Article Per Year (5 Year)
p-Index From 2020 - 2025
0
P-Index
This Author published in this journals
All Journal Jantra Journal of Music Science, Technology, and Industry (JOMSTI) Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Jurnal Kajian Seni
Widyanta, Nugrahanstya Cahya
Universitas Gadjah Mada
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

Published : 5 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 5 Documents
Search

 1 
ANTARA TEORI FORMULA ALBERT B LORD DAN MUSIKOLOGI Widyanta, Nugrahanstya Cahya
Journal of Music Science, Technology, and Industry Vol 1 No 1 (2018)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (569.07 KB) | DOI: 10.31091/jomsti.v1i1.503

Abstract

  Study of oral literature and a discipline named musicology have a linkage that has never been very often expressed yet. This paper is to reveal that music is an oral frame to bring a regularity in making sentences of oral literature  works in Yugoslavia. Such a thing is researched using a qualitative method. Data analysis is done through three steps, they are data reduction, data display, and conclusion and verification. The data is taken from a book entitled The Singer by Albert B Lord containing his theoretical formula concerning the oral literature in Yugoslavia. It is analysed by using a theory of musical form and structure by Leon Stein. Compositions in the oral literature is seen using Lord?s theory of formula. In this case, a singer remembers the repetition and creates it by analogy by the way of repeating  the existing words, phrases, clauses, and arrays. There is a process of re-accumulating,  re-combinating, and re-modelling the existing formula. So, the singer has his or her own style in expressing the works of the oral literature, but he or she always has the same number of syllables in every sentence. This can happen due to the musical taste used. The singer never count the number of syllables that exists but such regularity can occur due to the musical taste.
Antara Teori Formula Albert B Lord dan Musikologi Nugrahanstya Cahya Widyanta
Journal of Music Science, Technology, and Industry Vol. 1 No. 1 (2018)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (569.07 KB) | DOI: 10.31091/jomsti.v1i1.503

Abstract

Study of oral literature and a discipline named musicology have a linkage that has never been very often expressed yet. This paper is to reveal that music is an oral frame to bring a regularity in making sentences of oral literature works in Yugoslavia. Such a thing is researched using a qualitative method. Data analysis is done through three steps, they are data reduction, data display, and conclusion and verification. The data is taken from a book entitled The Singer by Albert B Lord containing his theoretical formula concerning the oral literature in Yugoslavia. It is analysed by using a theory of musical form and structure by Leon Stein. Compositions in the oral literature is seen using Lord’s theory of formula. In this case, a singer remembers the repetition and creates it by analogy by the way of repeating the existing words, phrases, clauses, and arrays. There is a process of re-accumulating, re-combinating, and re-modelling the existing formula. So, the singer has his or her own style in expressing the works of the oral literature, but he or she always has the same number of syllables in every sentence. This can happen due to the musical taste used. The singer never count the number of syllables that exists but such regularity can occur due to the musical taste.
Makna Metaforis Yang Terkandung Dalam Lagu “Tikus-Tikus Kantor” Karya Iwan Fals Nugrahanstya Cahya Widyanta
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Vol 1 No 2 (2019)
Publisher : Program Studi Pendidikan Musik FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/musikolastika.v1i2.24

Abstract

Terdapat berbagai cara untuk menyuarakan aspirasi, salah satunya melalui lagu. Karya lagu dari Iwan Fals yang berjudul ‘tikus-tikus kantor’ ini merupakan salah satu karyanya yang dibuat untuk kritik sosial. Hal yang menarik adalah syair lagu ini tidak diungkapkan secara gamblang namun menggunakan kiasan. Kajian ini akan menjabarkan makna yang terkandung dalam lagu ‘tikus-tikus kantor’ karya Iwan Fals, baik dari sisi bahasa maupun sisi musikalnya.
GAMELAN SOEPRA SEBAGAI REKONTEKSTUALISASI GAMELAN JAWA Nugrahanstya Cahya Widyanta
Jantra. Vol 14 No 2 (2019): Seni Pertunjukan
Publisher : Balai Pelestarian Nilai budaya Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (705.874 KB) | DOI: 10.52829/jantra.v14i2.92

Abstract

Gamelan Soepra is an adaptation of Javanese gamelan. The difference lies in the tuning system and the physical form of the gamelan foot which is made higher. This difference has shifted the contextual meaning of Javanese gamelan. This descriptive qualitative research collected the data from field observations. Javanese gamelan has its own philosophical meanings which contain noble values. For example, the cross-legged sitting position on the floor for Javanese gamelan player implies the meaning of modesty. Gamelan Soepra does not have such meaning because of the higher physical form of its foot. The Gamelan has its own philosophical meaning.
Efektivitas Keroncong Garapan Orkes Keroncong Tresnawara terhadap Audiensi Generasi Muda Nugrahanstya Cahya Widyanta
Jurnal Kajian Seni Vol 3, No 2 (2017): Jurnal Kajian Seni Vol 3 No 2 April 2017
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (455.879 KB) | DOI: 10.22146/jksks.30042

Abstract

Nowadays, kroncong of music seems less attractive to young people. The listener of this style of music is dominated by the elders. Orkes kroncong Tresnawara appeared to revive kroncong to be more appealing to younger generation. Orkes kroncong Tresnawara modifi ed kroncong in its every performance to be fi twith the musical taste of the younger generation. Kroncong creation relatively has high tempo and dynamic beat with thebeat syncopation with accents. It brings orkes kroncong Tresnawara a unique musical style. The style andits young players make the kroncong song arranged by this group is very appealing to the youth. Kroncong creation is a mean chosen by orkes kroncong Tresnawara to communicate with young people. In this modern era, the environment and function are different. Therefore, Orkes kroncong Tresnawara attempts to adapt to the era
Co-Authors