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All Journal IZUMI Kiryoku: Jurnal Studi Kejepangan
Aulia Rahman
Japanese Literature Study Program, Universitas Andalas, Kampus Unand Limau Manis Kec. Pauh Padang Sumatera Barat 25163
Languange, Linguistic, Communication & Media

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Akutagawa Ryunosuke's Repertoire in the Short Story "Rashomon" Aulia Rahman; Fakhria Nesa
IZUMI Vol 12, No 1 (2023)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.12.1.13-21

Abstract

An author's creative process cannot be separated from the storehouse of knowledge obtained from different results of reading, hearing, or observing of the events around him. This store of knowledge, when juxtaposed with the concept introduced by Wolfgang Iser in his book The Act of Reading: A Theory of Aesthetic Response (1987), can be called a Repertoire. Shortly, repertoire can be understood as the basis for creating a work, as the background to make the foreground the author aims at through his work. This process also applies to Akutagawa Ryuunosuke's short story entitled Rashomon as the foreground of Konjakumonogatari, the 29th volume of the 18th story. This research aims to describe how the social, historical, and cultural writings by Akutagawa Ryunosuke in the Rashomon and compared with Konjakumonogatari, using the Aesthetic Repertoire theory proposed by Wolfgang Iser. The process through which, among others, grouping the data to be analyzed is related to social, historical, and cultural norms of Japanese society. Next, compare the data to see the relationship between Rashomon and Konjakumonogatari. The results showed (1) There are similarities between social, historical, and cultural similarities between literature and reality, (2) Social norms indicate the life of the Japanese lower class in the Heian period called Genin, (3) Historical norms show the dark conditions that Japanese people went through in the Heian era, because of the many problems that occurred at that time, and (4) Cultural Norms show the efforts made by Japanese people in the Heian period to survive despite hurting others.
The Unconscious as a Formative Aspect of the Sexuality of the Character DSD in the Comic Houkago Hokenshitsu by Mizushiro Setona Aulia Rahman; Rahman, Aulia
IZUMI Vol 13, No 1 (2024): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.13.1.80-89

Abstract

Disorder of Sex Development (DSD) encompasses conditions where individuals face challenges in determining their sexual identity, often deviating from the binary gender norms prevalent in society. This research delves into the portrayal of sexual identity formation among DSD individuals, specifically in the manga 'Houkago Hokenshitsu' by Mizushiro Setona. This research is conducted by applying qualitative research methods, research analysis is described or described through written words. The study aims to elucidate the process through which DSD characters navigate their sexual identity within a dream world, while also exploring the interplay between sexual identity, DSD, and feminist psychoanalytic perspectives presented in the comic. Drawing upon Juliet Mitchell's theoretical framework of Unconsciousness and Neurosis as expounded in 'Psychoanalysis and Feminism: A Radical Reassessment of Freudian Psychoanalysis' (2000), this research underscores the significant role of the unconscious mind in shaping individual identity. Mitchell contends that unconscious processes profoundly influence one's psyche, often manifesting in symptoms of hysteria-induced Neurosis, such as anxiety. The findings of this study reveal two key insights: Firstly, the engagement and exploration of the dream realm facilitate the DSD character in crystallizing their desired sexual identity for real-world expression. Secondly, this journey towards self-identification within the dream world precipitates symptoms of neurotic anxiety, stemming from societal pressures and the internal struggle for self-acceptance and autonomy in reconstructing their sexual identity. In essence, this research underscores the intricate dynamics between sexual identity formation, DSD experiences, and the psychological ramifications portrayed in 'Houkago Hokenshitsu', shedding light on the complexities inherent in the quest for personal identity and acceptance.Keywords: DSD; Dreams; Sexual Identity; Feminist Psychoanalysis
The Unconscious as a Formative Aspect of the Sexuality of the Character DSD in the Comic Houkago Hokenshitsu by Mizushiro Setona Aulia Rahman; Rahman, Aulia
IZUMI Vol 13, No 1 (2024): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.13.1.80-89

Abstract

Disorder of Sex Development (DSD) encompasses conditions where individuals face challenges in determining their sexual identity, often deviating from the binary gender norms prevalent in society. This research delves into the portrayal of sexual identity formation among DSD individuals, specifically in the manga 'Houkago Hokenshitsu' by Mizushiro Setona. This research is conducted by applying qualitative research methods, research analysis is described or described through written words. The study aims to elucidate the process through which DSD characters navigate their sexual identity within a dream world, while also exploring the interplay between sexual identity, DSD, and feminist psychoanalytic perspectives presented in the comic. Drawing upon Juliet Mitchell's theoretical framework of Unconsciousness and Neurosis as expounded in 'Psychoanalysis and Feminism: A Radical Reassessment of Freudian Psychoanalysis' (2000), this research underscores the significant role of the unconscious mind in shaping individual identity. Mitchell contends that unconscious processes profoundly influence one's psyche, often manifesting in symptoms of hysteria-induced Neurosis, such as anxiety. The findings of this study reveal two key insights: Firstly, the engagement and exploration of the dream realm facilitate the DSD character in crystallizing their desired sexual identity for real-world expression. Secondly, this journey towards self-identification within the dream world precipitates symptoms of neurotic anxiety, stemming from societal pressures and the internal struggle for self-acceptance and autonomy in reconstructing their sexual identity. In essence, this research underscores the intricate dynamics between sexual identity formation, DSD experiences, and the psychological ramifications portrayed in 'Houkago Hokenshitsu', shedding light on the complexities inherent in the quest for personal identity and acceptance.Keywords: DSD; Dreams; Sexual Identity; Feminist Psychoanalysis
Matsuo Basho and His Journey in Oku no Hosomichi Rahman, Aulia
KIRYOKU Vol 9, No 2 (2025): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v9i2.559-572

Abstract

This study analyzes Matsuo Basho’s Oku no Hosomichi (The Narrow Road to the Deep North) through Carl Thompson’s travel writing theory. The objective is to explore how Matsuo’s poetic travelogue embodies the essential elements of travel writing, such as the narrator's identity, the nature of the journey, cultural encounters, and narrative construction. Using a qualitative descriptive method, this research examines selected passages and haiku from Oku no Hosomichi, focusing on how Matsuo presents his inner reflections, spiritual quest, and observations of the landscape and people he encounters. The analysis reveals that Matsuo’s work documents a physical journey and is a contemplative exploration of self and nature. His style blends lyrical poetry with prose, creating a layered narrative reflecting personal transformation and cultural commentary. Viewed through Thompson’s framework, Oku no Hosomichi exemplifies key aspects of travel writing, including subjective experience, cultural mediation, and temporal distance. The study concludes that Matsuo’s journey transcends mere travel documentation; it becomes a medium for philosophical reflection and aesthetic expression. This research highlights the value of classical Japanese literature as an early and sophisticated form of travel writing, offering insights into how cultural identity, place, and movement are articulated in literary form. The findings also demonstrate the relevance of applying modern theoretical perspectives to traditional texts for a deeper understanding of their literary and cultural significance.
Co-Authors Fakhria Nesa