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Fashion Bukan Penanda Gender atau Usia Seseorang I Gusti Agung Ayu Widyandari Kameswari; I Gusti Agung Malini
Jurnal Da Moda Vol 4 No 2 (2023): Jurnal Da Moda Mei 2023
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM) Institut Desain dan Bisnis Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35886/damoda.v4i2.549

Abstract

ABSTRACT Fashion is one industry that offers freedom in expressing one’s identity. But along with the times, there are many shifts in meaning so that stereotypes are formed on several types of fashion. Some of the things that have changed are stereotypes regarding the use of clothing colors according to gender and the use of clothing and accessories according to age. Fashion is flexible, non-rigid and non-binding which means that stereotypes are created because of hereditary understanding that is even done since infancy instilled by parents. This inaccurate understanding is a concern for fashion lovers to be creative because of the fear of being rejected by their environment. Therefore, research was conducted on fashion that refers to gender, norms and age of a person as an understanding and knoeledge for the community so that there is no missinterpretation of the meaning and nature of fashion. Keyword : Fashion, Gender, Norms, Age ABSTRAK Fashion merupakan salah satu industri yang menawarkan kebebasan dalam mengekspresikan jati diri seseorang. Namun seiring dengan perkembangan zaman, banyak terjadi pergeseran makna sehingga terbentuk stereotip pada beberapa jenis fashion. Beberapa hal yang berubah ialah stereotip mengenai penggunaan warna busana sesuai dengan gender serta penggunaan busana dan aksesoris sesuai dengan usia. Fashion bersifat fleksibel, tidak kaku dan tidak mengikat yang berarti stereotip tersebut tercipta karena pemahaman turun temurun yang bahkan dilakukan sejak bayi yang ditanamkan oleh orang tua. Pemahaman yang kurang tepat tersebut menjadi kekhawatiran bagi para pecinta fashion untuk berkreasi karena adanya ketakutan jika mendapat penolakan dari lingkungannya. Oleh karena itu dilakukan penelitian terhadap fashion yang merujuk kepada gender, norma dan usia seseorang sebagai pemahaman dan ilmu bagi masyarakat agar tidak terjadi salah pengartian makna dan sifat fashion. Kata Kunci : Fashion, Gender, Norma, Usia
KAJIAN ESTETIS KANTONG PLASTIK BEKAS SEBAGAI PRODUK FASHION (DOMPET) I Gusti Agung Malini
Jurnal Da Moda Vol 5 No 1 (2023): Jurnal Da Moda Oktober 2023
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM) Institut Desain dan Bisnis Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35886/damoda.v5i1.586

Abstract

Plastic bags are disposable items with irresponsible post-consumption activities. Arde Wiyasa's concern is that because there is more and more plastic waste in the world, finally there is a desire to reduce plastic waste by making used plastic bags a product with high selling value and can be used in everyday life without polluting the environment. Because of this problem, Arde Wiyasa began to look at plastic bag waste as a material for making fashion products, namely wallets. Because Arde Wiyasa's wallet, which is made from used plastic bags, is an art product, discussing a work of art is about the beauty contained within. The knowledge used to examine and discuss art and beauty is aesthetics. The aesthetic values ​​of wallets made from used plastic bags can be seen from two sides, namely the form and the meaning. In terms of shape, Arde Wiyasa's plastic wallet is a harmonious arrangement of visual elements (lines, colors, textures) in a beautiful unity. Meanwhile, the values ​​of meaning radiate from the pictures and writings added by Arde Wiyasa which convey meaning, namely an invitation or appeal to reduce the use of plastic bags Keywords: Used Plastic Bags, Wallets, Aesthetics
Co-Authors I Gusti Agung Ayu Widyandari Kameswari