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All Journal Jurnal Ilmiah Religiosity Entity Humanity (JIREH) Tambur : Journal of Music Creation, Study and Performance Danum Pambelum: Jurnal Teologi dan Musik Gereja
Relin Yosi Huka
Institut Agama Kristen Negeri Kupang
Religion Arts Humanities Education

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Kong Kai Bertangga Nada Selendro: Kajian Organologi Kong Kai Pada Masyarakat Helong Di Pulau Semau Relin Yosi Huka
Jurnal Ilmiah Religiosity Entity Humanity (JIREH) Vol 2 No 1 (2020): Juni
Publisher : Sekolah Tinggi Teologi Injili dan Kejuruan (STTIK) Kupang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37364/jireh.v2i1.27

Abstract

The purpose of this study was to examine the structure of Kong Kai's music in the Helong community on Semau Island. This research focuses on Kong Kai sounds that have not been made in a particular musical scale. Kong Kai has a different sound than the others. The author intends to establish a standard for the uniform sound settings in all of Semau Island. The author intends to explore how to make and play kong kai. The research method used is descriptive qualitative. With the interview and observation approach, the writer seeks information about Kong Kai. Waditra Kong Kai can be measured with conventional western musical scales. Kong Kai has the same musical scales as Slendro. Tujuan dari penelitian ini adalah untuk mengkaji struktur musik Kong Kai pada masyarakat Helong di pulau Semau. Penelitian ini berpusat pada bunyi Kong kai yang belum dibuat dalam tangga nada tertentu. Kong kai mempunyai bunyi yang berbeda dari yang lainnya. Penulis bermaksud membuat standar penyeragaman setingan bunyi kong kai di seluruh Pulau Semau. Penulis bermaksud menelusuri cara membuat dan memainkan kong kai. Metode penelitian yang digunakan adalah deskriptif kualitatif. Dengan pendekatan wawancara dan observasi, penulis mencari informasi mengenai kong kai. Waditra Kong kai dapat diukur dengan tangga nada konvensional barat. Kong kai memiliki tangga nada yang sama dengan slendro.
KAJIAN ETNOMUSIKOLOGI NYANYIAN DESA YO DAY NENGO SEBAGAI PENGIRING TARIAN LEGO-LEGO PADA MASYARAKAT DESA KAMAIFUI, KECAMATAN MATARU, SUKU ABUI, KABUPATEN ALOR Relin Yosi Huka; Imanuel Letma; Novi Marliyani Nafi
Tambur : Journal of Music Creation, Study and Performance Vol. 2 No. 2 (2022): December
Publisher : Institut Agama Kristen Negeri Kupang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52960/jt.v2i2.172

Abstract

This study aims to describe and analyze the singing accompaniment to the Lego-lego dance entitled Yo Day Nengo Village, in the people of Kamaifui village, Mataru sub-district, Alor district, the authors obtained the results, namely. The method used is a qualitative method with an ethnographic approach, especially ethnomusic. The results showed (a) Lego-lego is a traditional dance belonging to the Kamaifui people; (b) the traditions that are still maintained by the people of Kamaiifui village to this day are the cakalele dance, war dance, gong and moko as traditional musical instruments and women's belis tools, and the Lego-lego dance. (c) The function of Yo Day Nengo Village singing is as a means of communication, a function of aesthetic appreciation, a function related to social norms, a function of entertainment, a function as a symbolic representation. (c) Yo Day Nengo Village Song is an accompaniment song that is general in nature and easy to be sung by all levels of society. (d) The text of the Yo Day Nengo Village song contains syllabic and melismatic. (e) The scale of the singing of Yo Day Nengo Village consists of five notes.
Musik Moderasi: Konsep Bermusik dalam Keberagaman di Kota Kupang, Nusa Tenggara Timur Relin Yosi Huka; Andrean Tabun
Danum Pambelum: Jurnal Teologi dan Musik Gereja Vol 4 No 1 (2024): DPJTMG: Mei
Publisher : Institut Agama Kristen Negeri Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54170/dp.v4i1.328

Abstract

In general, music can live in the community of human life both culturally, ethnically and religiously and develop according to the needs of the culture, ethnicity and religion itself. In a more general context, it can also be interpreted that music can also be a unifying tool in uniting various differences of opinion. Moderation is the concept of adjusting an atmosphere in relation to providing an understanding of equality and balance in interpreting the basics of a good life in pluralism. Pluralism in this context is associated with the growing religious diversity in the city of Kupang, East Nusa Tenggara. Music can unite and become a means of uniting various religions in responding to national contexts that are different but still one. This research takes the concept of moderation in music as a means to provide space for expression in the context of pluralism.
Co-Authors Andrean Tabun Imanuel Letma Novi Marliyani Nafi