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All Journal Jurnal Studi Al-Qur'an Al Muhafidz
Haiva Satriana Zahrah
UIN Sunan Kalijaga Yogyakarta
Religion Humanities Education Social Sciences Other

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ANALISIS SEMIOLOGI ROLAND BARTHES PADA TERM ZAHRAH DALAM AL-QUR'AN Haiva Satriana Zahrah
Al Muhafidz: Jurnal Ilmu Al-Qur'an dan Tafsir Vol. 3 No. 2 (2023): Available online since 30 Agustus 2023
Publisher : Lembaga Penelitian dan Pengabdian Kepada Masyarakat (LP2M) Sekolah Tinggi Ilmu Al-Qur'an Al Multazam Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57163/almuhafidz.v3i2.76

Abstract

This article contains an explanation regarding the meaning of the za?rah through interpretation from classical to contemporary times. Recently, a quite ambiguous understanding has appeared regarding women who are identified with flowers because they have a beautiful face, with a match in the pronunciation in the Al-Qur'an that mentions this. By using Roland Barthes' semiological theory in reading myths, one identifies a sign that is interpreted to give birth to various meanings. Therefore, the purpose of this study is to analyze the pronunciation of za?rah in the Qur'an by looking at its diachronic meaning through various interpretations of mufassir from classical to contemporary times based on Barthes' semilogy theory. This research is a literature study (library research) with a qualitative research type. The result of this research is that Barthes develops de Saussure's theory at the level/system II stage (second order signifying system), which is called connotation, with the ERC (expression, relation, content) pattern. Diachronically, the muafassir (Al-Thabarî, Al-Farrâ, Al-Zamakhsyarî, Al-Qurthubî, Al-Zuhaylî, and Qurasih Shihab) interpret za?rah with almost the same understanding in terms of the interpretations of the term za?rah over time, agreeing to understand the meaning of za?rah as jewelry plus other meanings. Meanwhile, Ibn Katsîr understands this meaning textually as a flower. Understanding the Qur'an both textually and contextually has something in common, namely za?rah as beauty
Epistemologi Pemikiran Gabriel Said Reynolds tentang Konsep Homili Al-Qur’an Haiva Satriana Zahrah
Jurnal Studi Al-Qur'an Vol 20 No 1 (2024): Jurnal Studi Al-Qur'an
Publisher : Islamic Religious Education Departement

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JSQ.20.1.03

Abstract

This study examines the epistemology of Reynolds' thought, which initiated the concept of discourse to read (understand) the Qur'an. Reynolds made a new formulation by seeing the pattern of connectedness between texts and trying to break the argument that considered the Qur'an an imitation text from the Jewish and Christian traditions. This study aims to describe the discourse initiated by Reynolds, review the epistemology of his thoughts, and explain the implications of this concept. This research is a qualitative study in the form of library research using the Qur'an and its biblical subtext as the primary data source and a theoretical hermeneutic approach as an analytical tool in reviewing the book. The results of this study indicate that the Qur'an with pre-Quranic texts has a different literary genre; on the other hand, the Qur'an has a homily nature in developing its religious values. The concept of this homily carries methodological consequences for reading or interpreting the Qur'an with previous texts, namely the apocryphal Bible and Jewish and Christian exegetical works. Methodologically, Reynolds used alliterative theory and a literary approach. The concept of discourse has implications for assessing the Bible so that they are mindlessly suspicious of it, and using the Bible as a source or reference can be an alternative to understanding the Qur'an.
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