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All Journal Jurnal Bahasa Rupa Global Art Creativity Conference Jurnal Bahasa Rupa
Michael Sega Gumelar, Michael
Unknown Affiliation
Arts Humanities Education Languange, Linguistic, Communication & Media

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Menguak Mitos: Diskursus Gaya Gambar Amerika, Jepang, Eropa, Gaya Gambar Indonesia dan Implikasinya Sega Gumelar, Michael
Jurnal Bahasa Rupa Vol 1 No 1 (2017): Jurnal Bahasa Rupa Oktober 2017
Publisher : LPPM STMIK STIKOM Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1445.636 KB) | DOI: 10.31598/bahasarupa.v1i1.140

Abstract

The Indonesian young generation who has the skills to draw and or who love drawing in Indonesia when this study was written more or less have believe in the myth of the existence of the American drawing style (U.S.A), Japanese drawing style, European drawing style, and eventually come into conclusion there must be an Indonesian drawing style. The watching TV culture or watching other audio-visual footage via the internet reducing significantly on reading books in printed format or in electronic media (e-Books) in Indonesia young generations. In this study reveals are there really exist drawing in American, Japanese, European, and Indonesian style.
Pramoedya Ananta Toer: Defying Oppression Through Literature A Legacy of Freedom of Speech and Human Rights in Indonesia Hana, Lidwina; Sega Gumelar, Michael
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.624

Abstract

Pramoedya Ananta Toer’s literary works serve as both a historical testimony and a defiant act of resistance against state repression in Indonesia. This study examines Pramoedya’s contributions to literature and human rights, highlighting how his works have shaped discourse on freedom of speech and democratic principles in Indonesia. Utilizing a qualitative research approach, this paper analyzes his writings alongside historical and legal developments concerning free expression. Despite Indonesia’s democratic progress, defamation and blasphemy laws remain tools of suppression, echoing past restrictions. Through comparative analysis, this study underscores the enduring relevance of Pramoedya’s literary resistance in advocating for unrestricted intellectual freedom. Safeguarding free speech is not merely a legal obligation but a fundamental commitment to truth and justice, ensuring that voices like Pramoedya’s are never silenced again.
Menguak Mitos: Diskursus Gaya Gambar Amerika, Jepang, Eropa, Gaya Gambar Indonesia dan Implikasinya Sega Gumelar, Michael
Jurnal Bahasa Rupa Vol. 1 No. 1 (2017): Jurnal Bahasa Rupa Oktober 2017
Publisher : Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v1i1.140

Abstract

The Indonesian young generation who has the skills to draw and or who love drawing in Indonesia when this study was written more or less have believe in the myth of the existence of the American drawing style (U.S.A), Japanese drawing style, European drawing style, and eventually come into conclusion there must be an Indonesian drawing style. The watching TV culture or watching other audio-visual footage via the internet reducing significantly on reading books in printed format or in electronic media (e-Books) in Indonesia young generations. In this study reveals are there really exist drawing in American, Japanese, European, and Indonesian style.
Co-Authors Hana, Lidwina