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All Journal SoCul: International Journal of Research in Social Cultural Issues
Ravi Arjuna Sundari
Fakultas bahasa dan Seni, Universitas Negeri Manado
Arts Humanities Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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BILLY SHEEHAN’S BASS PLAYING TECHNIQUE IN THE SONG OBLIVION Ravi Arjuna Sundari; Perry Rumengan; Franklin Dumais
SoCul: International Journal of Research in Social Cultural Issues Vol. 2 No. 6 (2022): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v2i6.7313

Abstract

The bass player played a significant role in something of a band's team, though in a rock band more than a guitar player or vocalist. Billy Sheehan is a different figure in regard to methods, presentation, and progressive acumen in his bass game. Together with The Winery Dongs, they drafted a drill song called Oblivion that combined progressive techniques in their game. The research takes a qualitative approach that reflects the condition of the research object the Oblivion of the bass play method and Billy Sheehan’s key analyzed source information, which the research described in a descriptive way to respond to the research case. Gathering information in the research employs method of documentary study. Based on the findings of this research, Billy Sheehan in a Oblivion song uses a mixture of plucking techniques and tapping techniques combined with the method of lead guitar play. As a result of this study, the authors found that Billy created new styles that made his bass game a unique performance, and looking back on it was a rich bass-game technique.
Co-Authors Franklin E Dumais Perry Rumengan