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The Representation of Racism in The Man Who Knew Infinity Movie by Matthew Brown Siti Ayu Wulandari; Rasiah Rasiah; Rahmawati Azi
ELITE: Journal of English Language and Literature Vol 7 No 2 (2022): Vol. 7 No. 2 December 2022
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v7i2.1547

Abstract

This study aimed to analyze racism in The Man Who Knew Infinity movie used Paradies, Harris, and Anderson's theory. The Man Who Knew Infinity released in 2016 is a film directed by Matthew Brown that features the character of a genius mathematician from India named Srinivasa Ramanujan who wants to publish his formula about mathematics at Trinity College. As an Indian, Ramanujan experienced various acts of racism committed by the British, both mentally and physically. This study used a descriptive qualitative method. The data was collected through four steps, such as watching, screenshotting, note-taking, and identifying the data. The result of this study showed that the main character experienced racism because of his race and nationality. The kinds of racism that the main character experienced namely stereotypes, prejudice, and discrimination.  
Discourse and Racism in Hidden Figures Nur Rachmatiya Rosa Zahra; Rasiah Rasiah
ELITE: Journal of English Language and Literature Vol 8 No 1 (2023): Vol. 8 No. 1, June 2023
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i1.2268

Abstract

This research aims to describe discourse and racism in the Hidden Figures movie using discourse and racism theory based on Dijk's approach. The results showed that the ten aspects of Dijk's theory of discourse and racism could be found in several characters such as speech, expressions, and actions that refer to the use of discourse and racism in the Hidden Figures movie. Two aspects of discourse and racism are most dominantly depicted in this movie, namely aspects of nonverbal structure and aspects of syntax. In the nonverbal structure aspect, the visible form of racism is the depiction of facial expressions such as anger, annoyance, and dislike as well as body movements refusing to interact for a long time with black people. Discourse and racism in the Hidden Figures movie also display racist behavior towards black people as a reflection of a system of prejudice, namely negative emotional reactions and stereotypes, namely judgments or assumptions based on groups and people's characteristics. This is illustrated by the experiences of Katherine, Dorothy, and Mary regarding the separation of public facilities such as toilets, libraries, and education.