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CM, Noor Latif
Universitas Trisakti

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Kajian Aspek Fotografis dalam Tehnik Olah Digital Poster Film “ Sang Pemimpi ” CM, Noor Latif
Humaniora Vol 2, No 1 (2011): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v2i1.2969

Abstract

As the advancement of digital imaging technology, this urges internal actors to be more accurate and explorative in producing visual communication work with photography element and digital touching process. Digital process ability with no photographical ability will produce raw and anomaly visual work of art. Besides, audience is smarter and more appreciative towards quality of visual appearance in several modern communication media. Film poster of Sang Pemimpi is a case reflection of general digital in visual communication work that has gap among communication product content according to the brand of the film. Photography element composition is melted with bondless pile among the objects. Logical photography as bonding bridge of visual logic is weak in execution; where we could see it has less digital process commercial market need with the supporting resources. 
Visualisasi Karakter Pramodawardhani dengan Pendekatan Fiksi Sejarah CM, Noor Latif
Humaniora Vol 4, No 1 (2013): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v4i1.3433

Abstract

The figure of Pramodawardhani is a key figure in the history of Indonesia on the eighth century in Java. With these considerations, efforts to revive the character of Pramodawardhani are to contribute to the enrichment of Indonesian visual reference. At least, relics of artifacts at the time made the history of classical Indonesia experience confusion on trace of the story and visualization of its history. Visual reconstruction effort with fictional approach is way out to realize the data fragments both verbal and visual in visual understanding of the past with contemporary social norms perspective. Attributes that carried Pramodawardhani as being aristocratic Javanese classical land become static character without the frenzied of his supernatural power wrapping as a superhero. The fiction building which legally understands the metaphoric fact into an understanding of the modern imagination is the arena of visual reconstruction in some cases ever. Partial understanding of the history of Indonesia’s visual reference product presented by social media has been widely biased in visual building physically. The main cause boils down to the lack of fundamental studies in visual reconstruction pattern which is too premature to conduct the studies. 
Eksplorasi Pose dalam Pemotretan Model Melalui Kajian Visual Relief Karmawibhangga CM, Noor Latif
Humaniora Vol 6, No 4 (2015): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v6i4.3375

Abstract

Karmawibhangga Relief panel located at the foot of Borobudur is a relic of the visual artifacts that contains fragments of past life with a very high historical value. 160 Karmawibhangga panels tell the reality of people's lives at the time wrapped with a moral message plight. The relief provides a lot of visual references to be excavated and reconstructed again for the benefit of the creative industries today. This research digged one small part of the masterpieces of the past through photography. Understanding visual artists who create these reliefs will be beauty in the show gestures in building a very interesting story to be re-examined. Visual communication through gestures in relief Karmawibhangga enables new assumptions about body language dialect differences to current conditions. Through model genre photography, it is very useful in connection with the development of local nuanced scientific photography. Efforts to develop the traditions and culture through new media are expected to be creative commodity with a very strong product differentiation.