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All Journal ELITE: Journal of English Language and Literature Seshiski: Southeast Journal of Language and Literary Studies
Muarifuddin Muarifuddin
Universitas Halu Oleo
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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PROFANITY LANGUAGE IN MEGAN THEE STALLION’S SONG LYRICS Elsa Gustryansar; Muarifuddin Muarifuddin
Seshiski: Southeast Journal of Language and Literary Studies Vol 2 No 1 (2022): Volume 2, Issue 1, June 2022
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v2i1.8

Abstract

This research aimed to analyze the types and the function of profanity language in Megan Thee Stallion‟s song lyrics; Thot Shit, Savage, and Hot Girl Summer. This research uses two theories, to analyze for types using the theory of Andersson and Trudgill (1990) and function using the theory of Pinker (2007). The data was collected through listening the song while reading the lyrics as whole part, identifying the profanity language to the song, taking notes from the lyrics that show of profanity language in Thot Shit, Savage, and Hot girl Summer song, identifying and classifying. This research is analyzed by presenting the data that contain of profanity language in Thot Shit, Savage, and Hot Girl Summer song lyrics, describing the context of situation of the data, interpreting the data based on the types and function of profanity language in Megan Thee Stallion’s song lyrics. The result of this research shows that the types of profanity language the researcher found namely expletive profanity, abusive profanity, humorous profanity, and auxiliary profanity. Meanwhile, the function the profanity language on the song’s lyrics are to express anger through abusive, dysphemistic, cathartic, and emphatic functions.
GOLDILOCKS AND THE BEAR: TRANSFORMATION OF FAIRY TALES AND POLITICAL CODES Rasiah Rasiah; Novia Gratiwi; Muarifuddin Muarifuddin
Seshiski: Southeast Journal of Language and Literary Studies Vol 1 No 1 (2021): Volume 1, Issue 1, June 2021
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v1i1.10

Abstract

Goldilocks and The Bear is a novel transformed from The Story of the Three Bears and Aladdin and Magic Lamp fairy tales. The novel presents a non-linear plot since it mixed up the plot and characters from those fairy tales as its hypo-grams. The process of the mixture is surely not merely innovation, but it has a politic code appeared in it. This study is investigating the transformation the fairy tales into the novel, and entails the political code behind it. Hutcheon’s concept of poetics and politics of postmodernism is used to display the novel through its double sides; its structure (as well as its contexts) and ideological sphere. This study suggests that the novel is using and distorting in the fairy tales through the women characters; Goldilocks named Victoria, a new women character Safiyya, Bear male as Ramsey as representation of white male, and Aladdin as dark-skinned man. The composition of the characters actually represented political codes of gender and white supremacy in Western narrative. It is legitimating and subverting the narrative representation of woman and dark skinned people who used to be placed as marginal people in the western narrative. The novel, reversaly, raised other possibility that those peripheral characters (women and blacks) can be competed with central character (men and whites). The narrative text of Goldilocks and the Bear displayed the deconstruction of women and black characters who used to be depicted in negative label in literature and cultural product, especially in Western representation.
The Portrait of Villain in Horror Movie Await Further Instructions Sarman Samarudin; Muarifuddin Muarifuddin
ELITE: Journal of English Language and Literature Vol. 8 No. 2 (2023): Vol. 8 No. 2, December 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2349

Abstract

This research aims to describe the portrait of the villain in the horror movie Await Further Instructions with a formulaic approach by J. G. Cawelti to provide an overview of movie development, especially the villain elements in horror movies. The descriptive-qualitative method was used in this research. The data for this research were collected by watching, pausing, identifying, classifying, and then analyzed by presenting, describing, and interpreting the data as well as concluding the analysis result. This research found four villain elements that are the same as horror villains in general (convention) and two different elements of villain (invention) that depict new sources of fear, such as motive antagonist (constructed by the media) and iconic symbol (mass media). The researcher concluded that in the horror movie Await Further Instructions, there is development in the elements of the villain that depict or represent people today being more afraid of mass media power than supernatural or unexplainable powers, such as ghosts, aliens, monsters, serial killers, and others.
The Role of Women Toward the Environment in Ainbo Movie : An Analysis of Ecofeminism Suci Arwiangsa; Muarifuddin Muarifuddin; Rahmawati Azi
ELITE: Journal of English Language and Literature Vol. 9 No. 1 (2024): Vol. 9 No. 1 June 2024
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v9i1.2671

Abstract

This research aims to explore the role of women in the environment from the perspective of ecofeminism. The researcher uses Karen J. Warren's theory of ecofeminism to determine the level of concern and the role of women in environmental issues. This research employs qualitative methods. The data source for this research is the 'Ainbo' movie. The results show that elements of capitalism, which pursue profit through the relentless exploitation of natural resources and labor, are visible in the practice of illegal gold mining in the Amazon. These activities cause significant environmental damage, and women are often the chief victims of their negative effects. This capitalist system has received strong criticism from the women's movement because, besides promoting environmental degradation, it also exacerbates the oppression of women in the Amazon forest area. The researcher concludes that nature and women have a close relationship, with both often experiencing exploitation. Male characters are depicted as representatives of capitalism who exploit natural resources for personal gain. In contrast, women are depicted as having a deep closeness to nature, reflecting their feminine principles, which emphasize protecting and saving the environment. The role of women as saviors of the environment stands out in contrast to the destructive actions carried out by male capitalists.  
Co-Authors Azi, Rahmawati Elsa Gustryansar Ms. Rasiah, Ms. Novia Gratiwi Sarman Samarudin Suci Arwiangsa