Claim Missing Document
Check
Articles

Found 2 Documents
Search

PIN Polio: “Proteksi”, Masa Lalu, dan Materialitas Dea Rifia Bella
Emik Vol 5 No 2 (2022)
Publisher : Universitas Muslim Maros

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46918/emik.v5i2.1533

Abstract

In 1996, there was a national scale immunization program called Polio National Immunization Week (PIN Polio) by the Indonesian Ministry of Health. The people at Benda Kerep Village, Cirebon became one of the targets of the health development program, but the program was failed in this area. This article focuses on the process of producing meaning by actors involved in the issues associated with PIN Polio program, so that controversy regarding this program is inevitable. This qualitative research was conducted in 2016 and additional occasional visits until 2022. There were eight informants involved in this study, consisting of two influential clerics (kyai), a mother who accepted the implementation of the PIN Polio program, and two others who don’t, and three health workers from the Health Office Cirebon. Data was collected using in-depth interview and observation techniques to understand why Polio PIN program in 2016 was failed in Benda Kerep Village, so that the level of community participation was very low in Benda. The results show that the stories behind the failure of implementation PIN Polio in 1996 at Benda Kerep has become the background of the failure of the program with various events that are considered as the impact of Polio injection. This is because stories of these past traumatic events are still circulating amongst the Benda Kerep people – even though they have not experienced it directly. It is argued in this article that language practice do not stand alone, it is closely associated with the existence of material health, such as syringes, uniforms and crowds of people who reinforce the meaning of past events.
Menangkap Photographic Moments di Pelelangan Ikan Muara Baru melalui Pendekatan Komposisi dan Etnografi Fotografi Tan Sri Zulfikar Yusuf; Dea Rifia Bella
Jurnalistik dan Media Vol. 2 No. 2 (2024)
Publisher : Program Studi Penerbitan, Politeknik Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32722/jjm.v2i2.7141

Abstract

In photography studies, composition is essential in capturing images to arrange visual elements within the photo frame. There are at least nine compositions that we analyze in this paper. These compositions are important for communicating the message the photographer wants to convey to the audience, thus creating a dialogic communication effort. This paper uses traders at the Fish Auction in Muara Baru, Jakarta, as the subject of photography, and the resulting photos become photographic moments in photographic ethnography. By capturing photographic moments through the correct composition, this paper demonstrates that photographs can produce meaning from the moments captured by the camera. This study is called visual ethnography, in which ethnographic photography is included as a sub-discipline that emphasizes the interpretive aspect of the subject's and object's expression in photos. Photographs with adjusted composition are not only seen as objects without meaning, but also as subjects that convey the expression of meaning and cultural communication. This can be a way for anthropologists and communication scholars to understand the socio-cultural phenomena of the communities being studied. The research in this paper finds that the combination of photography studies on composition and the method of ethnographic photography is still rarely undertaken, even though the study of photographs as both subjects and objects can provide a comprehensive picture of 'socio-cultural' conditions.