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All Journal Tekstual Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Indah Ayu Saputri
Universitas Teknologi Sumbawa
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Other

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STRUKTUR DAN BENTUK GENDING TARI HANDAGA BUGIS DI PURA MANGKUNEGARAN Indah Ayu Saputri
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 22, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v22i2.4807

Abstract

The Handaga Bugis dance at Mangkunegaran Temple is a wireng genre dance. The presentation of this dance cannot be separated from the musical accompaniment as one of the determining factors for the success of the performance both in welcoming guests at the Mangkunegaran Temple and in a festival. This study aims to describe the structure and form of music in the Handaga Bugis dance performance at Mangkunegaran Temple. Qualitative research methods with observation and interview techniques are used to support the data collection process in this study. In its presentation, this dance has standard music/accompaniment (standard) as a form of wireng dance. The forms of gending used are sampak sanga, lancaran kandhang bubrah pelog pathet nem, ketawang puspanjala pelog pathet nem, kemudha pelog pathet nem, ayak-ayak sanga wiled. Based on the structure, several gending have similarities and differences in the level of rhythm, beat and execution.
ANALISIS GERAK DAN KARAKTER BUGIS PADA TARI HANDAGA BUGIS DI PURA MANGKUNEGARAN Indah Ayu Saputri
Tekstual Vol 21, No 2 (2023): Tekstual: Humaniora
Publisher : Universitas Khairun

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33387/tekstual.v21i2.7100

Abstract

This study uses an ethnochoreology approach with dance ethnography methods. Judging from its culture, the multicultural art form referred to in this case is described based on the background of the movements and characters. The results of this research show Bugis movements and characters are manifested in motion motives including slulupan, ngundhing mangundha, cekotan, kiteran, geyol, ikal benang, and pencak silat. The movements and characters of Bugis ngglece are formed by the motives of the ngundhing mangundha and slulupan movements. The movement and character of the gecul are formed by the motive motion of the geyol, kiteran, and ikal benang. The motion and character of ngece is formed by the motive penthangan laku miring cekotan, and ulap tawing cekotan. The movements and characters are agile, attractive, dynamic and strong are manifested in the movements of pencak silat which have been stylized into dance movement that gives the impression of a  straight line, firm, and strong.Keywords: Movement and Character, Bugis, Dance
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