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Nuning Y. Damayanti Adisasmito, Nuning Y. Damayanti
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Illustration on Javanese Manuscripts: The Intellectuality and the Capability of Thinking into Indonesian Art and Writing Culture Adisasmito, Nuning Y. Damayanti
TAWARIKH Vol 1, No 2 (2010)
Publisher : ASPENSI in Bandung, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (470.509 KB)

Abstract

ABSTRACT: The tradition of writing and drawing in illustration was found in the old manuscript. Some parts of those old manuscripts show unique illustrations as well as the local identity of Nusantara’s society. The manuscript reflects the society culture of thinking and aesthetic achievement of visual art. The illustrations of old Javanese manuscripts were well documented and has various representation in visualization art and style, drawing method, theme, and visual objects, even though the visualization of the visual concepts is practically similar to another. It reflects the structured illustration and style as well as expression symbol of the Javanese society in that era. Illustration of the old Javanese manuscript in the colonial era has changed and developed its visual state as the interaction between the Animism in the Pre-Hinduism era, cultural paradigm of Hinduism-Buddhism, Islamic and Colonialism. KEY WORDS: writing tradition, illustration tradition, colonialism, and old Javanese manuscript.About the Author: Dr. Nuning Y. Damayanti Adisasmito is a Lecturer at the Faculty of Fine Art and Design ITB (Bandung Institute of Technology), Jalan Ganesha 10 Bandung, West Java, Indonesia. She can be reached at: aryasena@bdg.centrin.net.idHow to cite this article? Adisasmito, Nuning Y. Damayanti. (2010). “Illustration on Javanese Manuscripts: The Intellectuality and the Capability of Thinking into Indonesian Art and Writing Culture” in TAWARIKH: International Journal for Historical Studies, Vol.1(2) April, pp.123-138. Bandung, Indonesia: ASPENSI [Asosiasi Sarjana Pendidikan Sejarah Indonesia], ISSN 2085-0980. Chronicle of the article: Accepted (February 2, 2010); Revised (March 11, 2010); and Published (April 28, 2010).
WUJUD VISUAL GAMBAR - ILUSTRASI PADA NASKAH NASKAH TUA NUSANTARA SEBAGAI REFLEKSI INTELEKTUALITAS LELUHUR BANGSA INDONESIA Adisasmito, Nuning Y. Damayanti
PANGGUNG Vol 22, No 3 (2012): Manifestasi Konsep, Estetika, dan Makna Seni dalam Keberbagaian Ekspresi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i3.79

Abstract

Manuscript is a cultural product belongs to every civilized community that understands letters and words. Visual communication, before script and writing were established, such as ancient drawings, has been used by people since thousands years ago.  The discovery of picture in prehistoric caves is considered as the beginning of drawing tradition towards the modern illustration. The discovery of scripts and writing shifted the tradition of drawing, although the simplest and the most effective communication is still the visual language.   It explains why an illustrative drawing in the old manuscript was used as a communication device which reflects the cultural development and the way of thinking from the society who created it. The tradition of writing and drawing in illustration was found in the Javanese and Balinese old manuscripts. The visual illustration, theme, and media of manuscripts shown similar in diversity, depend on their role in social life. Some parts of those old manuscripts show unique illustrations as well as the local identity of the society. The illustration on manuscript reflects the society culture of thinking and aesthetic achievement of visual art.     Key Words: Illustration, old Indonesian manuscript, visual language. 
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