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All Journal Al-Ittishol : Jurnal Komunikasi dan Penyiaran Islam Jurnal Komunikasi dan Budaya Jurnal Ilmu Komunikasi Balayudha (JIKOBA)
Siroy Kurniawan
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Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Social Sciences

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RITUAL TABOT PROVINSI BENGKULU SEBAGAI MEDIA DAKWAH ANTAR BUDAYA Siroy Kurniawan; Ririn Jamiah
Jurnal Komunikasi dan Budaya Vol 3 No 2 (2022): Jurnal Komunikasi dan Budaya
Publisher : Universitas Baturaja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54895/jkb.v3i2.1854

Abstract

The history of the development of Islam in Indonesia has a very long story. Starting from the spread through trade, colonialism, empire, to culture. Various kinds of traditions, traditional rituals, culture and diversity rituals have a different style in each area that is widespread in Indonesia. A cultural ritual wrapped in religious nuances in Indonesia is very many, even in each region must have cultural nuances of religion with their respective characteristics. The spread of Islam through culture is not taboo. Such as inviting religious ritual activities in the month of Muharam. In the treasury of Islamic history, the month of Muharram becomes more valuable, because it becomes the first month in the Hijri calendar. As with books close and open books, as well as charity. Muharram is a month that has long been known since pre-Islam. Then at the time of the Prophet until Umar bin Khattab was inaugurated as a fixed calendar of Islam. In the sense that the month of Muharam is a sacred month of Islamic history. Like when celebrating Tabot in the city of Bengkulu, combining elements of Islam and cultivation that blend into one with unity. Tabot ritual itself is a form of activity carried out by the people of Bengkulu city. This ritual is held for 10 days, carried out from 1 to 10 Muharam. The meaning of the tabot ritual has two steps, first, the tabot celebration is interpreted as a form of resistance to the death of Husein bin Ali on the 10th of Muharam. While the second element is relying on symbols and traditions, thus the Ark is also nuanced in local culture, cannot be used. Mean
DRAMATURGI SANTRIWATI DALAM MENYIKAPI ATURAN BERPAKAIAN DI PONDOK PESANTREN RIYADLATUL ULUM LAMPUNG TIMUR Ririn Jamiah; Siroy Kurniawan; Eka Listiana
Jurnal Ilmu Komunikasi Balayudha Vol. 4 No. 1 (2024): Jurnal Ilmu Komunikasi Balayudha (JIKOBA)
Publisher : Program Studi Ilmu Komunikasi Fakultas Ilmu Komunikasi Universitas Sumatera Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56869/jikoba.v4i1.447

Abstract

This research was conducted to find out how dramaturgy was carried out by santri at the Riyadhlatul Ulum Islamic boarding school, Batanghari, East Lampung. Dramaturgy in this case is the social life of the santri as seen from the front stage and back stage of Erving Goffman's theory of dramaturgy. This research is a qualitative research. Data collection techniques in this study used observation, interviews and documentation techniques. This research shows that the front stage is that female santri comply with the rules of dress in the pesantren environment such as not wearing trousers, skirts made of jeans and syar'i headscarves. While the back stage is the santri wearing clothes according to their wishes and the style of dress they like. There is one factor that causes this, namely social factors. Social factors include the school environment or campus environment. Friends who come from different backgrounds trigger the desire of the students to appear more attractive according to the style they want.
Kajian Komunikasi Dakwah Non-Verbal Pada Tradisi Ratib Taji Besi Kesultanan Tidore Siti Nur Alfia A; M. Sakti Garwan; Siroy Kurniawan
Al-Ittishol: Jurnal Komunikasi dan Penyiaran Islam Vol. 7 No. 1 (2026): Al-Ittishol: Jurnal Komunikasi dan Penyiaran Islam
Publisher : Prodi Komunikasi dan Penyiaran Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51339/ittishol.v7i1.4660

Abstract

Tradisi Ratib Taji Besi di Kesultanan Tidore merupakan sebuah tradisi yang melibatkan serangkaian ritual sakral. Dalam tradisi ini  dipimpin oleh seorang Syech, di mana para peserta melakukan atraksi dengan Alwan (bilah besi) sambil melantunkan zikir dan tarian sufi. Penelitian ini merupakan analisis komunikasi dakwah non-verbal yang berfokus pada simbolisme gerakan tubuh dan penggunaan alat-alat ritual dalam menyampaikan nilai-nilai keagamaan dan budaya masyarakat Tidore. Penelitian ini dalam Persiapan spiritual seperti mengambil air wudhu dan berjalan jongkok menuju Syech menunjukkan kesucian dan penghormatan. Gerakan mengusapkan Alwan dari pundak kanan ke atas kepala dan turun ke pundak kiri melambangkan penyucian diri. Atraksi menikamkan Alwan ke dada dan paha, disertai dengan tarian, menggambarkan keberanian dan keyakinan pada perlindungan Ilahi. Musik rebana yang mengiringi ritual menambah dimensi auditori dalam komunikasi non-verbal, menciptakan suasana sakral dan mendukung pelaku mencapai keadaan trance. Asap kemenyan juga berfungsi sebagai simbol penyucian dan penghubung antara dunia fisik dan spiritual. Hasil analisis ini menunjukkan bahwa komunikasi non- verbal dalam tradisi Ratib Taji Besi tidak hanya memperkuat pesan religius tetapi juga membangun pengalaman spiritual kolektif yang mendalam di antara peserta. Tradisi ini menggambarkan integrasi antara ajaran agama Islam yang berbalut nuansa budaya lokal, selain itu tradisi ini berfungsi sebagai media dakwah yang efektif di masyarakat Kesultanan Tidore.
Co-Authors Eka Listiana M. Sakti Garwan Ririn Jamiah Siti Nur Alfia A