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Objectification and Exploitation of Women's Students Content in Social Media Moh Toyyib; Dicky Nur Rahman; Moh Hamim Assidiki; Zainullah; Agoes Moh Moefad
East Asian Journal of Multidisciplinary Research Vol. 2 No. 6 (2023): June 2023
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/eajmr.v2i6.4453

Abstract

This research aims to examine more deeply how female students become objectified and exploited on social media. The contribution of this research is to fill the existing knowledge gap and provide a deeper understanding of the phenomenon of highlighting female students, who are a vulnerable group to exploitation and abuse. This research also pays attention to the negative impact of exploitation content that can harm female students physically, emotionally, and socially. The main motive of female students on social media is because they want to project a pious identity into a place to form a personal popularity existence on behalf of piety. Researchers used the Digital Ethnography approach to identify narratives, images and videos that show the exploitation of female students. The results and implications of this research can be a guide for women, especially female students.
DRAMATURGY OF LORA ABBAS KATANDUR'S DA'WAH AMONG THE BIKERS IN PAMEKASAN Moh Toyyib; Arini Fahma Qona’ati; Ikli Nafisah; Moh Hamim Asidiki; Ali Nurdin; Fawaib
Wasilatuna: Jurnal Komunikasi dan Penyiaran Islam Vol. 6 No. 02 (2023): Oktober
Publisher : Program Studi Komunikasi dan Penyiaran Islam Fakultas Dakwah Universitas Islam Internasional Darullughah Wadda'wah Bangil Pasuruan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38073/wasilatuna.v6i02.1070

Abstract

This article analyzes the Dakwah (teach others about the beliefs and practices in Islam) by Lora Abbas Katandur using Erving Goffman Dramaturgy theory. The audience in his dakwah (Mad’u) is the community of bikers in Pamekasan. The data is collected through a case study, and then it is analyzed using textual qualitative method. The result shows that Lora Abbas successfully deliver his Dakwah to the bikers by pointing up the humanistic ideas. His Dakwah is well known as “Sholawatan dan Sarasehan Jalanan” which refers to dakwah conducted on the road. By using this approach, the Da’i (the one who teach Mad’u) also successfully in changing the image of Bikers who tend to be associated with bawl and illegal racing. Morever, the Da’i introduce himself as a role model involving how to speak, how to dress politely, and how to live the life in modesty. This study adds positive constribution to the existing literature about the development of dramaturgy theory in Dakwah. The result of this study is limited to Keywords: Dramaturgi, Dakwah, Da’i, Bikers