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All Journal Lekesan: Interdisciplinary Journal of Asia Pacific Arts
I Gede Arya Sugiartha
Indonesia Institute of The Arts Denpasar
Arts Humanities

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Expansion Of Value And Form Dol Musicality As Ritual Tabot In Bengkulu Bambang Parmadie; I Gede Arya Sugiartha
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 1 No. 1 (2018): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v1i1.301

Abstract

The expansion of value and form musicality in Tabot ritual music includes ideology, musicality and new sociocultural phenomena in the performing arts extend to all elements of Bengkulu society in general. The sacred music referred to in the Tabot rituals of Bengkulu is Dol music. The transformations in forms of Dol music and musicality are: sacred musicality becomes secular or profane. The physical form, function, and aesthetic of Dol music in Tabot rituals have an ever-increasing creativity in their development, musical progress and sociocultural-supporter progress. The commodification of Dol music transforms the artistic identity associated with new music from Bengkulu. The development of musicality moves freely, making changes in sacred ideology. This analysis reveals problems using social practice theory, hegemonic theory, and popular culture theory, applied eclectically by using a qualitative method. Data is collected Through observation, interview, and document study. The findings of this research are that there are forms of exploration and exploitation of Dol music from sacred to secular or profane and vice versa in the context of the commodification of physical musicality, function, and aesthetics in the ideological identity of the supporting community and the musical space dimension. The secular or profane Dol music permeates and indoctrinates the sacred Dol musical ideology as the musical ceremony of Tabot ritual. The counter-assumption about a sacred art form that will experience a shift into secular or profane is not entirely true for Dol music in Bengkulu.
Innovations of Governance in Balinese Joged Bumbung Dance in the era of globalization I Gede Arya Sugiartha
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 1 No. 2 (2018): October
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v1i2.567

Abstract

This paper aims to analyze the develpmental dynamics concerning the governance of Balinese Joged Bumbung performances in the era of globalization. Developments being analyzed involve innovations in governance of performance standards. The methodologies utilized in conducting this research include observations, interviews, and literature studies. Post-modern aesthetic theory is utilized for analysis of phenomena such as, receptivity aesthetics and aesthetics in relation to social facts and arts of the community (Mukarovsky, 1970). Organizational innovation is a manifestation of changes in aesthetic functions by the role of supporting art, Bali’s Joged Bumbung which exists as social dance. In recent developments many manifestations of this art form have been ridiculed as joged ngebor  (meaning “drill” with pornographic connotations), also is much appreciated as innovative joged (joged care jani) due to a change in governance of performance standards. This happens because of the interplay of extraneous factors (people’s taste and the influence of television entertainment arts), as well as intrinsic forces (creative power and pragmatic attitudes of performers). The taste of the people who want dancers to move in this ngebor manner  is understood to be pragmatic by the performers whose affirmation of these movement modalities only for the sake of monetary interest (economic goals). Even though there are also Joged Bumbung Bali innovations; which are creative in organizing performances without being eroded to appear as pornographic and are still in demand by the community. The offer of a model of grooming performance, which prioritizes creativity in the development of accompaniment music and dance movements, has been an innovative Bali’s Joged Bumbung as an offer to fight the tendancy to be erotic.
Co-Authors Bambang Parmadie