Garuda - Garba Rujukan Digital

Tri Purwanto

Universitas Islam Balitar

Author-ID : 6360716

Economics, Econometrics & Finance Education Electrical & Electronics Engineering

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DERIVATIONAL AND INFLECTIONAL MORPHEME IN ENGLISH LANGUAGE M. Rizky Aziz; Intan Libra; Devita Putri; Tri Purwanto; Nisaul Chusna
JOSAR (Journal of Students Academic Research) Vol 2 No 2: September 2017
Publisher : Universitas Islam Balitar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35457/josar.v2i2.803

This paper talks about the morphology which study or words how they are formed and their relationship to other words in the same language. However, we focus on the derivational and inflectional morpheme, which has some aspects (suffixes and prefixes) and how they are categorized. In the context of Natural Language Processing, the question of how the boundaries of merging, derivation, and inflection with each other and with areas outside morphology can be determined and gained new relevance. This work develops a framework that can provide background for answers at the same time and is interesting, both theoretically and practically. On the basis of a thorough discussion of the literature, language-independent definitions are given for compounding, derivation, and inflection. We are as the writers, we look for the references using the internet.research method The descriptive method is one of the methods we made to collect data, because our research formed a theoretical explanation different reference sources. Some of the data that we have obtained is the result of many references on the internet that we have filtered and selected according to the chapters or material we have examined and to using the descriptive method the researcher also uses the content analysis method, the discussion of a study using this method, is in-depth which will study a theory that has existed in the past and present by comparing which is more relevant to be used for the general public. There are some differences between inflectional and derivational morphemes. First, inflectional morphemes never change the grammatical category (part of speech) of a word. derivational morphemes often change the part of speech of a word. Thus, the verb read becomes the noun reader when we add the derivational morpheme -er. It is simply that read is a verb, but reader is a noun. However, some derivational morphemes do not change the grammatical category of a word.

INTRINSIC ELEMENTS OF AROMA KARSA Rizky Aziz; Intan Libra; Devita Putri; Tri Purwanto; Nisaul Chusna
JOSAR (Journal of Students Academic Research) Vol 2 No 2: September 2017
Publisher : Universitas Islam Balitar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35457/josar.v2i2.813

Aroma karsa is such a cool novel by Dee lestari, the fictional novel that carries the smell. It is an interesting novel, there are several elements of the story such as adventure, mystery, romance, family and ancient legend. The researchers are very curious with this novel, we decided to identify this novel as our assignment in literature class, we looked for the references from the book or on the internet to made some summary or looked for the problems which would be interesting to write in this paper. The research was using method qualitative research, the location of the research was in Public Library in Blitar city, the method to collect the data is by reading the novel and looking for the reviewers about Aroma karsa on Internet. The result of research is the researchers can make a review and critics about the novel, fter enjoying Aroma Karsa the blueprint of this manuscript is divided into two stories, namely the world of reality and magic. Reality is the story where Jati and Suma meet who deliver them to the PuspaKarsa expedition and meet NurdinSuroso, Khalil Batarfi, AnungLinglung, YustinusHerlambang, IwanSatyana, JindraMahameru, and AryaJayadi. Furthermore, magic is a story where they must find the village of Dwarapala which is mysteriously located on Mount Lawu and only the aroma can open the way to the village. That's where the epic story takes place when the mystery of the PuspaKarsa is gradually revealed and leads them to an adventure with EmpuSmarakandi, Pucang, Sinom, and ElarManyura

Figurative Language of the Song Titled “Celengan Rindu by Fiersa Besari” Aisyah Brillian Galih Kusumasari; Silvi Nuril Maulidia; Ahmad Siswanto; Tri Purwanto
JOSAR (Journal of Students Academic Research) Vol 1 No 2: September 2016
Publisher : Universitas Islam Balitar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35457/josar.v1i2.1571

This study aims to analyze the meaning of the song Fiersa Besari according to the Greenhouse Effect. Fiersa Besari's “Celengan Rindu” has a historical meaning to reveal the problem of long-distance dating as a barrier to meeting a lover. In addition, there are expressions of hope and expressions of various wishes to meet each other and carry out joint activities. In a dialectical meaning, the text of this song has meaning, expressing rejection of one's barriers in long distance relationships. In terms of researchers' prejudice, this song means that long distance courtship limits longing and limits communication. However, face-to-face encounters between two individuals who have been dating long-distance is a long-awaited time to spend together. Then finally, the researchers captured the linguistic meaning of the word. The connotative of the assonance language style is the repetition of the phrase "and wait for me there to break my longing piggy bank" the total effect of the nuances is the feeling of missing Fiersa Besari for her lover and her desire for her lover is waiting for him to come to her.

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