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Balaganjur Training to Foster Young Generation Spirit in Ulian Village | Pelatihan Balaganjur untuk Menumbuhkan Semangat Generasi Muda Di Desa Ulian I Nengah Wirya Adnyana
GHURNITA: Jurnal Seni Karawitan Vol 3 No 4 (2023): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i4.2502

Abstract

Ulian Village is located in the northern corner of the city of Bangli, to be precise, in the Kintamani District. The Kintamani region has its characteristics, where most people work as farmers. Likewise, most of the people in Uian Village also work as farmers. There is a lack of artistic movement figures in Ulian Village, which may make Ulian Village still sparse/less visible in the arts, especially in karawitan art. So from this, the authors implemented the KKNT Program in Ulian Village, which aims to provide more insight into the Ulian village community and to foster the enthusiasm of the younger generation through Balaganjur training in Ulian Village. So that from the problems that arise, the author provides general knowledge about the art of karawitan to the village community, especially in practicing appropriate techniques directly, providing percussion training, both adult seka gong and youth seka gong and the author will provide one percussion work the author is Tabuh Balaganjur Melasti. Through this KKNT Program, the authors can implement their knowledge and will positively impact the Ulian village community, increasing artistic creativity, especially in musical arts.
Balaganjur Training to Foster Young Generation Spirit in Ulian Village | Pelatihan Balaganjur untuk Menumbuhkan Semangat Generasi Muda Di Desa Ulian I Nengah Wirya Adnyana
GHURNITA: Jurnal Seni Karawitan Vol 3 No 4 (2023): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i4.2502

Abstract

Ulian Village is located in the northern corner of the city of Bangli, to be precise, in the Kintamani District. The Kintamani region has its characteristics, where most people work as farmers. Likewise, most of the people in Uian Village also work as farmers. There is a lack of artistic movement figures in Ulian Village, which may make Ulian Village still sparse/less visible in the arts, especially in karawitan art. So from this, the authors implemented the KKNT Program in Ulian Village, which aims to provide more insight into the Ulian village community and to foster the enthusiasm of the younger generation through Balaganjur training in Ulian Village. So that from the problems that arise, the author provides general knowledge about the art of karawitan to the village community, especially in practicing appropriate techniques directly, providing percussion training, both adult seka gong and youth seka gong and the author will provide one percussion work the author is Tabuh Balaganjur Melasti. Through this KKNT Program, the authors can implement their knowledge and will positively impact the Ulian village community, increasing artistic creativity, especially in musical arts.
Preservation of Arts through Training Gamelan Semar Pegulingan in the Batur Traditional Village | Pelestarian Seni Melalui Pelatihan Gamelan Semar Pegulingan di Desa Adat Batur I Nengah Wirya Adnyana
GHURNITA: Jurnal Seni Karawitan Vol 4 No 2 (2024): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i2.3321

Abstract

Batur Traditional Village is a village located to the north of Bangli city, precisely in Kintamani District. Batur Traditional Village is an old traditional village characterized by the presence of many pelinggihs spread across the Batur area. In the field of arts, the Batur Traditional Village is famous for its old class gambelan, one of which is the Gong Gede gambelan. Based on observations, several other gambelan barungan such as gambelan angklung barungan and gambelan gambelan angklung barungan in the Batur Traditional Village are still observed, need to be improved and redeveloped, this is due to the lack of driving figures who focus on the field of art, especially musical art. Therefore, the Batur Traditional Village submitted a request via letter addressed to the Isi Denpasar Rectorate to help preserve art in the Batur Traditional Village. So, because of this problem, the writer was appointed and assigned by the Dean of the Faculty of Performing Arts to help preserve the arts in the Batur Traditional Village with the Thematic KKN program. The Thematic KKN program that the author will carry out in the Batur Traditional Village focuses on preserving the art of karawitan through percussion training, as well as to fulfill the final assignment the author created a work using Barungan Gambelan Semar Pegulingan entitled "Kelangon Ing Ranu".