal; transformasi; dan situasi akhir. Adapun unsur cerita yang berbeda mencakupi pelaku (subjek) dan kekuatannya, pertentangan, solusi dalam mendapatkan bantuan penolong (helper) dan wujud benda penolong. Selain hal tersebut, kedua dongeng itu juga memiliki tema, motif, penokohan, dan pengaluran yang hampir mirip. Amanat atau pesan moral cerita yang disampaikan juga tidak jauh berbeda. Berdasarkan perbedaan-perbedaan tersebut, dapat disimpulkan bahwa dongeng “Issunboushi: Sang Ksatria Mungil” dan “Si Kelingking” tidak saling terkait. Perbedaan-perbedaan tersebut dapat dilihat dari kekhasan kedua dongeng sebagai bentuk representasi Kehidupan masyarakat pada saat dongeng tersebut tercipta. Selain itu, pengisahan masing-masing dongeng tersebut memanfaatkan keadaan geografis setempat untuk dijadikan objek cerita.
MISSING LINK TRADISI LISAN MENSTRUASI DI ERA MODERN: ANALISIS ISI FILM PADMAN 2018 Siska Nur Apriyani; Inni Inayati Istiana; Moch Lukluil Maknun
Tambo: Journal of Manuscript and Oral Tradition Vol. 2 No. 1 (2024): TAMBO
Publisher : Pusat Riset Manuskrip, Literatur, dan Tradisi Lisan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/tambo.2024.4892

Abstract

Each oral tradition of a region is intended to hold noble meanings that are to be passed on to future generations. However, ideally the meaning of these traditions should be fluid and can be adapted to the context of the situation and conditions of the owner. One of the oral traditions that is collided with a modern context is found in the 2018 film Padman. The film criticizes traditions that alienate menstruating women by offering a rebuttal in the form of the discovery of sanitary napkins which medically and socially should be able to break this old tradition. Using a literature review approach, this article at least attempts to do the following things; 1) explore the initial meaning of the oral tradition of secluding women during menstruation in India which has become a myth and taboo; 2) criticism of oral traditions and their relevance to the current context. The results of this study can be stated: 1) the isolation of menstruating women in the film Pad Man is actually much lighter than the extreme traditions that occur in various worlds, and this myth is only part of the conflict in the film which spurs the main character to innovate until he succeeds thanks to his persistence 2) effort This study's interpretation of the meaning of the menstrual myth, which is not clearly stated in the film, can provide a fair position, that the myth actually contains a moral element of goodness in regulating the social system of society, at the same time that myths are not always ready for reform.