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Dhian Lestari Hastuti, Dhian Lestari
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KEDUDUKAN DALEM PADA PROGRAM RUANG RUMAH INDIS SAUDAGAR BATIK LAWEYAN DI AWAL ABAD KE-20 Hastuti, Dhian Lestari
Acintya Vol. 6 No. 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1033.593 KB) | DOI: 10.33153/acy.v6i2.225

Abstract

This article is a result of research that discusses about the tradional position of dalêm in the homespace program of Laweyan batik merchants in the early 20th century which explain and understandthe position of dalêm as cultural artifacts. Two approaches are used to approach the systems of Javaneseculture and quadrant system which describes the nature of space as a symbol of Javanese culture.This study aims to understand the merchant community perspective of Laweyan socially marginalizedculture in the early 20th century, through the notch dalêm to their home space program. The resultsare: 1) physical form of three home Indies batik merchants Laweyan, a smart strategy in makingdesign decisions in harmony with nature, social environment, economic life, and ideals. 2) Position ofdalêm for the space program is regarded as a sacred area and the cosmic center, although without theapplication of the concept mancapat. Dalêm placement on the highest floor level is a reflection of thesacred area and the cosmic center. Prerequisite relations relatives and well known to the owner of thehouse is a symbol that dalêm position as a sacred area of the quadrant system.Keywords: dalêm, Indis, quadrant system, a sacred area
REINTERPRETASI PENDAPA PADA DESAIN INTERIOR “THIRD SPACE” SEBAGAI FASILITAS KOMUNITAS MENUJU SOLO KOTA KREATIF Hastuti, Dhian Lestari; Santosa, Cahyono Budi
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (775.489 KB) | DOI: 10.33153/acy.v9i1.2121

Abstract

Surakarta is one of initiators of Indonesia Creative Cities Network (ICCN), which takes importantrole in the establishment of Creative Cities in Indonesia. It required synergy among penta helix academicians, businessmen/ladies, government, people, and medias to produce creative ecosystem. WhileSurakarta community is the center of the implementation and program implementation and creativeeconomic development program within the pattern of interaction, connection and collaboration offive (5) elements mentioned above. In order to create the pattern, it requires informal and formalspace to facilitate creative activity for community members. In urban community this space namedThird Space which is a new space typology after a home and work place. In Javanese community thefunction of this space provided by pendapa. Pendapa has been long time to function as a place forsocial interaction between the host and its neighborhood. This article is a result of artistic researchwhich shows reinterpretation of immaterial value of pendapa into architecture and Third Space interior design. Design method based on user need and three various research methodologies, namelyscenario based survey, co-creation session and focused interview. Philosophy, socio-culture, function and ergonomic approaches are used as a base to redesign pendapa. It achieves ‘’meeting tree’’ orkayon, a two (2) floors building with Indisch style, Scandinavian interior design. The process andThird Space design produce synergy embodiment between academician and community to supportSolo, A Creative City program.Keywords: Creative City, penta helix synergy, community, reinterpretation of pendapa, kayon, Scandinavian design.
DETERMINAN PERUBAHAN DESAIN OMAH MBOK MASE TERHADAP KARAKTER KAMPUNG LAWEYAN DI SURAKARTA Hastuti, Dhian Lestari
Acintya Vol. 10 No. 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1243.093 KB) | DOI: 10.33153/acy.v10i2.2274

Abstract

This articleis the result of research about change design determination of Omah Mbok Mase To Character Kampung Batik Laweyan Surakarta Year 2004-2015. The research method is used phenomenology by using the Social Change Theory aproach. The result is the process of design changes Omah Mbok Mase caused by: 1) Fortress (front wall fence) built souvenir shop, 2) Tear down of buildings and replace with new buildings, 3) Selling of building structures 4) Sell all the assets, 5) Revitalize the building as a souvenir shop. The determinants of such design changes are influenced by internal factors, namely: the financial problems of the Omah Mbok Mase heirs, the inheritance system, and the mindset of trading that still using conventional means. External factors are the influence of technology and regulation of Surakarta City Government. Technological influences play a role in the cultural lag of process in economic activity. The Omah Mbok Mase heirs are evolving in a social change from a closed-character society to an open character, which must serve the tourists.Keywords: Determinant, design changes, Omah Mbok Mase, social changes, Laweyan
KEDUDUKAN DALEM PADA PROGRAM RUANG RUMAH INDIS SAUDAGAR BATIK LAWEYAN DI AWAL ABAD KE-20 Hastuti, Dhian Lestari
Acintya Vol. 6 No. 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v6i2.225

Abstract

This article is a result of research that discusses about the tradional position of dalêm in the homespace program of Laweyan batik merchants in the early 20th century which explain and understandthe position of dalêm as cultural artifacts. Two approaches are used to approach the systems of Javaneseculture and quadrant system which describes the nature of space as a symbol of Javanese culture.This study aims to understand the merchant community perspective of Laweyan socially marginalizedculture in the early 20th century, through the notch dalêm to their home space program. The resultsare: 1) physical form of three home Indies batik merchants Laweyan, a smart strategy in makingdesign decisions in harmony with nature, social environment, economic life, and ideals. 2) Position ofdalêm for the space program is regarded as a sacred area and the cosmic center, although without theapplication of the concept mancapat. Dalêm placement on the highest floor level is a reflection of thesacred area and the cosmic center. Prerequisite relations relatives and well known to the owner of thehouse is a symbol that dalêm position as a sacred area of the quadrant system.Keywords: dalêm, Indis, quadrant system, a sacred area
REINTERPRETASI PENDAPA PADA DESAIN INTERIOR “THIRD SPACE” SEBAGAI FASILITAS KOMUNITAS MENUJU SOLO KOTA KREATIF Hastuti, Dhian Lestari; Santosa, Cahyono Budi
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2121

Abstract

Surakarta is one of initiators of Indonesia Creative Cities Network (ICCN), which takes importantrole in the establishment of Creative Cities in Indonesia. It required synergy among penta helix academicians, businessmen/ladies, government, people, and medias to produce creative ecosystem. WhileSurakarta community is the center of the implementation and program implementation and creativeeconomic development program within the pattern of interaction, connection and collaboration offive (5) elements mentioned above. In order to create the pattern, it requires informal and formalspace to facilitate creative activity for community members. In urban community this space namedThird Space which is a new space typology after a home and work place. In Javanese community thefunction of this space provided by pendapa. Pendapa has been long time to function as a place forsocial interaction between the host and its neighborhood. This article is a result of artistic researchwhich shows reinterpretation of immaterial value of pendapa into architecture and Third Space interior design. Design method based on user need and three various research methodologies, namelyscenario based survey, co-creation session and focused interview. Philosophy, socio-culture, function and ergonomic approaches are used as a base to redesign pendapa. It achieves ‘’meeting tree’’ orkayon, a two (2) floors building with Indisch style, Scandinavian interior design. The process andThird Space design produce synergy embodiment between academician and community to supportSolo, A Creative City program.Keywords: Creative City, penta helix synergy, community, reinterpretation of pendapa, kayon, Scandinavian design.
DETERMINAN PERUBAHAN DESAIN OMAH MBOK MASE TERHADAP KARAKTER KAMPUNG LAWEYAN DI SURAKARTA Hastuti, Dhian Lestari
Acintya Vol. 10 No. 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v10i2.2274

Abstract

This articleis the result of research about change design determination of Omah Mbok Mase To Character Kampung Batik Laweyan Surakarta Year 2004-2015. The research method is used phenomenology by using the Social Change Theory aproach. The result is the process of design changes Omah Mbok Mase caused by: 1) Fortress (front wall fence) built souvenir shop, 2) Tear down of buildings and replace with new buildings, 3) Selling of building structures 4) Sell all the assets, 5) Revitalize the building as a souvenir shop. The determinants of such design changes are influenced by internal factors, namely: the financial problems of the Omah Mbok Mase heirs, the inheritance system, and the mindset of trading that still using conventional means. External factors are the influence of technology and regulation of Surakarta City Government. Technological influences play a role in the cultural lag of process in economic activity. The Omah Mbok Mase heirs are evolving in a social change from a closed-character society to an open character, which must serve the tourists.Keywords: Determinant, design changes, Omah Mbok Mase, social changes, Laweyan
Co-Authors Santosa, Cahyono Budi