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All Journal Boting Langi: Jurnal Seni Pertunjukan Prosiding Seminar Nasional Pascasarjana Emergent: Journal of Educational Discoveries and Lifelong Learning (EJEDL)
Hadiyatno Hadiyatno
Universitas Sultan Ageng Tirtayasa
Arts Education Languange, Linguistic, Communication & Media Mathematics Other

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Komodifikasi Topeng Cirebon : Analisis Praktek Sosial Bourdieu Hadiyatno Hadiyatno; Muhammad Jazuli; Djuli Djatiprambudi
Prosiding Seminar Nasional Pascasarjana Vol. 5 No. 1 (2022)
Publisher : Pascasarjana Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Artikel ini mengkaji dan menganalisis dampak perubahan besar yang terjadi pada Komodifikasi Topeng Cirebon, Komodifikasi merupakan proses yang tidak hanya berhubungan dengan bagaimana produksi menjadi produk massa, tetapi juga berhubungan bagaimana produk tersebut dapat didistribusikan ke pasar untuk memenuhi kebutuhan konsumen. komodifikasi merupakan respon terhadap perubahan struktur sosial pada masyarakat Cirebon dan global. Spirit politis pemerintah dalam industri kreatif, telah membawa perubahan bagi pengrajin dalam mengentaskan kemiskinan, mengurangi pengangguran. Lokasi penelitian utama dilakukan di Desa Selangit, Kecamatan Klangenan, Kabupaten Cirebon. Lokasi sekunder dilakukan di beberapa daerah komunitas pengrajin topeng yang ada di Kota dan Kabupaten Cirebon, termasuk daerah istana pada kelompok distinction. Tujuan penelitian ini untuk mendeskripsikan dan menganalisis Praktek Sosial Bourdieu pada Komodifikasi Topeng Cirebon. Metode yang digunakan yaitu kualitatif deskriptif, dengan pendekatan analisis. Praktek Komodifikasi telah membuka mata pengrajin, bahwa kreativitas dalam realitas adalah dinamika, lenturnya topeng Cirebon sebagai sistem pewarisan budaya tradisi, dimaknai sebagai edukasi kepada masyarakat pengrajin topeng. Komodifikasi telah membawa Topeng Cirebon ada dalam persimpangan. Satu sisi pemerintah menjadikan topeng sebagai sistem pewarisan budaya yang harus dijaga dan dilestarikan keotentikanya, sisi lain, topeng merupakan aset produk budaya yang dapat mendatangkan devisa. Sedangkan perdebatan klasik pada publik topeng masih pada ranah perdebatan antara kelompok yang ingin mempertahankan estetika tinggi, penuh nilai dan makna, sisi lain menginginkan perubahan. sebuahparadok, rumit, kontradiktif dan kompleks, tetapi kondisi ini secara tidak langsung dapat mempertegas eksistensi dan kedaulatan topeng terapresiasi dengan sendirinya.
Model Pembelajaran Komposisi Rampak Bedug Berbasis Kreativitas untuk Menaikkan Kemampuan Musikalitas Siswa SMP Negeri 1 Banjar Pandeglang Muhammad Asegaf; Hadiyatno Hadiyatno; Syamsul Rizal
Emergent: Journal of Educational Discoveries and Lifelong Learning (EJEDL) Vol. 7 No. 3 (2026): March
Publisher : Indonesian Journal Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47134/emergent.v7i3.92

Abstract

This study aims to improve students’ musicality skills through the implementation of a creativity-based Rampak Bedug composition learning model at SMP Negeri 1 Banjar Pandeglang. The background of this research stems from the low interest and musical abilities of students toward traditional arts due to conventional learning methods that limit creative expression. The research employed a Classroom Action Research (CAR) approach conducted in two cycles, each consisting of planning, action, observation, and reflection. The subjects were 30 eighth-grade students. Data were collected through observation, interviews, documentation, and performance assessments focusing on rhythm, dynamics, harmony, creativity, and coordination. The results showed a significant improvement across all aspects of musicality. The average score increased from 2.6 in Cycle I to 3.6 in Cycle II, with the highest gain in creativity (1.3 points). The model effectively enhanced students’ musical skills while fostering appreciation for traditional Rampak Bedug art. Through sound exploration, improvisation, and group collaboration, students became more active, confident, and creative in musical expression.
TEKNIK RIAS PENGANTIN DENGAN COMPLEXION TAHAN LAMA: STUDI KASUS OLEH MUA RASILIABRUSHES SERANG Nanda Sabrina; Dwi Juliyanti Lestari; Hadiyatno Hadiyatno
Boting Langi: Jurnal Seni Pertunjukan Vol 4, No 3 (2025): Juli- Septermber
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/bl.v4i3.74630

Abstract

This research aims to reveal the long-lasting complexion technique in bridal makeup applied by MUA Rasiliabrushes in Serang, Banten. The research uses a qualitative approach with a case study method, which allows researchers to deeply explore bridal makeup strategies from the aspect of practice and direct experience of the actors. Primary data was collected through interviews with MUAs, clients, photographers, and direct observation of the makeup process, while secondary data was obtained from literature and academic references. The results showed that the success of long-lasting complexion is highly influenced by three main aspects, skin-prep that is adjusted to the skin type, proper layering application techniques, and the selection of compatible products, especially oil-free foundation and silicone primer. Rasiliabrushes uses a systematic approach starting from cleansing, toner and serum application, to final lockdown with setting powder and spray. The layering technique is gradual and precise to create a flawless, long-lasting finish that suits the client's skin needs. In addition to technique, factors such as client comfort, room lighting, and cleanliness of makeup tools also influence makeup success. This study reinforces previous findings that emphasize the importance of personalizing makeup techniques according to skin and environmental conditions. This study contributes to the practice of bridal makeup, and can be used as a reference for MUAs and other researchers in developing long-lasting and effective complexion techniques.
Co-Authors Djuli Djatiprambudi Dwi Juliyanti Lestari Muhammad Asegaf Muhammad Jazuli Nanda Sabrina Syamsul Rizal