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A QUALITATIVE ANALYSIS ON THE APPLICATION OF TEMPO ON THE CHOIR SONGS WITHOUT TEMPO MARKINGS Rena Maria Mamantung; R. A. Dinar Sri Hartati; Luccylle M. Takalumang
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 4 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i4.8295

Abstract

This research was conducted with the aim of understanding and explaining how tempo is applied in singing choir songs that do not have tempo markings. Tempo, in this context, refers to the speed or slowness with which a musical composition is sung, either by human vocals or musical instruments. To measure the speed of a song, a tool called a Maezel Metronome is used. Tempo markings can be classified into several groups, such as very slow, not very slow, medium, fast, and very fast tempos. This study is conducted using the qualitative research method in which the data collection is carried out through library research and observation. The obtained data are then validated through the process of categorization, editing, analysis and conclusion. The validated data are analyze using he theory of tempo proposed by Perry Rumengan. This research uses a qualitative descriptive method with data collection techniques through literature study and observation. The research results show that tempo has an important role in the context of choirs. In applying tempo to Choir songs, it is necessary to pay attention to the meaning of the lyrics, the ideas conveyed, the melody and rhythm movement, the time structure, expression techniques, as well as the style and genre of the music concerned.
AN ANALYSIS ON THE ROLE AND FUNCTION OF SINGERS IN WORSHIP: A CASE STUDY AT THE NEW JERUSALEM BETHEL CHURCH INDONESIA Ariandi Richard Mabuka; R. A. Dinar Sri Hartati; Franklin Dumais
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 5 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i5.8307

Abstract

This research aims to examine the roles and functions of the worship singers at the New Jerusalem Bether Church Indonesia in Kampung Lebo. To achieve this goal, data collection tools such as observation, interviews, literature review, and documentation were employed. The research method used is a qualitative descriptive method, with the objective of identifying the outcomes obtained in the field. In this study, the researcher utilized theories that support the research, serving as the foundation for investigating the roles and functions of singers in worship at the Indonesian Bethel Church in Kampung Lebo. The research has elucidated the roles and functions of singers in the worship of the New Jerusamlem Bether Church Indonesia in Kampung Lebo. The researcher discovered several aspects regarding the roles and functions of singers, including the significant role of backing vocalists in the progression of worship, their ability to assist the song leader in leading worship, the importance of singers being pitch-perfect, their capacity to provide harmony and vocal energy in every song, the ability to transform the worship atmosphere to avoid monotony, guiding the congregation in singing, providing enthusiasm, and making the congregation feel engaged during worship. The data were obtained through interviews with singers and the pastor.
THE HISTORICAL DEVELOPMENT OF THE GROUP BAMBOO CLARINET MUSIC GEMA DIRGANTARA LIWUTUNG Millen Rousevelt Hendriks; Franklin Dumais; R. A. Dinar Sri Hartati
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 5 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i5.8308

Abstract

This study is conducted to analyze the historical development of the Group Gema Dirgantara Liwutung as the group of bamboo clarinet music. This research uses a qualitative approach and the data collection techniques used are observation, interviews, documents. Data analysis is done after the data is collected then classified, interpreted and described in the form of words. The results of this study indicate that Bamboo Clarinet Music is the most influential art in community activities in Liwutung village. For example a wedding event, in the event Bamboo Clarinet Music plays an important role when the groom will go to the bride's house and pick her up then go to the house of worship (church) and at the peak of the wedding there is a Polynesian dance accompanied by Bamboo Music. In addition, Bamboo Music is not only used for village activities but is also often invited to various events outside the region and nationally with achievements, namely the golden Indonesia commemoration event at the State Palace in 1995, Makasar Trevel Mart in 1996, and the birthday of Jayapura city in 2015. Based on the research results, the author suggests: 1) There needs to be a forum for routine/planning performances in an event or concert, so that Bamboo Music is known more widely; 2) There needs to be successors to play bamboo music; 3) The need for regular training, so that in an event or concert the preparation is very mature.This study is conducted to analyze the historical development of the Group Gema Dirgantara Liwutung as the group of bamboo clarinet music. This research uses a qualitative approach and the data collection techniques used are observation, interviews, documents. Data analysis is done after the data is collected then classified, interpreted and described in the form of words. The results of this study indicate that Bamboo Clarinet Music is the most influential art in community activities in Liwutung village. For example a wedding event, in the event Bamboo Clarinet Music plays an important role when the groom will go to the bride's house and pick her up then go to the house of worship (church) and at the peak of the wedding there is a Polynesian dance accompanied by Bamboo Music. In addition, Bamboo Music is not only used for village activities but is also often invited to various events outside the region and nationally with achievements, namely the golden Indonesia commemoration event at the State Palace in 1995, Makasar Trevel Mart in 1996, and the birthday of Jayapura city in 2015. Based on the research results, the author suggests: 1) There needs to be a forum for routine/planning performances in an event or concert, so that Bamboo Music is known more widely; 2) There needs to be successors to play bamboo music; 3) The need for regular training, so that in an event or concert the preparation is very mature.
A DESCTIPTIVE ANALYSIS ON THE KAKULA MUSIC PLAYING PATTERNS AS TRADITIONAL MUSIC OF THE KAILI TRIBE OF CENTRAL SULAWESI PROVINCE Rifaldo Christein Bawiling; R. A. Dinar Sri Hartati; Luccylle M. Takalumang
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 5 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i5.8330

Abstract

This research is intended to provide an overview of the Kakula Music Playing Pattern as a Traditional Music of the Kaili Tribe of Central Sulawesi Province. Kakula is a traditional music of Kaili tribe (native tribe of Central Sulawesi. The method used in this research is a descriptive qualitative research method in which this research is carried out with data collection techniques using observation, interview and documentation methods. The findings show that Kakula as the music instrument have a long history with the people of Kaili Tribe. The Kakula music have various functions for the people of Kaili Tribe. Hence, Kakula is a form of presentation of ensemble music with rhythmic patterns that are different from one another.