Aldrin Yohanes Ferdinandus
Universitas Ma Chung

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How do I sound? Vowel production of multilingual students at Ma Chung University Ounu Zakiy Sukaton; Didit Prasetyo Nugroho; Aldrin Yohanes Ferdinandus
Rainbow : Journal of Literature, Linguistics and Culture Studies Vol 12 No 2 (2023): Rainbow Journal of Literature, Linguistics and Culture Studies
Publisher : English Department, Faculty of Languages and Arts, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/rainbow.v12i2.73338

Abstract

This study aims to evaluate the Indonesian, English, and Mandarin vowel production of Ma Chung University students, a prominent Indonesian institution with a strong emphasis on workforce readiness. Given the university's language offerings encompassing Indonesian, English, and Mandarin, we employed a descriptive qualitative approach in acoustic-phonetic theory. Our respondent pool comprised of 15 PPBM (Chinese language major) students selected based on intermediate proficiency levels in all three languages, as indicated by TOEIC and HSK scores. First and second formant data for monophthongs were recorded in PRAAT tools and the data is compiled on Microsoft Excel, forming the foundation for Vowel Space Area (VSA). The data reveals a notable phenomenon: students' native language (Indonesian) influences their pronunciation of both the second (English) and third (Mandarin) languages. Particularly, English displays a distinct pattern of compressed vowel spread compared to the standard VSA table due to the lingering impact of L1 VSA. This effect accounts for observed vowel anomalies in student pronunciation. Importantly, this L1 and L2 influence is evident in their attempts to articulate L3 (Mandarin) sounds, exemplified by the significant deviation of /ə/ from the VSA. Moreover, students navigate a linguistic shift by modifying phonemes to align with their L1, inadvertently resulting in substantial deviations during English and Mandarin speech production.
Discourse Analysis and Humor on Papuan Mop in the Series of “Epen Kah Cupen Toh” Aldrin Yohanes Ferdinandus; Ounu Zakiy Sukaton; Patrisius Istiarto Djiwandono
ELS Journal on Interdisciplinary Studies in Humanities Vol. 6 No. 1 (2023): March
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/elsjish.v6i1.25642

Abstract

This study aims to explore the humor and discourse in Papuan MOP, as depicted in the 2010 YouTube video series "Epen Kah Cupen Toh" (EKCT). Humor reflects different cultures and societal conditions, and MOP is a frequently used humor by Papuan people, making it a unique representation of their lives. The study utilizes qualitative analysis to identify patterns and themes in Papuan MOP humor and discourse. The primary data is collected from the transcription of EKCT video series. Discourse analysis was utilized to further analyze the transcription of videos as the primary data. The findings reveal that the primary type of humor in Papuan MOP is witticism, and the character "Dodi" represents the effects of a lack of education and underdeveloped society in certain areas of the Papuan region. Furthermore, the use of the Papuan Melayu dialect, which emphasizes monosyllabic sounds, adds to the uniqueness of the humor portrayed in the series. The cross-cultural representation in the series also highlights the diverse ethnicities in Indonesia. The study concludes that Papuan MOP humor is closely linked to the social conditions of Papuan people, making it a valuable aspect of their cultural heritage.