Article Per Year (5 Year)
p-Index From 2020 - 2025
0.408
P-Index
This Author published in this journals
All Journal ICON Islamic Communication and Contemporary Media Studies
Siti Raudhatul Jannah
UIN Kiai Haji Achmad Siddiq Jember
Religion Humanities Languange, Linguistic, Communication & Media Social Sciences

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Simbol Religius dalam novel Hati Suhita (Studi Semiotika Perspektif Charles Sanders Pierce) Reni Rahmawati; Siti Raudhatul Jannah
Icon: Islamic Communication and Contemporary Media Studies Vol. 1 No. 1 (2022): Icon: Islamic Communication and Contemporary Media Studies
Publisher : Fakultas Dakwah Universitas Islam Negeri Kiai Haji Achmad Siddiq Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article aims to find out the religious symbols in the novel Hati Suhita by Khilma Anis. This research uses a qualitative research type with a descriptive approach. This research method was carried out by selecting and sorting out several icon quotes, indices, and religious symbols for later analysis with Charles Sanders Pierce's semiotic theory with the aim of knowing the form of signs, functions and meanings in the novel Hati Suhita. The researcher also made observations, documentation, adding supporting data with literature studies and checking the validity of the data using source triagulation. The results of this study indicate that several religious symbols in Charles' semiotic aspect include (1) icon categorization found 30 quotes (2) index categorization found 22 quotes (3) symbol categorization found 23 quotes. The symbols found include symbols of children's obedience to their parents, wife's obedience to her husband, obedience to Allah, patience, gratitude, guardian pilgrimage, tabarrukan, santri day, pesantren, orphans, deliberation, Haul Masyayikh, takdzim, 'alim and khadziq. , muthola'ah, and tirakat.
Analisis Pola Komunikasi pada Pelaku Budaya Ojhung di Kecamatan Kendit Situbondo Huzaimatul Hilalia; Siti Raudhatul Jannah
Icon: Islamic Communication and Contemporary Media Studies Vol. 1 No. 2 (2022): Icon: Islamic Communication and Contemporary Media Studies
Publisher : Fakultas Dakwah Universitas Islam Negeri Kiai Haji Achmad Siddiq Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Communication is an inseparable part of everyday life. Likewise with the hereditary beliefs that come from this Bugeman Village. Oh, his name. Ojhung is a violent activity, hitting each other between players using rattan with three strokes per player, which is then believed by the community as a means of asking for rain and rejecting reinforcements'. Through the communication carried out by the Ojhung actors, this culture has remained sustainable to this day. Based on the problems that have been described, the focus of the problem in this thesis are: 1) How does the pattern of circular communication take place between traditional leaders and Ojhung actors? 2) How does the pattern of linear communication take place between fellow Ojhung actors? 3) How does the secondary communication pattern take place between Ojhung actors and non-perpetrators? The purpose of this study is to analyze and describe the communication process that occurs in the Ojhung Culture actors in Bugeman Village through the types of communication patterns brought by several communication experts. The researcher used descriptive qualitative research. The data collection techniques used interviews, observation, and documentation. This study concludes that the relationship between culture and communication is reciprocal. Both influence each other. This shows that the people there have many ways of communicating for the sustainability of the Ojhung Culture.
Co-Authors Huzaimatul Hilalia Reni Rahmawati