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All Journal International Journal of Humanity Studies (IJHS) Jurnal Ilmiah Lingua Idea PROCEEDING ICTESS (Internasional Conference on Technology, Education and Social Sciences)
Christopher Allen Woodrich, Christopher Allen
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Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Social Sciences

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(Re)Production of Knowledge for Human Resource Building: The Multicultural Dynamics of the Indonesian-language Wikipedia Woodrich, Christopher Allen
PROCEEDING ICTESS (Internasional Conference on Technology, Education and Social Sciences) 2017: PROCEDINGS ICTESS
Publisher : PROCEEDING ICTESS (Internasional Conference on Technology, Education and Social Sciences)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (99.686 KB)

Abstract

Access to information is a fundamental requirement for developing quality humanresources. One prominent source of such information is Wikipedia, a website whichadvertises itself as "the free encyclopedia that anyone can edit". This paper, which isbased on participatory action, observational, and library research conducted over aperiod of ten years, describes the multicultural dynamics of the Indonesian-languageWikipedia (WPID) after first situating it within the context of the global Wikimediamovement. Established in 2003, WPID freely (in both the libre and gratis sense) offersmore than 380,000 articles with a wide range of information which can be used forhuman resources building. Its more than 2,200 active users, originating from variedbackgrounds, (re)produce knowledge through several means, including writing originaltext based on their understandings of existing sources and translating articles which existon other Wikipedias. This combination of actors, approaches, and content has led tocomplex interactions between the (primarily Western) culture of the global Wikimediamovement, the mixed cultures of source articles, and the Indonesian/local cultures of theactors. This article argues that WPID has organically negotiated a compromise betweenthese at times conflicting cultural dynamics to create a hybrid source of information.Keywords: Crowdsourcing, knowledge production, knowledge reproduction, Wikipedia
A LACANIAN PSYCHOANALYSIS OF THE CHARACTER KARMAN IN AHMAD TOHARI’S KUBAH Woodrich, Christopher Allen
Jurnal Ilmiah Lingua Idea Vol 6 No 2 (2015): Desember
Publisher : Fakultas Ilmu Budaya Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (289.036 KB) | DOI: 10.20884/1.jili.2015.6.2.383

Abstract

JacquesLacan’s poststructuralist theories of psychology have greatly affected modern understandings of the human psyche. This is evident in literary studies, where numerous thinkers – including Lacan himself – have applied these theories to better understand works of literature. One work which benefits from such an application is Ahmad Tohari’s Kubah, a 1982 novel on the ex-communist Karman’s seeming redemption after spending twelve years as a political prisoner. This paper will use a Lacanian psychoanalysis to show how Karman’s need to find wholeness, one which has been lost since before his birth, led to his various activities, including the joining of the Communist Party and his return to Islam. Although the novel ends on a hopeful note, it will be shown that Karman has not truly found the wholeness for which he has searched.
Implikasi Metodologis dari Teori Ekranisasi George Bluestone dalam Buku Novels into Film woodrich, christopher allen
Jurnal Ilmiah Lingua Idea Vol 7 No 1 (2016): June
Publisher : Fakultas Ilmu Budaya Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (203.476 KB) | DOI: 10.20884/1.jili.2016.7.1.332

Abstract

Teori yang ditawarkan George Bluestone dalam buku Novels into Film (1957) terhitung salah satu teori yang sangat berpengaruh dalam kajian ekranisasi, baik di dalam dan luar negeri. Namun, teori tersebut sampai sekarang kurang banyak dibahas secara mendetail dalam bahasa Indonesia, sehingga penerapannya kerap kurang tepat. Karena itu, dalam artikel ini dijelaskan pokok-pokok teori ekranisasi Bluestone serta landasan filosofis dan implikasi metodologisnya. Bluestone berpendapat bahwa, dalam proses ekranisasi, tidak mungkin tidak ada perubahan, sebab perbedaan media novel (sebagai media bahasa) dan film (sebagai media plastik) menuntut adanya sejumlah perubahan lain, yang dapat digolongkan sebagai penambahan, penciutan, dan perubahan. Karena perbedaan media ini, tokoh dalam film hasil ekranisasi menjadi lebih sederhana, adegan ditambah, diubah, atau dihilangkan, dan simbol-simbol yang digunakan dalam bercerita pun mengalami transformasi. Karena itu, Bluestone berpendapat bahwa film hasil ekranisasi setepatnya dinilai sebagai film; membandingkan film dengan novel sama halnya dengan membandingkan hasil arsitektur dengan lagu.
NEGOTIATING THE PATH OF FAME: TRADITION AND MODERNITY IN THE PUBLIC PERSONA OF ROEKIAH (1917–1945) Woodrich, Christopher Allen
International Journal of Humanity Studies (IJHS) Vol 1, No 1 (2017): September 2017
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1275.957 KB) | DOI: 10.24071/ijhs.v1i1.668

Abstract

The first great dame of the Indonesian cinema, Roekiah, rose to fame just as the medium of film came into its own. Born in 1917, she, as with many of her contemporaries, had a background in stage and was renowned for her vocal abilities. Her first filmic role, in Albert Balink's Terang Boelan (1937), catapulted her to stardom. Over the next five years she appeared in a further eight films, first opposite Rd. Mochtar then Ismail Djoemala, becoming one of the colony's best-loved stars. In her personal life, Roekiah was married to Kartolo, and would often defer to him when speaking to reporters. The couple had five children. This paper examines how the damsel-in-distress roles played by Roekiah and her public persona as a demure and obedient wife positioned her between two ideals: the traditional woman and the modern woman. It argues that, by negotiating between these two ideals and emphasizing her traditional attributes, Roekiah was able to capitalize on the patriarchal society's views of women, thus enabling her to reach a level of success unattained by such contemporary actresses as Fifi Young, Hadidjah, and Ratna Asmara.DOI: https://doi.org/10.24071/ijhs.2017.010102
NEGOTIATING THE PATH OF FAME: TRADITION AND MODERNITY IN THE PUBLIC PERSONA OF ROEKIAH (19171945) Woodrich, Christopher Allen
International Journal of Humanity Studies (IJHS) Vol 1, No 1 (2017): September 2017
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v1i1.668

Abstract

The first great dame of the Indonesian cinema, Roekiah, rose to fame just as the medium of film came into its own. Born in 1917, she, as with many of her contemporaries, had a background in stage and was renowned for her vocal abilities. Her first filmic role, in Albert Balink's Terang Boelan (1937), catapulted her to stardom. Over the next five years she appeared in a further eight films, first opposite Rd. Mochtar then Ismail Djoemala, becoming one of the colony's best-loved stars. In her personal life, Roekiah was married to Kartolo, and would often defer to him when speaking to reporters. The couple had five children. This paper examines how the damsel-in-distress roles played by Roekiah and her public persona as a demure and obedient wife positioned her between two ideals: the traditional woman and the modern woman. It argues that, by negotiating between these two ideals and emphasizing her traditional attributes, Roekiah was able to capitalize on the patriarchal society's views of women, thus enabling her to reach a level of success unattained by such contemporary actresses as Fifi Young, Hadidjah, and Ratna Asmara.DOI: https://doi.org/10.24071/ijhs.2017.010102
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