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All Journal Journal of Education, Humaniora and Social Sciences (JEHSS) Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya
Tri Wahyuningtyas
Universitas Negeri Malang
Education Health Professions Languange, Linguistic, Communication & Media Public Health Social Sciences

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TRANSKRIPSI STRUKTUR PENYAJIAN LAKON RABINE PANJI PADA KELOMPOK WAYANG TOPENG TRADISI KEDUNGMONGGO MALANG Endang Wara Suprihatin Suprihatin; Dyah Pratamawati; Tri Wahyuningtyas; Hartono Hartono
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 44, No 1 (2016)
Publisher : Fakultas Sastra Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (342.787 KB)

Abstract

Malang is popular with one of its traditional dance that is Malang Puppet Mask (Wayang Topeng Malang, shortened into WTM). WTM has several characteristics, they are: (1) retelling Panji stories; (2) all dancers wear puppet mask with its own characters; (3) puppet master is usually performed by male and is responsible to tell stories and narrate the dialogs; (4) the stage has its definite patterns and cannot be changed according to the puppet master’s will. Panji’s stories and narration are based on folk lore so that the form and the structure are based on the puppet master’s memories, perception and variation, WTM artists, and the society. Sanggar Asmoro Bangun as one of WTM groups, located in Kedungmonggo village, Malang District, presents the dance into two versions, they are: (1) full duration to perform Rabine Panji (Panji’s Marroage); and (2) short version in performing Rabine Panji. Both versions influence several aspects in performing the dances, such as, the structure, the time, the scenes and the music.
Transformasi Fungsi Penutup Kepala Berbahan Kain sebagai Media Identifikasi Identitas Masyarakat dalam Aktivitas Seni Pertunjukan di Malang Raya Robby Hidajat; Pujiyanto Pujiyanto; Tri Wahyuningtyas; Muhammad Afaf Hasyimy
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 6, No 2 (2023): Journal of Education, Humaniora and Social Sciences (JEHSS), November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jehss.v6i2.1922

Abstract

This article explains the transformation of the function of cloth head coverings to identify people's identities in performing arts activities in Malang Raya. These cloth head coverings have types, shapes and techniques for wearing them, as well as meanings that determine the ethics of their use. This complexity is to be able to reveal the transformation of its use function in the artistic activity environment. Because the use of cloth head coverings has never been used to identify the social identity of people in greater Malang. This is the aim of this research, namely to reveal and explain the function of cloth head coverings used in artistic activities. The research method used is descriptive qualitative with data collection techniques in the form of interviews with key informants who are competent in the field of performing arts, observing the activities of wearing cloth head coverings used by the community in arts activities, and reviewing documents, in the form of pictures, photos or reliefs on temples. -temple. Data analysis uses the theory of continuity and change, symbolic interactional, and functional structure. The research results found two important factors that can indicate the social identity of the people of Malang Raya as follows: (1) Social status, (2) Symbolic, (3) and Spiritual.
Co-Authors Desyandri Desyandri Dyah Pratamawati Endang Wara Suprihatin Suprihatin Muhammad Afaf Hasyimy Pujiyanto Pujiyanto Robby Hidajat