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Dessy Wardiah
Prodi Pendidikan Seni Pertunjukan, Universitas PGRI Palembang

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Fungsi Tari Mantang Balam di Kabupaten PALI Provinsi Sumatera Selatan Cyintia Deby Arianti; Dessy Wardiah; Nugroho Notosutanto Arhon Dhony
SENDRATASIK UNP Vol 12, No 2 (2023)
Publisher : FBS Padang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i2.123943

Abstract

This study aims to describe the function of dance in PALI District, South Sumatra. In this research, it is a qualitative descriptive research. The object of research is the Mantang Balam dance. The data source for this research is informants, namely people who have knowledge about the Mantang Balam dance (choreographers, dancers, and Head of the Culture and Tourism Office of PALI Regency). Data collection techniques are carried out by observation, interviews, and documentation. The research instrument was the researcher himself with the aid of interview notes and a camera. Data analysis was carried out in a qualitative descriptive manner with observation, interviews and documentation. Checking the validity of the data using triangulation techniques. The results of the study are as follows: 1) the function of dance is as a guest welcoming ceremony, in this function dance is performed to welcome guests. 2) Function as entertainment, namely the Mantang Balam dance performed at circumcisions, wedding receptions and Regency Anniversary. 3) The function of dance as a spectacle/performance, namely the Mantang Balam dance is shown at art performances or dance festivals. 4) The function as an educational medium, in that function, the Mantang Balam dance is a medium for educating students in learning.
Bentuk Penyajian Tari Rahim Sungai Musi di Sungai Ogan Kampung 15 Ulu Kota Palembang Tamaran Yustitia Balqis; Dessy Wardiah; Nugroho Notosutanto Arhon Dhony
SENDRATASIK UNP Vol 12, No 2 (2023)
Publisher : FBS Padang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i2.123942

Abstract

The Rahim Sungai Musi Dance is a dance that tells of diversity and ethnic diversity along the banks of the Musi River involving 43 women of various ages, teenagers to adults. The research problem is how the form of the presentation of the Rahim Sungai Musi Dance in the Ogan River, village 15 Ulu, Palembang City. The aim of this research is to find out and describe the form of presentation of the Musi River Rahim Dance in the Ogan River, village 15 Ulu, Palembang City. This research uses qualitative methods with data collection techniques in the form of observation, interviews, documentation, and literature study. The form of presentation of the Rahim Sungai Musi Dance, namely the overall form presented on stage, consists of conceptual aspects and dance performances including dance moves, dance space, dance music, dance titles, themes, dance types, presentation modes, dancers, fashion, make-up, and styling, Light, property. From the results of the research and analysis it was concluded that the Rahim Sungai Musi Dance is a dance work that developed in the post-traditional era with the themes of historical, ecological and cultural issues that describe the activities of riverside communities such as fishing, washing, boats as a means of transportation, and the existence of floating markets in ancient time.