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All Journal Kata Kita: Journal of Language, Literature, and Teaching
Angelina Susanto
Petra Christian University
Languange, Linguistic, Communication & Media

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The Illocutionary and Perlocutionary Acts Produced by The Main Characters of Moxie Movie Angelina Susanto
Kata Kita: Journal of Language, Literature, and Teaching Vol 10, No 3 (2022)
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/katakita.10.3.564-570

Abstract

Speech acts are crucial in establishing and achieving a conversation's goal. The purpose of this research is to examine speech acts in the Moxie movie. This study examines types of illocutionary acts and perlocutionary acts produced by the main characters of the Moxie movie, Vivian and Claudia. The writer used two different theories to conduct this research: the theory of speech act by Austin (1962, as cited in Cutting, 2002) and the classification of illocutionary act by Searle (1975, as cited in Cutting, 2002) and Leech (1983, as cited in Peccei, 1999). This study was done using a qualitative approach. The data that the writer used to analyze were Vivian and Claudia’s conversations in the Moxie movie. The results of the data analysis revealed that there were four types of illocutionary acts produced by Vivian: Representative, Expressive, Directive, and Rogative. Meanwhile, Claudia produced five types of illocutionary acts: Representative, Expressive, Directive, Commissive, and Rogative. Also, there were two effects of the perlocutionary acts, whether it is in accordance or not in accordance with the illocutionary act. In conclusion, this study has examined how the main characters of Moxie movie deliver their messages through speech acts.
Two Feminist Waves and Two Cultures in Little Women: An Adaptation Studies Angelina Susanto
Kata Kita: Journal of Language, Literature, and Teaching Vol. 12 No. 3 (2024)
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/katakita.12.3.342-352

Abstract

This study explores the adaptation of Louisa May Alcott's Little Women into a 2022 Korean television series, focusing on feminist themes across cultural contexts. By examining the portrayal of women's choices and roles, the research reveals how feminist ideas are reimagined for contemporary audiences. Both the novel and the series portray second-wave feminism through characters like Jo March, who challenges traditional gender roles, and third-wave feminism through characters like Meg March, who emphasizes autonomy and personal agency. The Korean series, featuring characters like Oh In-joo and Oh In-hye, illustrates the interplay between traditional values and modern feminist discourse. This study highlights the cultural reinterpretation of feminist values in adaptations.
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