Article Per Year (5 Year)
p-Index From 2020 - 2025
0.408
P-Index
This Author published in this journals
All Journal Jurnal Igel: Journal of Dance
I Nyoman Cerita
Institut Seni Indonesia Denpasar
Arts Humanities

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
TARI SAKANAYA CERMINAN MORAL MANUSIA I Wayan Krisna Ananta Kusuma; I Nyoman Cerita; I Wayan Sutirtha
Jurnal IGEL : Journal Of Dance Vol 1 No 2 (2021): Terbitan Kedua Bulan Oktober tahun 2021
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/journalofdance.v1i2.867

Abstract

The creative source of the Sakanaya dance work comes from the Sengkuni character who is the antagonist as the source of conflict in the Mahabharata story. His intelligence and abilities make him dissolved into destruction, because he cannot control the six enemies that are within him (Sad Ripu).The creation of this dance work uses the theory of imagination which means the power to form images (images) and the theory of aesthetics which means beauty. The process of realizing it into creative dance works using the creation method in the book Creating Through Dance by Y. Sumandiyo Hadi, a translation of the book Creating Trough Dance by Alma M. Hawkins with stages of exploration, improvisation, and forming. Exploration is thinking, imagining, and responding, by doing research on creative sources, determining ideas and themes for the work, designing the concept of work, selecting dancers, choosing composers and accompaniment players and choosing a place to practice; Improvisation is the process of pouring out the concept of a work to dance performers and has a probationary period; The last stage of forming is the process of uniting and assembling movement patterns, arable structures, music, and formation as a whole.This dance work is packaged in a creative dance work, with the theme of social life. Danced with seven dancers, accompanied by gamelan Semarandhana. The realization of this dance work is expected to awaken every human being that the importance of self-introspection is to maintain integrity or harmony in the lives of fellow human beingsKeywords: Sakanaya, Sengkuni, Sad Ripu, Creative
PENGGABUNGAN DUA GENRE TARI KE DALAM BENTUK KAKEBYARAN Putu Angga Pratama; I Ketut Sariada; I Nyoman Cerita
Jurnal IGEL : Journal Of Dance Vol 1 No 2 (2021): Terbitan Kedua Bulan Oktober tahun 2021
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/journalofdance.v1i2.869

Abstract

Kebyar Jang is a dance creation originating from Truna Jaya Dance and Rejang Sacred Lanang Dance. The two dance genres have different characteristics and movement patterns, then the creators combine them to produce a new dance creation using a theme of spirit combination. The purpose of the creation of the Kebyar Jang dance is to preserve and introduce the arts in the Buleleng area, especially dance.This dance creation uses the angripta-sasolahan method by I Kt. Suteja with stages: ngarencana, nuasen, makalin, nelesin and ngebah. Ngarencana is done by observing, thinking, and imagining the creative resources used. Nuasen is a ritual ceremony before improvising the movement by performing prayers followed by all the dancers. Makalin is done by selecting the supporting the elements of creation and improvising the motion. Nelesin is a stage of formation which is done by summarizing the results of improvised motion that have been obtained. Ngebah is the first stage of the performance to find out the form of creation and get the results of the evaluation. Using the theory of imagination, symbols and aesthetics to assist in the creation process.This dance creation is packaged in the form of the kakebyaran dance which is danced by 6 male dancers using a fan property. Using makeup and clothing a combination of the rejang dance and the kakebyaran dance. Accompanied by the gamelan Semarandhana that can support the atmosphere of each structure that is displayed.Keywords: Kebyar Jang, Kakebyaran Dance, Truna Jaya Dance, Rejang Sacred Lanang Dance.
Co-Authors I Ketut Sariada, I Ketut I Wayan Krisna Ananta Kusuma Putu Angga Pratama Sutirtha, I Wayan