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All Journal Jurnal Rupa Jurnal Dimensi DKV Seni Rupa dan Desain
Shofani Azhari
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Arts Humanities Social Sciences

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Kode-kode Psikis dalam Film '27 Steps of May' (2019): Sebuah Analisis Teks Shofani Azhari; Yasraf Amir Piliang
JURNAL RUPA Vol 7 No 2 (2022): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v7i2.3983

Abstract

Film is an important medium to represent the social reality that occurs in society. This can be seen from how a film can present a portrait of reality in symbolic forms full of meaning. The symbolic forms in the film can be related to the psychoanalytic theory in the film. The psychoanalysis in the film can be attributed to the signs in the film. One of the films full of psychic codes is 27 Steps of May (2019). This film directed by Ravi Bharwani tells about the trauma of survivors of sexual violence. May (played by Raihaanun) was the victim of gang rape when she was 14 years old. Due to deep trauma, his life later turned into a life without connection, emotion and even communication. This film shows how trauma greatly affects a person's life. The purpose of this study was to determine the psychic meaning of the codes in the film 27 Steps of May. The method used is a text analysis method with a structural semiotic approach. Semiotics is used to reveal the connotative meaning hidden behind the media text as a whole. The semiotics used is Roland Barthes' semiotics model. The results of this study are in the form of a description of the psychic codes in the film and how the body language and codes of the actors are related to psychological expressions. The results of this study were May, who hallucinated a hole in the wall inside her bedroom. This refers to the gestures and body language that are displayed in the scene as well as the psychic condition of May who is a schizophrenic, where she cannot understand the world around her normally because she is hallucinating.
MAKNA VISUAL DALAM FILM PENDEK “PUPUS – CANGKIR PROFESOR” (2025): REPRESENTASI BUDAYA LOKAL JAWA: Visual Meaning in the Short Film “Pupus – Cangkir Profesor” (2025): Representation of Javanese Local Culture Shofani Azhari
Jurnal Dimensi DKV: Seni Rupa dan Desain Vol. 10 No. 2 (2025): Jurnal Dimensi DKV Seni Rupa dan Desain
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/jdd.v10.i2.23881

Abstract

Visual Meaning in the Short Movie “Pupus – Cangkir Profesor” (2025): Representation of Javanese Local Culture. Visual meaning in a short movie offers a unique framework to preserve and reinterpret local culture in the digital era. This study investigates the visual semiotic construction of Javanese cultural values in the short movie “Pupus – Cangkir Profesor” (2025) through Roland Barthes’s semiotic model of denotation, connotation, and myth, combined with Stuart Hall’s cultural representation theory. The methodology employs a qualitative descriptive approach, using repeated scene segmentation, identification of visual signs, interpretive analysis, and validation through literature and cultural expert discussions. The findings demonstrate that the movie transforms everyday objects, gestures, and domestic spaces into cultural signs that encode grief, memory, and reverence for intellectual figures. Cups, silence, ritual gestures, and sacred domestic interiors become cultural myths reflecting Javanese values of suwung (sacred emptiness) and lila legawa (graceful acceptance). The study concludes that short movies function as both aesthetic narratives and cultural archives, bridging traditional heritage and digital storytelling. This research contributes to the broader discourse on visual semiotics and film as a medium of cultural preservation in the digital era.
Co-Authors Yasraf Amir Piliang