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All Journal Jurnal Invensi (Jurnal Penciptaan dan Pengkajian Seni) Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain
Fitro Nur Hakim
Universitas Sains dan Teknologi Komputer Semarang
Arts Humanities Education

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Seni sebagai Entitas Aktif, Sebuah Kajian terhadap Transformasi Kreativitas Fitro Nur Hakim
INVENSI Vol 10, No 2 (2025): December 2025
Publisher : Graduate School of the Indonesia Institute of the Arts Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/invensi.v10i2.15092

Abstract

Seni tidak lagi dipahami sebagai entitas statis, melainkan sebagai medium dinamis yang terus berevolusi seiring perubahan sosial, politik, dan budaya. Penelitian ini bertujuan menganalisis bagaimana seni berfungsi sebagai sarana ekspresi, komunikasi, dan perlawanan terhadap realitas sosial kontemporer. Objek penelitian mencakup berbagai bentuk seni modern dan kontemporer, termasuk praktik seni digital yang diperkaya oleh teknologi kecerdasan buatan. Dengan menggunakan pendekatan analitis berbasis kajian teori seni dan teori revolusi, penelitian ini menelaah hubungan antara seniman, medium, dan audiens dalam proses penciptaan karya. Hasil penelitian menunjukkan bahwa seni berperan signifikan dalam pembentukan identitas, membuka ruang dialog sosial, serta mendorong transformasi pada tatanan masyarakat. Kesimpulannya, seni bukan sekadar produk akhir, tetapi merupakan proses interaktif yang mencerminkan dinamika sosial dan potensi perubahan yang terus berkembang. Art as an Active Entity: A Critical Study of Creative Transformation ABSTRACTArt is no longer understood as a static entity, but rather as a dynamic medium that continually evolves in response to social, political, and cultural change. This study aims to analyze how art functions as a vehicle for expression, communication, and resistance to contemporary social realities. The objects of inquiry encompass various forms of modern and contemporary art, including digital art practices enriched by artificial intelligence technologies. Employing an analytical approach grounded in art theory and theories of revolution, this research examines the relationship between the artist, the medium, and the audience within the process of artistic creation. The findings indicate that art plays a significant role in shaping identity, opening spaces for social dialogue, and driving transformations within societal structures. In conclusion, art is not merely a finished product, but an interactive process that reflects social dynamics and the ever-developing potential for change.
Sosiologi Bourdieu Melihat Poster Film Horor Indonesia Fitro Nur Hakim
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 2 No. 2 (2025): April: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v2i2.572

Abstract

This study aims to analyze the design of Indonesian horror film posters through Pierre Bourdieu's sociological lens. The main focus of the study is to understand how the visual elements in the poster reflect the social dynamics, culture, and structure of the film industry. By using the concepts of habitus, capital (cultural, symbolic, economic), field, doxa, and social reproduction, this study reveals that the design of horror film posters not only functions as a promotional tool, but also as a medium that reproduces local cultural values ​​and community beliefs about the supernatural world. Elements such as traditional ghosts such as genderuwo, kuntilanak and mystical symbols such as keris, offerings, then there are dark colors, and a scary atmosphere reflect the habits of audiences who are familiar with local myths. This study also shows that horror film posters reproduce stereotypes about the relationship between humans and the supernatural world, and strengthen the hierarchy of spiritual power through visual symbols. These findings confirm the relevance of Bourdieu's theory in understanding cultural phenomena through visual media. This study is expected to provide new insights for filmmakers, graphic designers, and students in understanding the interaction between culture, aesthetics, and the film industry.
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