Article Per Year (5 Year)
p-Index From 2021 - 2026
0.23
P-Index
This Author published in this journals
All Journal Journal of Innovation Research and Knowledge
Ryvaldo Apriandi
Jurusan Seni Karawitan, Fakultas Seni Pertunjukan, Institut Seni Indonesia Padangpanjang
Humanities Economics, Econometrics & Finance Education Health Professions Law, Crime, Criminology & Criminal Justice Social Sciences

Published : 1 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search

 1 
MANAJEMEN PERTUNJUKAN KOMPOSISI MUSIK LAGU TALEMPONG RATOK TIRAMA: SUATU PENDEKATAN WORD MUSIK Ryvaldo Apriandi; Ediwar Ediwar; Syahri Anton
Journal of Innovation Research and Knowledge Vol. 3 No. 3: Agustus 2023
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53625/jirk.v3i3.6329

Abstract

Talempong uwaik is talempong that played by older women in area of Agam that developed at Nagari Paninjauan Maninjau, Tanjung Raya regency. The term Talempong uwaik-uwaik is composed of female, while the term of uwaik itself is derived from the reference to the old women. Talempong uwai-uwaik notes include one of ratok tirama song, based on the production of talempong uwaik-uwaik ratok tirama song, the production found short recurring pattern of melody. Artist of tradision called this musical phenomenon baulang (repetitious). Saik Ratok Tirama creation is also used by the World Music approach with guitar instruments, bass, flutes, conga, talempong, keyboard, and drums. The production divides the work into two parts. In the first part, it is focused on the form of the razing ratok tirama tradition song by using traditional instruments of the song itself, such as talempong, gandang, aguang, gadabiak, the glass bottle, and giriang-giriang. In the second part, the creation focused on the short-repeated melodic pattern.
Co-Authors Ediwar Ediwar Syahri Anton