Daniari Setiawati
Institut Komunikasi dan Bisnis LSPR

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Analisis Produksi Pesan Sosial Dengan Pendekatan Komedi Kearifan Lokal Pada Progam Televisi Publik ‘Angkringan’ Joe Harrianto Setiawan; Daniari Setiawati; Heidy Isabel
Avant Garde Vol 11, No 1 (2023): Avant Garde
Publisher : Fakultas Komunikasi & Desain Kreatif - Universitas Budi Luhur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36080/ag.v11i1.2330

Abstract

TVRI, a public broadcasting service has the task of providing an information, education and entertainment services, control and streghthen community, and preserving the local wisdom. However, the existence of television in the internet era was disrupted by social media, thus TVRI had to change in presenting quality and educative information. TVRI Yogyakarta Youtube channel one of its flagship programs ‘Angkringan’ that able to reap millions of viewers. This research intends to find the social messages production process with local wisdom comedy of ‘Angkringan'. The television production process is divided into; pre-production consists of finding ideas, planning and preparation, then production and lastly post-production. Using descriptive qualitative research to produce systematic, factual, and accurate records about the facts and characteristic of certain activities. The results showed a pattern using local wisdom comedy namely Dagelan Mataram to produce social messages in ‘Angkringan’ program. The story’s idea is related to actual problems context. The script is made for open improvement with dialogue left entirely to player's improvisation. The players selection is carried out professionally but relationship between players maintained in like-family manner. The performance involves the audience on the stage to make it easier for improvisation as well as to measure the success.
Involvement of State Officials As Cast of Characters in Folk Theater Ketoprak RRI Yogyakarta Joe Harrianto Setiawan; Santi Indra Astuti; Rawi Diwangkara; Daniari Setiawati
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.57504

Abstract

Ketoprak is a traditional Javanese performing art that incorporates elements of karawitan, dance, comedy, song, acting, and artistic arrangements. Traditional art is divided into two types, such as folk art and classical art, or palace art. Ketoprak is a folk art that has its origins among the people who live outside the palace. As a folk art, ketoprak is also used to communicate to the authorities issues that the people are concerned about. Criticizing through the performing arts is a powerful way to express criticism without taking offense. Ketoprak is usually performed by a group of artists on stage. However, in recent years, ketoprak performances have been performed not only by community performer groups but also by state officials taking the cast of characters on stage. The involvement of state officials at all levels, from regional to ministerial, as well as guest stars and main characters. Including those carried out under the RRI Yogyakarta ketoprak program. The descriptive qualitative research method was used to figure out how the implementation of the ketoprak program at RRI can preserve ketoprak's dignity as a folk theater, despite the fact that it is represented by state officials, by conducting interviews with program producers and respected ketoprak performers from Yogyakarta. The study's findings show that in its development, ketoprak was divided into two forms, conventional ketoprak which was standard with rules or pakem that were still preserved by RRI Yogyakarta and ketoprak garapan which is open to be interpreted in various ways and is free to be casted by anyone, including officials who are performed in the live version of the RRI Ketoprak Program.