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Analisis Kepribadian Tokoh Utama Wira dalam Novel Cinta 31.000 Kaki Karya Dokter Gia Pratama Kajian Psikologi Sastra Shinta Noviana Lubis; Gustianingsih Gustianingsih; Bambang Riyanto
Journal on Education Vol 7 No 1 (2024): Journal on Education: Volume 7 Nomor 1 Tahun 2024
Publisher : Departement of Mathematics Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joe.v7i1.7073

Abstract

A novel is a story or story carried by certain actors with various background roles and stages and a series of stories obtained from the author's imagination so that a story is woven. The novel tells a picture of the character's life as a result of almost the entire journey of life. In the novel there is also a personality that includes all thoughts, feelings and behavior, consciousness and unconsciousness. This study aims to describe the personality structure of the main character in the novel Cinta 31,000 Kaki by Dr. Gia Pratama. The method used in this research is descriptive qualitative method. The data in this study are in the form of quotations taken from the content of the novel Cinta 31,000 Kaki by Dr. Gia Pratama which describes the personality structure of the main character. The data in this research is analyzed by using content analysis technique and using literary psychology approach. The data is presented in narrative form because each data is described based on the results of the research conducted. From the results of the research, the personality structure of the main character in the novel Cinta 31,000 Kaki by Dr. Gia Pratama was found. The personality structure consists of: id, ego and superego.
The Image of Women in the Main Character of the Novel Jais Darga Namaku by Ahda Imran: A Feminist Approach Nurseha -; Parlaungan Ritonga; Bambang Riyanto
Jurnal Bahasa Indonesia Prima (BIP) Vol. 7 No. 1 (2025): Bahasa Indonesia Prima (BIP)
Publisher : Bahasa Indonesia Prima

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34012/bip.v7i1.6045

Abstract

Literary works are very influential in human life because they contain messages and lessons that can be taken for life. Novels are literary works with various themes, including social issues that generally occur in society, including those related to the image of women. This research aims to describe the image of women in the novel Jais Darga Namaku by Ahda Imran using a feminist approach with Sugihastuti's theory that focuses on two main aspects in the form of women's self-image and women's social image of the main character, Jais Darga. The data source in this research uses the novel Jais Darga Namaku by Ahda Imran, published by Gramedia in 2022. This research was conducted using a descriptive qualitative method. The data presented are words, phrases, sentences, or paragraphs that contain images of women. The data collection technique used document analysis by reading, recording, classifying, and describing. The results of the study can be concluded that the image of women in the novel Jais Darga Namaku by Ahda Imran includes (1) Women's self-image from the physical aspects of puberty, menstruation, pregnancy, childbirth, and psychological aspects that have humility, intelligence, independence, resilience, and self-confidence, and (2) The social image of women in the family through their role as independent and forgiving wives and mothers and the social image of women in society as successful women in the international art world.
NILAI MORAL DALAM NOVEL KAMU DUNIAKU KARYA ROSA AMANDA SALIM KAJIAN: SOSIOLOGI SASTRA Klariani Sriningsih Sipayung; Emma Marsella; Bambang Riyanto
Jurnal Ilmiah Multidisiplin Vol. 4 No. 1 (2025): Januari: Jurnal Ilmiah Multidisiplin
Publisher : Asosiasi Dosen Muda Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56127/jukim.v4i1.1743

Abstract

Nilai moral merupakan suatu tingkah laku yang di perlihatkan oleh setiap individu berupa sikap positif maupun negatif. Turunnya tingkat kesadaran akan nilai moral dalam lingkungan anak mudah sangat prihatin, perkembangan zaman membuat nilai moral tidak lagi di terapkan dalam hidup bersosialisasi. Nilai moral sangat penting di terapkan supaya setiap individu memiliki nilai dalam dirinya sendiri. Seseorang yang berprilaku negatif akan memiliki nilai moral yang buruk, sebaliknya seseorang yang berperilaku baik akan mencerminkan nilai moral yang bersifat positif.
Digital Literature as a Convergence Ecosystem: A Digital Humanities Perspective on Contemporary Literary Practices in Indonesia Bambang Riyanto; Rosnidar Ain
LingPoet: Journal of Linguistics and Literary Research Vol. 7 No. 2 (2026): LingPoet: Journal of Linguistics and Literary Research
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The rapid development of digital technologies has fundamentally transformed the ways literature is produced, circulated, and consumed. This article examines digital literature in Indonesia as a form of convergence culture in which literary texts, digital platforms, audiences, and creative industries interact within an increasingly interconnected ecosystem. Drawing on Henry Jenkins’ (2006) concept of convergence culture and informed by perspectives from digital humanities, the study investigates how contemporary literary practices are reshaped through digital media environments. This research employs a descriptive qualitative approach based on literature review and the analysis of empirical evidence drawn from the digital literary practices of four influential Indonesian figures: Fiersa Besari, Raditya Dika, Tere Liye, and Tsana (Rintik Sedu). The analysis focuses on three dimensions: the transformation of literary forms, audience participation, and the convergence of cultural industries. The findings reveal that digital literature in Indonesia has evolved beyond the mere digitization of literary texts into a dynamic cultural ecosystem. Literary works increasingly circulate across multiple media formats, including social media, music, film, podcasts, streaming platforms, and community-based events. At the same time, audience participation has become a crucial source of literary visibility, legitimacy, and sustainability, shifting authority from traditional literary institutions toward networked digital communities. Furthermore, literary production is increasingly integrated with broader creative industries, generating new models of cultural production, distribution, and monetization. The study argues that the most significant transformation in contemporary Indonesian literature is the emergence of a convergence ecosystem in which texts, audiences, platforms, and industries continuously shape one another. While digital humanities provide an important analytical perspective for understanding the relationship between literature and technology, convergence culture offers a more effective framework for explaining the structural changes occurring in contemporary literary production. These developments also raise critical concerns regarding algorithmic visibility, commercialization, and the fragmentation of literary meaning within digital environments
HIERARKI KEBUTUHAN TOKOH UTAMA DALAM NOVEL SESUK KARYA TERE LIYE: KAJIAN PSIKOLOGI SASTRA Armada Nikata Telaumbanua; Ikhwanuddin Nasution; Bambang Riyanto
Jurnal Pembahsi (Pembelajaran Bahasa Dan Sastra Indonesia) Vol. 16 No. 1 (2026): Pembahsi (Pembelajaran Bahasa dan Sastra Indonesia)
Publisher : Universitas PGRI Palembang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31851/hv34bj58

Abstract

Penelitian ini bertujuan untuk mendeskripsikan hierarki kebutuhan tokoh utama dalam novel Sesuk karya Tere Liye berdasarkan teori Psikologi Humanistik Abraham Maslow. Lima tingkatan kebutuhan yang dianalisis meliputi kebutuhan fisiologis, keamanan, sosial, penghargaan, dan aktualisasi diri. Penelitian ini menggunakan metode deskriptif kualitatif dengan sumber data berupa novel Sesuk. Teknik pengumpulan data meliputi studi pustaka, simak, dan catat, serta dianalisis melalui reduksi data, penyajian, dan penarikan kesimpulan. Hasil penelitian menunjukkan terpenuhinya semua tingkatan kebutuhan tokoh utama: 25 data kebutuhan fisiologis, 9 data keamanan, 8 data sosial, 17 data penghargaan, dan 51 data aktualisasi diri yang mencerminkan 12 dari 14 karakteristik menurut Maslow. Temuan ini menunjukkan bagaimana konflik psikologis dan relasi sosial dalam novel mencerminkan proses pencapaian aktualisasi diri. Penelitian ini penting untuk memperkaya kajian psikologi sastra, khususnya dalam memahami perkembangan karakter anak dan remaja dalam karya fiksi. Ke depan, kajian serupa dapat diperluas pada novel anak dan remaja lainnya untuk mengungkap dinamika kebutuhan psikologis dalam konteks sosial yang berbeda.
Ketimpangan Akses dan Kualitas Pendidikan Masyarakat Menengah ke Bawah dalam Novel Guru Aini Karya Andrea Hirata: Kajian Sosiologi Sastra: Inequality in Access to and Quality of Education among Lower-Middle-Class Communities in Andrea Hirata’s Novel Guru Aini: A Sociology of Literature Study Balqis Sabrina; Nurhayati Harahap; Bambang Riyanto
Jurnal Bastra (Bahasa dan Sastra) Vol. 11 No. 4 (2026): JURNAL BASTRA EDISI OKTOBER 2026
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v11i4.2823

Abstract

Penelitian ini mengkaji ketimpangan akses dan kualitas pendidikan masyarakat menengah ke bawah dalam novel Guru Aini karya Andrea Hirata melalui pendekatan sosiologi sastra. Kajian ini dilatarbelakangi oleh representasi pendidikan sebagai persoalan sosial yang tidak hanya ditentukan oleh kemampuan individu, tetapi juga oleh keterbatasan ekonomi, norma sosial, kondisi sekolah, dan kebijakan pendidikan. Penelitian ini bertujuan mendeskripsikan bentuk-bentuk ketimpangan pendidikan dalam novel serta menjelaskan bagaimana ketimpangan tersebut membangun kritik sosial. Penelitian menggunakan metode deskriptif kualitatif dengan teknik analisis isi. Data berupa kata, kalimat, dialog, dan narasi yang merepresentasikan hambatan akses serta kualitas pendidikan. Hasil penelitian menunjukkan empat dimensi ketimpangan yang saling berkaitan, yaitu hambatan ekonomi dalam mengakses pendidikan tinggi, hambatan sosial dan gender yang membatasi aspirasi pendidikan, ketidakstabilan kurikulum yang membebani guru, serta kesenjangan institusional berupa ketidaksesuaian kualifikasi guru dan keterbatasan kapasitas sekolah. Implikasinya, Guru Aini mengkritik peluang pendidikan yang belum setara bagi masyarakat marginal.
Konflik Keluarga dalam Novel Warung Bujang Karya Jessica Carmelia: Kajian Sosiologi Sastra Naurah Nazihah; Nurhayati Harahap; Bambang Riyanto
Jurnal Bastra (Bahasa dan Sastra) Vol. 11 No. 4 (2026): JURNAL BASTRA EDISI OKTOBER 2026
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v11i4.2833

Abstract

Konflik keluarga dalam karya sastra tidak hanya memperlihatkan pertengkaran antaranggota keluarga, tetapi juga dapat menyingkap negosiasi otoritas, tanggung jawab, dan kebutuhan akan pengakuan. Penelitian ini mengkaji bentuk dan faktor penyebab konflik keluarga dalam novel Warung Bujang karya Jessica Carmelia serta menafsirkan makna sosialnya melalui pendekatan sosiologi sastra. Penelitian menggunakan metode deskriptif kualitatif dengan teknik analisis isi. Data utama berupa dialog, narasi, dan monolog yang merepresentasikan pertentangan antaranggota keluarga maupun konflik yang muncul dalam pengelolaan Warung Bujang. Data dipilih berdasarkan adanya pertentangan verbal, perbedaan kepentingan, ketegangan emosional, perselisihan peran, atau tindakan yang mengganggu relasi keluarga dan kerja kolektif. Hasil menunjukkan bahwa konflik orang tua dan anak, konflik antarsepupu, konflik sosial di sekitar usaha keluarga, serta konflik pribadi saling berkaitan. Tuntutan orang tua, ketidakpercayaan, ketidakcocokan tujuan, dan rendahnya kemampuan beradaptasi memperkuat konflik. Novel ini terutama merepresentasikan benturan antara otoritas keluarga dan otonomi individu, persaingan memperoleh pengakuan, serta persoalan pembagian kerja dalam ruang ekonomi keluarga.