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Assistance and Development of Website Profile in Curug Sangereng Village Nabila Husna Shabrina; Gideon K.F.H. Hutapea; Irmawati; Monica Pratiwi; Ardiles Akyuwen; Aditya Satyagraha; Imamul Masyhudi; Suwito Casande; Kanza Amanda
I-Com: Indonesian Community Journal Vol 3 No 4 (2023): I-Com: Indonesian Community Journal (Desember 2023)
Publisher : Fakultas Sains Dan Teknologi, Universitas Raden Rahmat Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33379/icom.v3i4.3531

Abstract

Curug Sangereng Village, located in the independent city of Gading Serpong, Tangerang Regency, boasts a range of complete infrastructure, including offices, health facilities, educational institutions, places of worship, shopping places, and family recreation areas. However, the village presently lacks a comprehensive village profile that can serve as a means of socializing and disseminating information to its community. The objective of this community service activity, therefore, is to develop a website profile for Curug Sangereng Village that will provide information on the village's profile, public services, MSMEs, facilities, routine activities, and news about important events. In addition to developing the website, the activity will also implement a website usage assistance program to introduce and promote the use of the developed website. The assistance and development of the website for Curug Sangereng Village are part of the community service activities undertaken by Universitas Multimedia Nusantara.
Dark Fantasy Aesthetics in Indonesian Animation: Visual Analysis and Character Representation in the Film Panji Tengkorak Imamul Masyhudi; Rifki Risandhy
ULTIMART Jurnal Komunikasi Visual Vol 19 No 1 (2026): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31937/ultimart.v19i1.4673

Abstract

The animated film Panji Tengkorak (2025), produced by Falcon Pictures, presents a distinctive visual approach within the development of Indonesian animation through its application of dark fantasy aesthetics and a narrative aimed at adult audiences. This study aims to analyze the construction of dark fantasy visual aesthetics and the reinterpretation of the traditional Indonesian jawara figure as represented through the visual attributes of the main character. The research uses a descriptive qualitative approach using formalist aesthetic analysis and Roland Barthes’ visual semiotics. The research data consist of 12 visual ex-cerpts (film stills) selected through purposive sampling based on their relevance to elements of color, lighting, visual texture, character attributes, and the main narrative conflict. The findings reveal that the dominance of an earth-tone color palette, chiaroscuro lighting, and rough visual textures creates a dark fantasy atmosphere characterized by gloom and psychological tension. The semiotic analysis indicates that the character’s visual attributes, including the skull mask, clothing and bodily scars, and weaponry, generate denotative, connotative, and mythical meanings that represent the jawara figure as a traumatized survivor, socially alienated, and morally ambiguous individual. These findings demonstrate that visual aesthetics function not only to establish narrative atmosphere but also to reconstruct the meaning of heroism within the context of contemporary Indonesian popular culture.