Article Per Year (5 Year)
p-Index From 2021 - 2026
0.408
P-Index
This Author published in this journals
All Journal Ghurnita: Jurnal Seni Karawitan
Saptono Saptono
Seni Karawitan ISI Denpasar
Arts Humanities Education Social Sciences

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Music Creation Durmanggala | Tabuh Kreasi Durmanggala Putu Danendra Adi Bagaskara; Saptono Saptono; I Ketut Partha
GHURNITA: Jurnal Seni Karawitan Vol 4 No 1 (2024): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i1.3378

Abstract

The musical composition of  Tabuh Kreasi Durmanggala is a karawitan composition that uses Semarandana gamelan as a medium of expression. This Durmanggala Creation Tabuh is a tabuh inspired by natural phenomenon hints implied in Lontar Roga Sanghara Bhumi, namely Durmanggala, which occurred in Kelan Traditional Village. The concept of this work uses the tri angga structure, which is still based on traditional principles. The tradition is well developed in terms of gending structure and techniques with the arrangement of musical elements such as tone, melody, rhythm, tempo, harmony, and dynamics. This masterpiece of Durmanggala creation was created because it contained four aspects that became the orientation of discussion in understanding ways to design new works, including aspects of ideas, aspects of concepts, and implementation of ideas and concepts into gamelan as a medium of expression, and consideration of taste.
Music Composition Kulawarga Pencon | Komposisi Musik Kulawarga Pencon I Putu Restu Andika; saptono saptono
GHURNITA: Jurnal Seni Karawitan Vol 4 No 3 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i3.3388

Abstract

Kulawarga Pencon is a musical work that summarizes the fusion of two cultural families in instruments based on Balinese and Javanese gamelan. The method for creating Kulawarga Pencon's work adopts the principles stated in the Method for Composing Musical Works (An Alternative) by inserting the process for creating works by I Wayan Beratha. This creation inspired musical processing based on an appreciation of the technique of playing gamelan instruments with pencon and processing rhythms based on various tempos. This approach creates a harmonious intertwining of tones in the formulation of the work. The musical structure of Kulawarga Pencon follows the Tri Angga concept, which consists of kawitan (precursor), pengawak (content), and pengecet (cover). Kawitan is formulated as an introduction that highlights the elements of rhythm, dynamics, and tempo as the basis for the development of the initial part. The crew expanded its scope by developing ancient techniques adapted to the stylist's perspective. The printer is interpreted as the culmination or red thread that transforms the formulation of the work toward the end. The musical work Kulawarga Pencon is composed and structured into three parts with various patterned characters but sourced from existing gamelan with knob techniques adapted to the stylist's interpretation of the interpretive power. This work's result is music processing through a unique mindset and creative process. An experimental result represents the interaction between two cultures, namely Balinese and Javanese Gamelan, in the form of a distinctive instrument, which is then used as a medium for working on the formulation of the work. For 14 minutes, this work was played by 17 musicians, including arrangers, with support from students from the Gamelan Arts Study and Performing Arts Education program at the Indonesian Institute of Arts Denpasar.
Co-Authors I Ketut Partha I Putu Restu Andika Putu Danendra Adi Bagaskara