Wardatun Nadhiroh
University of Birmingham, United Kingdom

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Family Harmony and the Question of National Resilience: A Maqāṣid al-Sharī‘ah Perspective Arif Sugitanata; Ahmet Arıtürk; Ahmad Rajafi; Fayaz Mahmadah; Wardatun Nadhiroh
Indonesian Journal of Islamic Law Vol. 9 No. 1 (2026): Indonesian Journal of Islamic Law
Publisher : Postgraduate Programme of UIN Kiai Haji Achmad Siddiq Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35719/1vp2ps41

Abstract

Indonesia’s national resilience is currently facing multidimensional pressures that have a direct impact on social stability, including family harmony as the smallest yet strategically significant social unit. Departing from this reality, this study aims to explain the urgency of national resilience in shaping and maintaining family harmony, while also exploring its contribution through the perspective of maqāṣid al-sharīʿah. Employing a qualitative approach based on a literature review, this research examines a wide range of academic sources, including books, scholarly journal articles, findings from authoritative research institutions, and Islamic normative frameworks, to construct an in-depth theoretical synthesis. The findings indicate that various dimensions of national resilience, such as economic, ideological, cultural, security, digital resilience, equitable development, and institutional integrity, can be understood as structural conditions that shape the quality and stability of relationships within the family. Accordingly, family harmony in this article is positioned not as a determinative empirical indicator, but as an analytical and conceptual indicator for assessing the effectiveness of the national resilience system. When the state fails to fulfil one or more of these aspects, families are exposed to structural pressures that threaten communication, caregiving roles, role modelling, and emotional stability. From the perspective of maqāṣid al-sharīʿah, national resilience is shown to support efforts to protect the five fundamental principles, namely religion (ḥifẓ al-dīn), life (ḥifẓ al-nafs), intellect (ḥifẓ al-ʿaql), lineage (ḥifẓ al-nasl), and property (ḥifẓ al-māl). Therefore, family harmony is not merely an expression of interpersonal relations but also an indicator of the effectiveness of the national resilience system. In this context, the study offers conceptual novelty by positioning family harmony not solely as the outcome of internal household dynamics, but as a socio-legal indicator of the quality of national resilience. This approach extends the study of maqāṣid al-sharīʿah from the normative domain of family law into a structural analysis that links state responsibility with the lived realities of family life. Thus, this article not only synthesises existing ideas but also constructs a new analytical framework that is relevant to the study of Islamic law and social governance.
THE RECEPTION OF ESCHATOLOGICAL TEACHINGS FROM THE QUR’AN AND HADITH IN RHOMA IRAMA’S SONG LYRICS Akhmad Supriadi; Nor Faridatunnisa; Syifa Syifa; Wardatun Nadhiroh; Akhmad Dasuki
TAJDID: Jurnal Ilmu Ushuluddin Vol. 24 No. 2 (2025): Ushuluddin and Religious Studies
Publisher : Faculty of Ushuluddin and Religious Studies UIN Sulthan Thaha Saifuddin Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30631/tjd.v24i2.5244

Abstract

Eschatological teachings in the Qur'an and hadith are an important foundation in shaping human life orientation and moral responsibility. However, in contemporary religious practice, these teachings are often reduced to normative-doctrinal discourse that is separated from the everyday cultural experiences of society. This study addresses the lack of research on the Qur'an and hadith that analyzes how eschatological teachings are transformed and internalized through popular cultural media, particularly dangdut music. By focusing on the lyrics of Rhoma Irama's songs; Masa Depan (The Future), Kematian (Death), Sebujur Bangkai (A Corpse), Kiamat (The Apocalypse), and Hari Berbangkit (The Day of Resurrection), this study aims to analyze the forms and patterns of reception of eschatological teachings from the Qur'an and hadith in musical expression. This study is a qualitative study using descriptive-analytical methods. The research data, in the form of song lyrics, are described and analyzed using the theory of Qur'anic reception by tracing references to verses and hadiths, symbolic language strategies, and the function of meaning in song lyrics. The results of the study show that Rhoma Irama does not merely reproduce eschatological teachings normatively, but transforms meaning through three main patterns of reception, namely functional reception, exegetical reception, and aesthetic reception. This research contributes to the development of studies on the reception of the Qur'an by expanding the study of Islamic eschatology into the realm of popular culture, while also affirming music as a medium for reflection and internalization of the theological-eschatological consciousness of society.