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All Journal Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Jurnal Seni Tari PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT
Anggono Kusumo Wibowo
Institut Seni Indonesia Surakarta
Arts Humanities

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PEMBERDAYAAN MASYARAKAT MELALUI PENYUSUNAN TARI BOTHOKLO SEBAGAI IKON DESA WISATA LEMBAH DUNGDE DESA MLILIR, KALURAHAN GENTUNGAN, KEC. MOJOGEDANG, KABUPATEN KARANGANYAR Dwi Wahyudiarto; Anggono Kusumo Wibowo; Dwi Rahmani
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 5 (2022): Seni, Tenologi, dan Masyarakat #7
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v5i1.168

Abstract

Abstract Community Empowerment through the Bothoklo Dance as an Icon of the Dungde Valley Tourism Village, Mlilir Village, Gentungan Village, Mojogedang District, Karanganyar Regency, is an accompaniment program to the community as a tangible manifestation of the implementation of the Vision of the Indonesian Institute of the Arts Surakarta. The preparation of Bothoklo Dance as an icon of a tourist village, comes from the traditional culture of the Mlilir Village community. The preparation process is carried out with the community, this is a form of creative creative education so that the community awakens its creative spirit. The method used in the preparation of the Bothoklo dance is the three R method, namely Re-Visiting, Re-Questioning and Re-Interpreting. The results of the preparation of the Botoklo Dance are then trained to the community as a strengthening of tourist attraction. The training was carried out in the Dungde Valley Tourism Village, Mlilir Village, Gentungan Village. This is intended to be closer and introduce the Surakarta Indonesian Art Institute campus to the public. In addition, the form of training with the community can also be an attraction for the community / tourists who come to the Dungde Valley. The result of this community empowerment is the composition of the Bothoklo Dance with the theme of mythological animals in Mlilir Village, packaged in the form of group dance. The music used is a variety of ethnic groups in the Mlilir area, while the clothing uses the artistic rods of mendong with the current packaging. Bothoklo dance is taught to the Mlilir community to be developed as a tourist village icon.
KOMPOSISI GAMELAN KELOMPOK SARDULO ANUROGO PADA FESTIVAL REYOG NASIONAL 2019 Sigit Setiawan; Anggono Kusumo Wibowo
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 23, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v23i1.5443

Abstract

This research reveals the composition of the Reyog Ponorogo gamelan, a case study of the Reyog Sardulo Anurogo group in Jember, East Java, in the context of the 2019 National Reyog Festival. The reason for selecting Sardulo Anurogo as the case study subject is due to the group's interesting pluralism aspect, where Reyog is not only studied by the Javanese Ponoragan ethnic group, but also by other ethnic groups in Jember, Madura. The 2019 National Reyog Festival also marked a significant moment for Sardulo Anurogo, as they achieved a top 3 position in the festival, representing the group's highest achievement. The approach used is based on the ideas of I Wayan Sadra, who proposed four methods for composing music. These are (1) the principle of growth, (2) sound transformation or medium, and (3) range or tonal area. These principles areapplied to analyze the composition of the Reyog Sardulo Anurogo gamelan. The research result is the categorization of Reyog music development methods, which can be used as a prototype for composing and enhancing the creative aspects of Reyog gamelan.
The Organology of Pencak Silat and Reog Ponorogo Dance Septa Dwi Saputro; Anggono Kusumo Wibowo
Jurnal Seni Tari Vol 12 No 2 (2023): Vol 12 No 2 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jst.v12i2.75358

Abstract

Pencak Silat is one of the well-developed sports in Indonesia, pencak silat is also a self-defence art that teaches spiritual and physical education to its devotees in living up to the moral values in it. The material object of this research is pencak silat and the formal object is the aesthetics of pencak silat. Through the collaboration of the Reog Ponorogo dance with the pencak silat movement, the aim is to create beautiful new creative movements. The implementation method uses training, practice and history through description, analysis and synthesis. The results of the research are martial arts styles which consist of mental-spiritual aspects, self-defence, arts and sports, and also arts in martial arts divided into wiraga, wirama and wirasa as well as collaboration with the Ponorogo reog arts. The art in pencak silat includes every attitude and movement that is shaped and regulated to achieve maximum artistic beauty. The criteria for art, especially dance, have been used as a guideline. The criteria are formulated with the words wiraga, wirasa, and wirama, which have the meaning of harmony and harmony between the body (raga), taste, and rhythm in displaying every attitude and movement of artistic martial arts which consists of three parts, namely exhibition arts, recreational arts pencak silat, and performance arts pencak silat.
Co-Authors Dwi Rahmani Dwi Wahyudiarto Septa Dwi Saputro Sigit Setiawan