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All Journal Lekesan: Interdisciplinary Journal of Asia Pacific Arts Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra
I Wayan Sugita
UHN I Gusti Bagus Sugriwa Denpasar
Arts Humanities Education Languange, Linguistic, Communication & Media

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STRATEGI PEWARISAN SENI PERTUNJUKAN DRAMA GONG KEPADA GENERASI PENERUS I Wayan Sugita
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol. 11 No. 2 (2021)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (562.225 KB) | DOI: 10.25078/kalangwan.v11i2.1479

Abstract

Artikel ini bertujuan membahas pewarisan seni pertunjukan drama gong kepada generasi penerus. Sebagai bentuk penelitian kualitatif, koleksi data dilakukan melalui analisa terhadap empat kisah drama gong terpilih, yaitu (1) Suluh Ikang Praba; (2) Manik Gesing Buluh;(3) Nila Warsiki; dan (4) Jayaprana produksi tahun 2019 – 2021. Data penelitian juga dikumpulkan melalui observasi, studi dokumen dan wawancara dengan beberapa informan yang memahami seni pertunjukan drama gong di Bali. Analisis data dilakukan secara kualitatif dengan menerapkan terori semiotika dan praktik sosial Bourdeau. Hasil penelitian menunjukkan bahwa pewarisan drama gong amat urgen dilakukan: (a) untuk melestarikan drama gong; (b) regenerasi anak muda Bali sebagai pendukung drama gong; (c) drama gong menjadi bagian dari identitas budaya Bali; dan (d) drama gong sebagai media edukasi bahasa dan budaya Bali. Pewarisan seni pertunjukan drama gong dilakukan melalui strategi formal, yakni melalui pendidikan formal sejak PAUD sampai Perguruan Tinggi sebagaimana yang dilakukan oleh Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar, dan strategi informal, yakni berperannya keluarga dan sanggar seni-budaya melakukan sosialisasi, enkulturasi nilai-nilai budaya Bali dalam seni pertunjuan drama gong kepada generasi muda Bali.
THE EXISTENCE OF BALINESE MASK DANCE DRAMA IN THE MILLENNIAL GENERATION IN GIANYAR REGENCY I Gede Tilem Pastika; I Wayan Sugita; Cokorda Krisna Dwiyoga
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 9 No. 1 (2026)
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lksn.v9i1.3671

Abstract

This qualitative research aims to examine the phenomenon and analyze the forms of existence of the Balinese Mask Dance Drama among the millennial generation in Gianyar Regency. Traditionally, this art demands multi-competency and a pawintenan ritual, usually performed by mature dancers. However, contemporary observation shows that millennials are actively involved, significantly influencing the evolution of art due to their distinct lifestyle. Data were collected through observation, interviews, and documentation. The analytical framework used is the aesthetics of existentialism. The results demonstrate that millennial mask artists ensure the art's existence through specific innovations. These include: integrating dance movements that imitate viral trends (such as TikTok dances) while maintaining core Balinese movements; mask shape innovations (e.g., movable mouth parts); emphasizing costume colors; and using multiple languages (Indonesian, English, slang) to address current social dynamics. Furthermore, digital media is leveraged for accompaniment music and promotion, serving as a primary learning source.
Co-Authors Cokorda Krisna Dwiyoga I Gede Tilem Pastika