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All Journal Indonesian Journal of Islamic Literature and Muslim Society PROSIDING SEMINAR NASIONAL DAN INTERNASIONAL HIMPUNAN SARJANA-KESUSASTRAAN INDONESIA Indonesian Journal of Islamic Literature and Muslim Society
Mustari Mustari
UIN Sunan Kalijaga Yogyakarta
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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CRITICIZING THE BUGIS ISLAMIC SCRIPT, PAU-PAU RIKADONNA I DARAMATASIA FROM SIRIQ NA PESSÉ PERSPECTIVE Bermawy Munthe; Mustari Mustari; Maharsi
Indonesian Journal of Islamic Literature and Muslim Society Vol. 6 No. 1 (2021): June 2021
Publisher : IAIN Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/islimus.v6i1.4345

Abstract

Pau-Pau Rikadonna I Daramatasia (PRID) is a very popular story and has an important position in the lives of Bugis people in South Sulawesi as well as in other region. In the script form, the story has three versions: Bone, Barru, and Pangkep. Not only being written in script form, the story is also staged in short films, picture stories, dances, and others. This article aims to understand the meaning for the Bugis' collective awareness of PRID stories. To reveal the meaning, Bone version of PRID will be used with considering the whole story. Bone's PRID is also unique because it has some additions of episodes at the beginning and at the end of the story that become the focus of this article analysis. In understanding the meaning contained in the PRID, Levi Strauss's theory of structuralism will be used by building binary opposition to the depth structure of the text. Based on the analysis conducted, the addition of episodes contained in the PRID version of Bone is closely related to the cultural value of siriq na pesse (honor and solidarity) which is opposing sharia values. This can be interpreted as an effort by the Bugis to reconcile the two values so that PRID is well thanked and appreciated until now as can be seen in Youtube contents.
THE SPIRITUAL JOURNEY OF SÉHU MARADANG IN THE MAKASSARESE VERSION OF THE LONTARAQ SÉHU MARADANG: FROM CASUAL SEX TO INSAN KAMIL (PERFECT HUMAN BEING) Mustari Mustari
Prosiding Seminar Nasional dan Internasional HISKI 2023: THE 31st HISKI INTERNATIONAL CONFERENCE ON LITERARY LITERACY AND LOCAL WISDOM (JUNI 2023)
Publisher : Himpunan Sarjana-Kesusastraan Indonesia (HISKI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/psni.v3i0.107

Abstract

It is surprising to read that a character's spiritual journey to the position of human begins with casual sex. It reads on Lontaraq Séhu Maradang (The Story of Sheikh Mardan), a classic literary work in Makassarese that can be classified as biblical or Islamic literature. This script contains the story of a hero's spiritual wanderings named Sheikh Mardan or Indra Jaya, who is permanently colored by making love with women and written in the prose style of the spoken language of a narrator. This story is important to discuss because it is used as a moral teaching but contains deviant behavior. Does this research answer why there is a narrative of free sex in the text of Pau-paunna Raja Séhu Maradang? This research data is taken from The Story of Sheikh Mardan, transliterated and translated by Aburaerah Aief, published by the Ministry of Education and Culture of the Indonesian and Regional Literature Book Publishing Project 1981. The data collection method used is a reading and recording technique, then selected and sorted relevant data, then analyzed and concluded. This study is a type of qualitative-narrative research with an Islamic science approach. The conclusions of this study are: When this work is placed essentially as a literary work, the meaning of free sex that colors the character's spiritual journey must be interpreted with an implied meaning because the character's religious science is gradually heading towards perfection. The four women courted by Sheikh Mardan began with no marriage to the first two women, then steadily married fiqh to the third woman, and inner marriage plus fiqh marriage to the fourth woman. Sex with a recreative function must be interpreted as the pleasure of the world that must be controlled and restored to its purity as a means of offspring.
CRITICIZING THE BUGIS ISLAMIC SCRIPT, PAU-PAU RIKADONNA I DARAMATASIA FROM SIRIQ NA PESSÉ PERSPECTIVE Bermawy Munthe; Mustari Mustari; Maharsi
Indonesian Journal of Islamic Literature and Muslim Society Vol. 6 No. 1 (2021): June 2021
Publisher : IAIN Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/islimus.v6i1.4345

Abstract

Pau-Pau Rikadonna I Daramatasia (PRID) is a very popular story and has an important position in the lives of Bugis people in South Sulawesi as well as in other region. In the script form, the story has three versions: Bone, Barru, and Pangkep. Not only being written in script form, the story is also staged in short films, picture stories, dances, and others. This article aims to understand the meaning for the Bugis' collective awareness of PRID stories. To reveal the meaning, Bone version of PRID will be used with considering the whole story. Bone's PRID is also unique because it has some additions of episodes at the beginning and at the end of the story that become the focus of this article analysis. In understanding the meaning contained in the PRID, Levi Strauss's theory of structuralism will be used by building binary opposition to the depth structure of the text. Based on the analysis conducted, the addition of episodes contained in the PRID version of Bone is closely related to the cultural value of siriq na pesse (honor and solidarity) which is opposing sharia values. This can be interpreted as an effort by the Bugis to reconcile the two values so that PRID is well thanked and appreciated until now as can be seen in Youtube contents.
Co-Authors Bermawy Munthe Maharsi