Nangkula Utaberta
Architecture Department, Faculty of Civil Engineering and Built Environment Universiti Tun Hussein Onn Malaysia

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RELATIONSHIP BETWEEN IBN KHALDUN'S URBAN PLANNING AND THE PLANS OF THE LOCAL AUTHORITY OF BANDAR BARU BANGI Ismar Minang Satotoy Usman; Nor Syafinaz Md Safar; Shamsul Azhar Yahya; Nangkula Utaberta; Amirul Hakim
Journal of Islamic Architecture Vol 6, No 4 (2021): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v6i4.13090

Abstract

Urban planning is a combination of two important factors: arts and science. It is used to facilitate the economic, social, political and physical changes of an area, including the selection of urban location, shape, and impact of urban planning. Comprehensive planning realizes the needs of the population with strong support from the local political authority. This study analyses the relationship between Ibn Khaldun's urban planning principles to Bandar Baru Bangi's urban planning and physical development. This study uses the content analysis method from the primary source of Ibn Khaldun's “Mukadimah” and government documents; the Rancangan Tempatan Majlis Perbandaran Kajang (Pengubahan 4) 2020 [RT MPKj (P4) 2020]. It is the official document that discusses the proposal of land use and physical development in the Majlis Perbandaran Kajang (MPKj) area. Special planning guidelines were used to develop Bandar Baru Bangi (BBB) as "Bandar Ilmu" (Knowledge City) and also part of the Multimedia Super Corridor (MSC) project. Urban planning by Ibn Khaldun and the Cyber Centre Planning Guidelines by MPKj in RT MPKj (P4) 2020 have similarities and differences. It is because of the wide time interval between both (years 1344 and 2011). The impact of technology provides different views and plans in both. However, urban planning goals and objectives remain the same: to provide comfort, convenience, and peace for people to conduct daily routines while improving security and progress.
ISLAMIC INFLUENCE ON WOODCARVING MOTIFS IN JOHOR TRADITIONAL MALAY HOUSES Hanita Yusof; Izudinshah Abd Wahab; Nangkula Utaberta; Azmal Sabil; Nur Amalina Hanapi
Journal of Islamic Architecture Vol 6, No 4 (2021): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v6i4.13028

Abstract

Woodcarving motifs can be influenced by various aspects, including religions and beliefs. Malaysia is known for its cultural diversity and is rich with traditional heritage. Malay is one of the major ethnic groups in Malaysia and is considered as the majority of the country's population, contributing to the significant heritage, including art, decoration, and even architecture. Traditional woodcarving is an intricate Malay heritage and is the symbol of Malay art. A study on Malay woodcarvings is critically needed in order to know the influence that occurs on the selection of the motifs. It is such a waste to see our woodcarving heritage destroyed unappreciated and undocumented, especially on Johor woodcarvings, as many studies in other states have done. More and more traditional Johor Malay houses are being demolished day by day before we know the historical influence on the existence. The objective of this paper was to identify the woodcarving motifs found in Johor Malay houses and to identify their influence. Site visits were conducted in which the woodcarvings of 50 houses were examined, photographed, and documented. Interviews were also conducted with the house owners and the woodcarvers. The samples were analyzed, and the results were verified by experts. The results show that floral motifs lead the statistic, and the pumpkin motif, known as 'labu maya', takes the highest percentage of the overall motifs. It is concluded that the Islamic religion is the biggest influence that contributes to the findings. The findings also show that the 'labu maya' motif is the identity of the Johor woodcarving motifs. It is hoped that this study can bring recognition to Johor woodcarvings, and contribute valuable guides for woodcarvers to apply these motif typologies into their future works to sustain and cherish the Johor local identity.