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All Journal Jurnal Bahasa dan Sastra
Cattleya Wahyu Pravitha
Universitas Merdeka Malang Universitas Negeri Surabaya
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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Representasi Ideologi Feminisme dalam Film Animasi Encanto: Sebuah Kajian Semiotika Cattleya Wahyu Pravitha; Irene Evi Krismawati; Ali Mustofa
Jurnal Bahasa dan Sastra Vol 11, No 3 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v11i3.126190

Abstract

The animated film Encanto, which told the narrative of a magical Colombian family, introduced a new paradigm in the representation of women in the film industry. The unconventional female characters in this Disney-produced picture drew public notice and helped it win Academy Awards.  The multiple feminisms represented by these female figures are investigated descriptively and qualitatively. Data were gathered by watching the sequences of Encanto's film and paying attention to how feminism is depicted; taking pictures of each scene that depicts feminism; and then inventorying the acquired data. The data was evaluated and classified according to the feminism depicted in the scenes and discussions using John Fiske's semiotic theory. Existentialist Feminism, Postmodern Feminism, Psychoanalytic Feminism, and Ecofeminism Feminism were discovered to be the feminism streams portrayed in Encanto's animated films. These diverse streams of feminism are a breath of fresh air, breaking the preconceptions of female protagonists in prior Disney animated films.
Co-Authors Ali Mustofa Irene Evi Krismawati