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All Journal Lakon Jurnal Pengkajian & Penciptaan Wayang Gesture: Jurnal Seni Tari
Aminudin Aminudin
Asisten Dosen Jurusan Tari ISI Surakarta
Arts Humanities Education

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Agus Prasetyo Aktor dan Rol Wayang Orang Sriwedari Dhestian Wahyu Setiaji; Sri Rochana Widyastutieningrum; Aminudin Aminudin
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 20, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v20i1.5450

Abstract

Agus Prasetyo: Actors and Role of Wayang Orang Sriwedari is an analysis of a person’s character. Agus Prasetyo’s ability of acting and artistic process to become a role is interesting to study because his existence has an impact on the sustainability and development of the Wayang Orang Sriwedari. The problem that is revealed is how the process of Agus Prasetyo becomes a role and its impact in terms of the sustainability and development of the Sriwedari Wayang Orang. Habitus theory is used to examine Agus Prasetyo’s process as an actor. The text and context approaches are used to find factors that support Agus Prasetyo to be a role model. The data collection is carried out by using the methods of observation, literature studies and interview. The collected data is analyzed using a data analysis process that emphasizes interpretative descriptive. The analytical study finds that Agus Prasetyo’s process of becoming a wayang orang actor is obtained through an educational process in the family, school and environment. This analysis also reveals that Agus Prasetyo’s acting as a role is supported by his creative and improvisational abilities in applying tembung (words), tandang (work) and tembang (songs).
Karakter Tokoh Gatutkaca Dan Dadung Awuk Dalam Wayang Sebagai Pijakan Penciptaan Tari Gatutkaca Dadung Awuk Gaya Mangkunegaran Aminudin; Kuncoro, Bimo; Wijayanto, R. Danang Cahyo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol. 21 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

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Abstract

Gatutkaca Dadung Awuk Dance at Pura Mangkunegaran is a dance work created during the era of Mangkunegaran IV with its creator NN. In its development, this dance was reconstructed by (the late) Rono Suripto in the 1990s as an appreciation of special dance in Mangkunegaran and often used in welcoming guests. The main objective of this study is to examine the character of Gatutkaca and Dadung Awuk in wayang as a basis for the creation of the Gatutkaca Dadung Awuk Dance Mangkunegaran Style. The method used to analyse this artwork is the Hawkins method of creating artwork; namely: exploration, improvisation, and formation or composition. The Gathutkaca figure became an idol because of the personality inherent in him. Gatutkaca is the son of Werkudara (father) and Arimbi (mother). Gatutkaca is a knight and is the king of the Pringgandani kingdom who has a gagah anteb (dashing) character. One lakon of wayang performances entitled Parta Krama tells about the marriage of Arjuna (his uncle). Gatutkaca is asked to look for a dowry and he met Dadung Awuk. Dadung Awuk is a giant with the characteristics of rongeh, glece, brayak, and cakrak. In this meeting, a war occurred because the dowry for Arjuna’s marriage was guarded by Dadung Awuk, namely Kerbau Pancal Panggung (White lower legs). A creative idea emerged because of the meeting in Pura Mangkunegaran, that is a work of the Gatutkaca Dadung Awuk Dance.
Revitalisasi Motif Batik Reog Ponorogo dalam Karya Tari Batik Ponoragan Annursyah, Hasbi; Aminudin, Aminudin; Wibowo, Anggono Kusumo
Gesture: Jurnal Seni Tari Vol. 14 No. 2 (2025): Gesture: Jurnal Seni Tari (October)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v14i2.67512

Abstract

This study investigates the revitalization of Reog Ponorogo batik motifs through the creation of a contemporary dance performance entitled Tari Batik Ponoragan. The research aims to reinterpret the symbolic meanings and philosophical values embedded in Reog Ponorogo batik motifs into choreographic language and visual presentation. A qualitative approach was employed, incorporating participant-led and practice-led methods that actively engaged local batik artisans and dancers in the creative process. Data were obtained through participatory observation, in-depth interviews, and documentation, and analyzed thematically. The results demonstrate that this revitalization effort successfully integrates cultural symbolism with expressive and innovative choreography, resulting in an authentic work of art. Beyond artistic espression this dance also serves an educational medium and a means of reinforcing cultural identity sustainability. Collaborative, inclusive, and practice-bassed approaches are proven to be effective strategies for preserving and developing cultural heritage in respons to contemporary social changes.
Co-Authors Annursyah, Hasbi Bimo Kuncoro Dhestian Wahyu Setiaji Sri Rochana Widyastutieningrum Wibowo, Anggono Kusumo Wijayanto, R. Danang Cahyo