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All Journal JURNAL PENGABDIAN KEPADA MASYARAKAT Jurnal SOLMA Adi Widya : Jurnal Pengabdian Masyarakat Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Narada : Jurnal Desain dan Seni Jurnal Pengabdian Seni Suluh: Jurnal Seni Desain Budaya Javanologi: International Journal of Javanese Studies Hastagina: Jurnal Kriya dan Indsutri Kreatif Runtas: Jurnal Fesyen dan Wastra Nusantara Canthing
Apika Nurani Sulistyati
Universitas Sebelas Maret
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Pengembangan Motif Batik Tiga Negeri Khas Surakarta dengan Teknik Cap untuk Pasar Industri Kreatif Joko Lulut Amboro; Theresia Widiastuti; Setyawan Setyawan; Apika Nurani Sulistyati
Jurnal Pengabdian Seni Vol 3, No 1 (2022): MEI 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jps.v3i1.6076

Abstract

Ketika dunia sedang dilanda pandemi, semua sektor ekonomi mengalami kemacetan dan berdampak pada penurunan yang cukup signifikan. Namun, yang menarik adalah produk hasil dari kreativitas semacam batik justru masih mempunyai kesempatan yang cukup baik untuk tetap bertahan. Apalagi dengan kemudahan melalui media online. Bisnis online sebagai sektor perekonomian baru di Indonesia berdampak pada pola pikir masyarakat termasuk masyarakat tradisional, termasuk masyarakat perajin batik. Kesempatan ini memberi peluang besar bagi dunia perbatikan khususnya para kriyawan dan perajin batik untuk melakukan pengembangan tanpa batas demi tercapainya kebaruan corak yang sesuai dengan selera pasar saat ini. Salah satu dari sekian banyak varian batik pesisir yang memiliki sejarah cukup panjang  adalah batik Tiga Negeri Surakarta, yang pernah diproduksi di Surakarta dan saat ini berhenti karena satu-satunya perusahaan yang memproduksi batik jenis ini sudah tutup pada tahun 2014; padahal corak ini masih mungkin untuk dikembangkan. Batik dengan motif utama burung berekor panjang dan bunga berkelopak banyak ini terkait dengan filosofi Cina dan dipadukan dengan isen ciri khas batik pedalaman khususnya Surakarta. Target untuk memberikan nuansa baru, yang sesuai dengan konsumen masa kini, memerlukan teknik khusus agar tepat sasaran. Penelitian kualitatif ini memanfaatkan pendekatan analisis tren mode untuk mendapatkan masukan ke arah mana pengembangan motif harus dimulai. Melalui analisis tren dapat diukur tren yang sedang terjadi di pasar beberapa tahun ke depan, sesuai dengan kondisi dan perubahan masyarakat yang sedang terjadi.
PELATIHAN PEMBUATAN KEMASAN YANG KEKINIAN UNTUK PRODUK BATIK TIGA NEGERI KHAS SURAKARTA Apika Nurani Sulistyati; Theresia Widiastuti
Adi Widya : Jurnal Pengabdian Masyarakat Vol. 7 No. 1 (2023): Adi Widya: Jurnal Pengabdian Masyarakat
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33061/awpm.v7i1.8360

Abstract

Batik Tiga Negeri is one of the historic batiks on the north coast of the island of Java which was made to be traded from the start. Packaging for Batik Tiga Negeri is needed in addition to protecting the product, as well as for communication media in spreading about one of the nation's wealth that can be proud of. Packaging can have a useful multi-function. There are many packaging options, ranging from plastik to paper and cloth, all of which can display product labels. Through this service activity, it is hoped that the millennial generation, namely Regina Pacis Solo High School students will understand: 1) How far can the main motifs of Batik Tiga Negeri developed according to the style of young people? 2) How student’s creativity in making packaging for Batik Tiga Negeri products is not only attractive, useful, but also can be an effective communication medium. In other words, from the work produced, it will further clarify the role of packaging for Batik Tiga Negeri handicraft products other than as a wrapper. The method used is community service in the form of training. Beginning with providing material to young people as the nation's next generation, about the archipelago's wastra, especially batik. Training on making designs on packaging to wrap Tiga Negeri batik products, in order to produce a unique packaging with the main motif idea of Batik Tiga Negeri. The purpose of this activity is to make students aware of the importance of maintaining the ancestral heritage which is the wealth of this nation.
UPCYCLING LIMBAH PLASTIK DENGAN TEKNIK MERENDA (CROCHET) UNTUK PEMBUATAN UPHOLSTERY PADA PRODUK POUF Lutfiatun Anisa; Apika Nurani Sulistyati
Narada : Jurnal Desain dan Seni Vol 10, No 2 (2023)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2023.v10.i2.005

Abstract

The daily use of plastic bags on a large scale has an impact on the increasing amount of plastic bag waste generated. Responding to these problems, the author initiated the utilization of plastic bag waste in the interior field, namely by upcycling plastic bag waste using crochet techniques for making upholstery on pouf products. That way in this design can be formulated a problem of how to process plastic bag waste with crochet techniques into upholstery on pouf products. The purpose of designing this work is to provide alternatives and variations in the processing of plastic bag waste using crochet techniques. This design uses the method of creation proposed by Palgunadi (2007), which includes three processes of planning and making products, namely the exploration process, extraction process, and termination point. The results obtained from this design are that plastic bag waste, especially HDPE types, can be made into plastic fibers because this plastic waste has a medium thickness, but is still strong and very much available. Furthermore, to process plastic waste into plastic fibers, steps are needed such as sorting, cleaning and then cutting plastic bag waste to produce plastic fibers that are ready to be crocheted to produce upholstery poufs that are in accordance with taste.
Penciptaan Seni Serat sebagai Ekspresi Visual Tembang Pangkur Ninantry Nurkhalissa; Apika Nurani Sulistyati
Hastagina : Jurnal Kriya Seni Vol 3 No 01 (2023): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

The phenomenon of deteriorating mental health in the student environment can cause bad possibilities such as depression, escape to alcohol and drugs, drop out, and even suicidal ideation. Things of a spiritual nature are much needed in youth who are prone to falling into negative problems. The creation of this Final Project work adapts the spiritual message of Tembang Pangkur as a neutralizer for deteriorating mental health among students into a work of visual art. The aim is to convey spirituality which is presented as a medium of education and awareness through textile artwork. The method used is the Gustami Creation Method which consists of three stages including the exploration stage, the design stage, and the embodiment stage. The exploration stage is carried out by observing and collecting data regarding students' mental health problems and their relation to spiritual awareness, adapting the spirituality contained in tembang pangkur into a visual form as a solution and educational media, and determining the concept of the work, namely the process of a spiritual journey, as well as exploring techniques, materials and visually through trials. The design stage is carried out by visualizing the concept into several design alternatives that consider aspects of creating art. The embodiment stage, realizing the selected design into a work of fiber art and holding an evaluation in the form of a Final Project exhibition. The creation of this Final Project is realized into three works entitled Dark Soul, Good and Bad, and Healing Soul. The three works are related to each other which describes the process of a spiritual journey. The form of the work is in the form of a wall hanging with latch hook and crochet techniques as the craft technique. The materials used besides cotton thread are wasted materials such as cloth from unused clothes, mask straps, and wooden sticks.
PELATIHAN ECOPRINT TEKNIK POUNDING UNTUK SISWA SEKOLAH DASAR Widiastuti, Theresia; Sulistyati, Apika Nurani; Setyawan, Setyawan; Darwoto, Darwoto; Dartono, Felix Ari
Adi Widya : Jurnal Pengabdian Masyarakat Vol 7 No 2 (2023): Adi Widya: Jurnal Pengabdian Masyarakat
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33061/awpm.v7i2.9309

Abstract

Ecoprint is a technique of giving patterns on fabrics made from natural materials which aims to reduce the negative impact on the environment. The activity of making environmentally friendly ecoprint crafts on drawstring bags using the pounding technique was carried out with fifth grade students of SDN Cemara Dua Surakarta. Extra-curricular activities are routinely carried out by schools, one of which aims to maintain environmental preservation and prevent damage to the environment and pollution of the school. Through this activity it is hoped that students will acquire a simple provision of knowledge about nature, especially plants. The pounding process that was trained on them used kenikir leaves which have a variety of nutritional content and are beneficial for health, besides having a unique color when tapped on the cloth. New things that can be valuable input for elementary school students besides gaining skills to make crafts that can be used alone. The method used in this service activity is in the form of training. Students are provided with very basic simple knowledge about plants, understand the process of making works using the pounding technique, learn to make beautiful patterns by arranging kenikir leaves on the surface of drawstring bags, and produce eco-friendly crafts. In this activity the service team accompanies each student to work while playing in the hope of awakening their creativity.
Eksplorasi Teknik Tritik dengan Pewarna Teh pada Perancangan Tekstil Pakaian astuti, dewi; Nurani Sulistyati, Apika
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i2.2732

Abstract

The tritik technique with geometric motifs has great potential to be developed, looking at the jumputan fabric motifs produced in the city of Surakarta, the majority of which are clove motifs, tumpal motifs and zig-zag motifs and do not use rules or provisions for stitch spacing. One of the efforts is to explore the tritik technique which produces geometric motifs using a combination of stitch techniques, baste folding techniques, and overcast stitch techniques by applying stitch spacing rules so that the geometric motifs produced are more optimal and consistent. The tritik techniques produced in the city of Surakarta are less diverse, so exploration of tritik techniques is needed to create more diverse motifs. The design of this work uses tea coloring from a certain brand which provides many variants. Different tea variants have a great opportunity to be developed as color variations because they create different colors with a stable consistency to enrich the natural coloring repertoire of tea. The design of this work is used as a clothing textile product for women of all ages. The design of this work uses the method of creating works of art by S.P Gustami which includes the exploration stage, design stage and realization stage. The result of this design is a clothing textile product using the tritik technique and tea dye. The tritik technique can be developed into geometric shapes such as lines, circles, hexagons, meanders and squares by using certain techniques and applying stitch spacing provisions
Peningkatan Keterampilan Warga Disabilitas: Peningkatan Kuantitas Batik Ciprat dengan Alat Pengering Gravitiani, Evi; Purnomo, Rochmat Aldy; Sulistyati, Apika Nurani; Hendrasuryawan, Brilyan; Sartika, Rebecca Cindy; Prananto, Adi; Rudianto, M
Jurnal SOLMA Vol. 14 No. 2 (2025)
Publisher : Universitas Muhammadiyah Prof. DR. Hamka (UHAMKA Press)

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Abstract

Background: Proses pengeringan batik ciprat masih mengandalkan sinar matahari yang tidak menentu dan belum didukung alat pemanas, sehingga produksi belum siap memenuhi pesanan dalam jumlah besar dengan tenggat waktu tertentu. Program ini bertujuan untuk mengatasi permasalahan rendahnya kuantitas penawaran batik ciprat Karangpatihan dengan cara meningkatkan keterampilan mitra dalam menggunakan alat pengeringan batik berbasis tenaga listrik. Metode: Program ini dilaksanakan selama bulan Maret hingga Desember 2025. Mitra dari program ini adalah Rumah Harapan Mulya, yang melibatkan 50 peserta terdiri dari kaum muda dengan latar belakang sosial ekonomi lemah, perempuan, dan penyandang disabilitas fisik. Metode pelaksanaan kegiatan dilakukan secara sistematis melalui tahapan: (1) observasi dan wawancara awal; (2) sosialisasi program dan pengenalan alat pengering batik ciprat berbasis tenaga listrik; (3) pelatihan teknis dan praktik penggunaan alat; serta (4) monitoring dan evaluasi. Hasil: Hasil program menunjukkan adanya peningkatan keterampilan mitra dalam menggunakan alat pengering batik ciprat berbasis tenaga listrik. Berdasarkan hasil pengukuran sebelum dan sesudah pelatihan, peningkatan keterampilan sebesar 72% dari kondisi awal, ditandai dengan kemampuan mengoperasikan alat secara mandiri. Selain itu, kapasitas produksi batik ciprat juga meningkat dari rata-rata 30 kain per minggu menjadi 50 kain per minggu, atau mengalami peningkatan sebesar 66,7%.
Perancangan Motif Batik Kontemporer Untuk Tekstil Pakaian Anindita Atika Sari; Apika Nurani Sulistyati
Ornamen Vol. 22 No. 1 (2025): Juni
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v22i1.6019

Abstract

Motif batik di Indonesia akan terus berkembang sesuai dengan perkembangan dan kemajuan industri di Indonesia. Ini merupakan hal baik karena akan mendorong masyarakat luas untuk lebih mencintai batik dan mendukung setiap kegiatan untuk melestarikan batik. Batik kontemporer merupakan salah satu perkembangan batik dengan kebutuhan bagi masyarakat modern dimana bentuk dan gaya corak kain masa kini dan memiliki kemungkinan gagasan yang tidak terbatas. Metode perancangan yang digunakan dalam perancangan ini adalah metode perancangan milik SP Gustami, dimana ada tiga tahap perancangan yaitu eksplorasi, perancangan dan perwujudan karya. Tujuan dari perancangan ini adalah berupa hasil produk batik kontemporer dengan menggunakan bahan dasar kain primisima dengan mengelola visual garis ekspresif yang dipaduka dengan motif klasik untuk dijadikan tekstil pakaian. selain itu, produk tersebut menampilkan visual kekinian dengan menggunakan warna-warna kontemporer. Hasil perancangan berupa delapan desain batik kontemporer yang kemudian menghasilkan dua produk berupa lembaran kain batik. Menggunakan bahan katun primisima dengan teknik pewarnaan menggunakan zat pewarna remasol.
Perancangan Tas Selempang dengan Material Bioplastik Berbasis Gelatin dan Campuran Limbah Tekstil Linda Fatmawati; Apika Nurani Sulistyati
Ornamen Vol. 22 No. 1 (2025): Juni
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v22i1.7177

Abstract

Polusi plastik konvensional menjadi penyebab meningkatnya pencemaran lingkungan. Salah satu alternatif dari penggunaan plastik konvensional adalah bioplastik. Adapun masalah yang ditemui di AK Tekstil Solo, yaitu belum adanya pemanfaatan dari limbah produksi benang yang kemudian menjadi bahan campuran dalam bioplastik. Bioplastik adalah bahan yang terbuat dari sumber biomassa organik dan dapat dengan mudah terurai secara hayati. Metode perancangan yang digunakan adalah metode penciptaan seni kriya oleh SP. Gustami, pola tiga tahap enam langkah. Tiga tahapan tersebut meliputi eksplorasi, perancangan, dan perwujudan. Enam langkah tersebut yaitu; (1) identifikasi masalah, (2) strategi pemecahan masalah, (3) membuat sketsa alternatif, (4) membuat prototype, (5) pembuatan karya, dan (6) evaluasi. Produk ini memakai ragam hias flora Indonesia, bunga rafflesia. Tema bunga dipilih karena bunga menjadi simbol kecantikan, memiliki kesan feminim dan anggun sehingga mudah diterima oleh kaum hawa di berbagai zaman. Dominasi warna yang digunakan dalam perancangan ini adalah warna kuning, dimana warna kuning diprediksi akan menjadi salah satu warna yang popularitasnya akan naik di tahun 2025. Bioplastik dapat dibuat menggunakan bahan bahan yang mudah ditemukan, dikerjakan dengan cara homemade. Bahan utama bioplastik yang paling sempurna untuk dijadikan bahan pembuatan tas adalah bioplastik berbasis gelatin. Bioplastik dapat dikombinasikan dengan limbah produksi tekstil berupa benang.
PENERAPAN TEKNOLOGI KOMPUTER GRAFIS UNTUK INOVASI DESAIN BATIK DI USAHA BATIK PANDANSARI, PLUPUH, SRAGEN Theresia Widiastuti; Apika Nurani Sulistyati; Setyawan; Darwoto
Adi Widya : Jurnal Pengabdian Masyarakat Vol 9 No 1 (2025): Adi Widya: Jurnal Pengabdian Masyarakat
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33061/awpm.v9i1.11092

Abstract

Making batik designs requires the ability to visualize ideas for motifs or decorations. This process relies on the ability to move the visual processing process which was originally still an idea into something real, which can be seen in the form of an image. The ability to visualize is important because from this process motifs, patterns and decorations can be created. This work is quite complicated, requires precision, patience and takes time. When there are many orders, the work of drawing motifs must be faster. One solution to speed up making drawings is to use computer graphics to help create innovative written batik designs in a shorter time than if done manually. Through community service activities, the application of computer graphics technology for batik design innovation at the Pandansari Plupuh Sragen Batik Business uses training methods delivered offline and online. This is because both trainers and participants take time out of their busy work schedules. The participants are employees in the design department who are able to use computers. Through one face-to-face meeting for explanation and four online meetings for practice which aims to improve participants' skills in making various kinds of motifs. The result is a new design that can be completed relatively quickly compared to if it was done manually.
Co-Authors Alfi Yusrina Farikha Anggita Wahyuningrum Anindita Atika Sari Cantika, Keyla Meitasya Kusuma Dartono, Felix Ari Darwoto Darwoto Darwoto Darwoto Darwoto Dewi Astuti Evi Gravitiani Farikha, Alfi Yusrina Flavio Kwigo Yusan Pramista Hendrasuryawan, Brilyan Joko Lulut Amboro Linda Fatmawati Lutfiatun Anisa Ninantry Nurkhalissa Pramista, Flavio Kwigo Yusan Prananto, Adi Purnomo, Rochmat Aldy Rudianto, M Sahid Teguh Widodo Sartika, Rebecca Cindy Septi Yulisetiani Setyawan Setyawan Setyawan Setyawan Setyawan Setyawan, Setyawan Theresia Widiastuti Theresia Widiastuti Theresia Widiastuti Theresia Widiastuti, Theresia Theresia Widyastuti Widyastuti, Theresia Zefanya Maria Soraya