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All Journal Journal of Language Development and Linguistics Srawung: Journal of Social Sciences and Humanities Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM)
Afifuddin Afifuddin
Institut Seni Budaya Indonesia Aceh
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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SPOKEN THEATRE ACEH OF PMTOH PEUGAH HABA DEVELOPED BY TEUNGKU H. ADNAN: SPECTACLES STUDY Afifuddin, Afifuddin; Sarwanto, Sarwanto; Murtana, I Nyoman
Srawung: Journal of Social Sciences and Humanities Vol. 2 Issue 3 (2023)
Publisher : jfpublisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56943/jssh.v2i3.376

Abstract

Peugah Haba is an oral literary art from Manggeng, Aceh. The tradition was adapted to a performance art by Mak Lapee in 1950 and then developed and popularised by Teungku H. Adnan since 1964. He called his theatre as PMTOH, the idea came from when he often rode the PMTOH bus when selling medicine, he was impressed by the sound of its horn and then practised it in every performance during Peugah Haba in Aceh. The theatre presented by Teungku Adnan is probably spectacles in a general, objective perspective. Therefore, this research is conducted to analyse the existence of props, costumes, and acting as part of the spectacle of peugah haba performed by Teungku Adnan PMTOH. The methodology used in this research is descriptive qualitative method. Meanwhile, in obtaining the data the researcher used documentary technique. The result of this research indicated that this spectacle addition brings novelty to the narration of the epic of Teungku Adnan theatre, especially in Acehnese hikayat. In addition, the existence of properties, costumes and additional acting in the spoken theatre facilitates the Acehnese people in interpreting the story.
Seni dalam Ruang Imaji : Mediasi Digital dan Perubahan Format Pertunjukan pada Taman Budaya Aceh Selama Pandemi Afifuddin Afifuddin; Rasyidin Rasyidin; Aris Munandar
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 2 (2025): Oktober: Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i2.6948

Abstract

The COVID-19 pandemic triggered a significant transformation of performing arts in Aceh, particularly through Taman Budaya Aceh, which shifted its stage activities into digital formats. This study aims to describe the processes of digital mediation, changes in production formats, audience engagement patterns, and the archival function of cultural performances through Taman Budaya Aceh’s official YouTube channel. Using a qualitative descriptive case study design, the research analyzed 12 performance videos produced and uploaded between 2020–2022 through visual and narrative analysis. The findings reveal three key aspects: first, the shift from offline to online production created a new aesthetic based on camera work and editing; second, audiences transformed into mediatized participants through comments, likes, and replays; third, digital platforms functioned as cultural repositories, expanding access and strengthening the preservation of performances. These findings highlight that digitalization of performing arts is not merely an emergency response, but an integral part of constructing a sustainable arts ecosystem in the digital disruption era.
Integrasi Ornamen Aceh dalam Desain Furnitur Minimalis M. Hamzah; Ichsan Ichsan; Afifuddin Afifuddin; Ahmad Vaza At Thariq; Ikhsan Saputra
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 2 (2025): Oktober: Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i2.7333

Abstract

Minimalist style, as one of the major streams of modern design, has developed rapidly and influenced various aspects of life, including furniture design in Aceh. Along with the increasing dominance of minimalism, the existence of traditional Acehnese ornamentation has declined in application and tends to stagnate through repetitive use of similar motifs. This study aims to integrate the aesthetic and symbolic values of Acehnese ornamentation into minimalist furniture design through a contextual design approach based on local wisdom. The research applies the Design Thinking method, encompassing stages of contextual exploration, formulation of aesthetic concepts, visual experimentation, and critical reflection. Visual experiments were carried out through manual sketches and digital reproduction using SketchUp, CorelDRAW X7, and Gopain. The study produced two furniture designs a document cabinet and an office desk which combine Acehnese ornaments derived from the tomb complex of Raja Jalil in Lam Lagang and the traditional house of Teungku Chik Awee Geutah in Bireuen. The findings reveal that integrating Acehnese ornamentation into minimalist design can create harmony between tradition and modernity without losing philosophical depth or local identity. The study highlights the significance of a contextual design approach as an innovative strategy for cultural preservation through contemporary furniture creation.
Transformasi Pembinaan Seni Pantomim di Sekolah Dasar : Peran SDN 1 Beureunuen sebagai Penggerak FLS3N di Kecamatan Mutiara Timur Rasyidin Rasyidin; Muhammad Hamzah; Afifuddin Afifuddin
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 2 (2025): Oktober: Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i2.7339

Abstract

Pantomime arts development in elementary schools plays a crucial role in fostering students' creativity, self-confidence, and expressive abilities. This study examines the transformation of pantomime development at SDN 1 Beureunuen, a school that hosts the National Student Arts Festival and Competition (FLS3N) in Mutiara Timur District, Pidie Regency. Using an active qualitative approach through participant observation, informal interviews, and documentation of participant development from 2019 to 2025, this study examines how creative pedagogy practices, constructivist approaches, and strengthening cultural identity are applied in the development process. The results show a significant increase in school participation in pantomime competitions, from only three groups in 2019 to twelve groups in 2025. SDN 1 Beureunuen's success in winning the gold medal at the national level in the FLS3N has been a driving factor in the paradigm shift of teachers, which in turn has encouraged the creation of a competitive arts ecosystem at the sub-district level. These findings confirm that the implementation of creative pedagogy and tiered development can improve the quality of arts learning and strengthen the capacity of teachers and students in areas with minimal resources.
Ritual Body Dramaturgy in Turuk Laggai in the Pabetei Ritual of the Mentawai Community Dian Permata Sari,; Zulfardi Darussalam; Afifuddin; Rasyidin; Haria Nanda Pratama
Journal of Language Development and Linguistics Vol. 5 No. 1 (2026): February 2026
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/jldl.v5i1.16610

Abstract

Turuk Laggai is a ritual practice of the Mentawai people that is closely related to the Arat Sabulungan belief system, the ritual body, and the ecological relationship of the community with nature. The development of cultural tourism and social change has caused Turuk Laggai to shift in function from a sacred practice to a cultural performance, thus raising questions about the position of Turuk Laggai as a spiritual ritual or performative spectacle. This study aims to analyze the dramaturgy of the ritual body in Turuk Laggai in the Pabetei ritual of the Mentawai people through a performance studies approach. The focus of the research is directed at the Sikerei body, animal movement mimesis, Gajeuma music, and the performative atmosphere of the ritual. The study uses a qualitative method with a descriptive-interpretive approach. Data were obtained through literature studies, audiovisual documentation, and a review of previous research on Turuk Laggai and Mentawai community rituals. The analysis was conducted using a performance studies perspective to examine the relationship between the body, sound, ritual space, and spiritual experience in ritual performances. The results show that the Sikerei body works as a symbolic medium that connects humans with ancestral spirits and nature through body rhythm, movement repetition, trance, and animal mimesis. Ritual movements serve not only aesthetic functions but also represent the ecological and cosmological experiences of the Mentawai people. Gajeuma music plays a role in building a performative ritual atmosphere through repetitive rhythmic patterns that strengthen the emotional and spiritual experiences of the community. This research shows that Turuk Laggai is a form of total performance that presents an integration of body, music, space, and spirituality in a unified ritual aesthetic of the Mentawai people. This research is expected to contribute to the development of studies of ritual performing arts, particularly those related to the body, performativity, and cultural knowledge of indigenous communities in Indonesia.
Co-Authors Ahmad Vaza At Thariq Aris Munandar Dian Permata Sari, I Nyoman Murtana Ichsan Ichsan Ikhsan Saputra M Hamzah Rasyidin Rasyidin Rasyidin Sarwanto Sarwanto Zulfardi Darussalam