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All Journal PUJANGGA: Jurnal Bahasa dan Sastra
Nadiah Surya Nahari
Universitas Indonesia
Languange, Linguistic, Communication & Media

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CONSTRUCTION AND RE-CONCEPTION OF IDENTITY: REJECTING HOMOGENEITY IN AMERICA THROUGH THE VANISHING HALF (2020) BY BRIT BENNETT Nadiah Surya Nahari; Bayu Kristianto
Pujangga: Jurnal Bahasa dan Sastra Vol 9, No 1 (2023): Volume 9 Nomor 1 Tahun 2023
Publisher : Universitas Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47313/pujangga.v9i1.2460

Abstract

Identity shows one's identification in a social context, but in fact social conditions still tend to require citizens to identify themselves based on skin color and sexuality that has been determined and deemed appropriate. Such conditions are seen as homogenizing behavior. The Vanishing Half (2020) establishes the identity of its characters as a rejection of the homogeneity of skin color and sexuality in America. The rejection is reflected in the identity construction of the characters in The Vanishing Half (2020) which features mulatto people to show that skin color identities are not only black or white but can vary widely, and presents transsexual characters to show that a person's sexual identity is not just limited to naturally men and women. The identity construction of the characters is carried out to redefine the concept of identity in a fluid social society. Identity re-conception is carried out as an effort to build awareness of the concept of identity which is fluid, layered, changeable and diverse, so it is necessary to carry out legal protection of identity.
FEMALE LEADERS IN NATURE AND INDUSTRY IN THE MOVIE PRINCESS MONONOKE (1997) Nadiah Surya Nahari
Pujangga Vol. 12 No. 1 (2026): Volume 12 Nomor 1 Tahun 2026
Publisher : Universitas Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47313/pujangga.v12i1.4378

Abstract

This research explores the relationship between female leader, nature, and industry in Princess Mononoke (1997), directed by Hayao Miyazaki. The film presents a complex interplay between environmentalism and industrialization through the characters of San (Princess Mononoke), a warrior raised by wolves who fights to protect nature, and Lady Eboshi, the leader of Iron Town who seeks to expand human civilization through industrial progress. Between the two female leaders there is a male character: Ashitaka. The plot makes him as a bridge for the conflict of two female leaders. This research uses qualitative method which focusing on dialogs between characters. By employing ecofeminist theory (Shiva, 1988; Warren, 1997) and gender studies (Butler, 1990), this study examines how the film challenges traditional gender roles while addressing the ethical and ecological dilemmas of modernization. Princess Mononoke challenges traditional gender stereotypes by positioning women as influential decision-makers who shape the course of social and environmental conflicts. Keywords: ecofeminism, gender studies, female leader, nature, industry.
Co-Authors Bayu Kristianto