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All Journal UMBARA Indonesian Journal of Anthropology Studi Budaya Nusantara Journal of Indonesian Tourism and Policy Studies
Annise Sri Maftuchin, Annise Sri
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Religion Arts Humanities Environmental Science Social Sciences

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Tuan Tanah dan Lurah : Relasi Politik Lokal Patron-Client di Desa Sukorejo Kecamatan Godanglegi Kabupaten Malang dalam Kurun Waktu 2007-2013 Maftuchin, Annise Sri
UMBARA Indonesian Journal of Anthropology Vol 1, No 2 (2016)
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (666.895 KB) | DOI: 10.24198/umbara.v1i2.9983

Abstract

ABSTRAKArtikel ini membahas mengenai pola politik pedesaan yang ada dan diterapkan di Desa Sukorejo Gondanglegi Malang. Relasi politik yang mengarah pada bentuk subsisten memberi peluang tersendiri bagi Lurah Desa Sukorejo untuk terpilih dalam periode kepemimpinan yang kedua. Sejak 2006 suara dan dukungan terus digalakan agar posisi lurah mampu dipertahankan. Padahal, dalam sekali pemelihan lurah, calon lurah harus mengeluarkan dana sebesar 300 Juta untuk para pendukungnya sedangkan, gaji yang diterima lurah di Sukorejo kisaran Rp.1.500.000- Rp.2.000.000,- dan tiga hektar tanah bengkok. Hal ini tentu menjadi ancaman ekonomi tersendiri bagi si calon lurah ketika dinyatakan gagal terpilih. Akan tetapi, kegagalan dapat diminimalisir ketika strategi patron-klien digunakan oleh Lurah Abdi. Pola  patron-klien sebelumnya telah dijabarkan oleh James C. Scott sebagai pola yang cukup umum digunakan dalam budaya pertanian subsisten seperti di Desa Sukorejo Gondang Legi Malang. Dari paparan pola patron-klien dijelaskan bahwa dalam  kebudayaan pertanian pedesaan Jawa, terdapat model  resiprositas  politik yang dijumpai antara tuan tanah dan masyarakat petani disekitarnya. Patron-klien yang diterapkan di Desa Sukorejo mengaitkan keberadaan tuan tanah sebagai basis kekuatan utama lewat sistem pertukaran atau resiprositas sepadan. Tentunya pola politik seperti ini memiliki keunikan tersendiri, dimana terdapat pola hubungan politik yang berbeda dari pola politik pada umumnya. Melalui metode penelitian etnografi ulasan data yang disajikan didasarkan atas pengamatan secara langsung baik melalui wawancara maupun observasi partisipasi. Kaitan metode penelitian etnografi dalam memaparkan pembahasan politik Desa Sukorejo, analisis difokuskan pada bagaimana pola dan korelasi sosial-budaya dibangun dalam relasi patron-klien antara tuan tanah dan kepala Desa Sukorejo dalam kurun waktu 2007-2013?  Dari fokus permasalahan tersebut, analisis diarahkan pada pola dan model serta kaitan sebab akibat yang terjadi dari proses relasi politik di Desa Sukorejo Gondanglegi Malang.Kata Kunci :Patrol-Klien, Politik Desa, Resiprositas, Subsisten, Tuan Tanah
Festivalization of Music Patrol Bandulanand the Quest of Arek Bandulan Cultural Identity Maftuchin, Annise Sri
Journal of Indonesian Tourism and Policy Studies Vol. 1, No. 1
Publisher : UI Scholars Hub

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Abstract

Futurologist Naisbitt (1988) Said about paradox of globalization process for local tradition culture, where tradition is exposed by the strength of global capitalism and modern life style. It does not always make the tradition to be crushed, but it becomes one kind, and even disappear. However, the tradition will try to find their place and the identity back. In this article, the discussion will be focused on how Arek Bandulan answer the global challenges through festivalization (Bennett, et al., 2014 ) the art of the musical tradition of their patrol. Festivalising art patrol is hold by Karangtaruna Wira Bhakti Bandulan who has spawned a lot of innovations in the appearance of various components local art in a festival. It shows that Arek Bandulan create their original cultural identity of art music tradition which is not too modern enough and not longer traditional too. The disclosure of identity expression to the global by festivalising traditions patrol sahur weaking up music art when Ramadan is packaged as well as events in the world and is supported by funder, the media and modern technologies. This ethnographic study tries to reveal how the process of identity formation in the object of patrol sahur festival happened.
Tradisi Seni Patrol dan Identitas Budaya Kampung Bandulan di Kota Malang Maftuchin, Annise Sri; Budiyanto, Ary
Studi Budaya Nusantara Vol. 1 No. 1 (2017)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2017.oo1.01.05

Abstract

ABSTRACT Local traditions are not always weakened traditional form of culture in the global area. Bandulan patrol art tradition in Malang is one of them, this art is growed by invented tradition process with festival mode. Invented tradition is Hobwbawn (2000) concept which describe of the appearance of a tradition that is not viewed as old. This patrol art traditions research is intended to answer a research problem about how Bandulan local society make create in a new identity on the global area? To answer these problems, researchers used anthropological methode where observation, participatory observation and in-depth interview are used by the research. The method form use to describing phenomena in the Bandulan society. These results indicate the existence of a process invented tradidition going on basis and is fully supported by the process of globalization that exist in the festival media. patrol Art tradition which processed by invented is development of a local patrol sahur tradition , that the development is processed by contact culture who concepted by Liep (2001) helped to describe for process of establishing the identity of of Hall concept (1990). The pattern is related identity as being Bandulan confronted with foreign cultures and global cultures. This mixed process form is fused into the end result of a culture intact where local taste of culture still feels strong up there. The tradition of the art patrol appear to be a identity product of the becoming on the art festival patrol in Bandulan. Bandulan art patrol have different characteristics with ul–daul music though near same , but the Bandulan art patrol has a different style of music that have identic character. Bandulan art patrol has a identic style of typical of art music patrol . Characteristics campursari music what growing up in Bandulan and the slowler rhythm beats than ul-daul be identic style from the creation of identity what have style of local culture which can survive in global area that is true.
Co-Authors Ary Budiyanto