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From Husserl to Merleau-Ponty: Tracing the Arc of Phenomenology Iqbal Hussain Alamyar
Lumen Veritatis: Jurnal Filsafat dan Teologi Vol 15 No 1 (2024): LUMEN VERITATIS: Jurnal Filsafat dan Teologi| APRIL 2024
Publisher : Program Studi Filsafat Universitas Katolik Widya Mandira Kupang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/lumenveritatis.v15i1.3016

Abstract

This research traces the key developments in phenomenological thought from its inception with Edmund Husserl to its evolution under Maurice Merleau-Ponty. The primary objective is to understand the continuity and divergence in their perspectives, and the influence on phenomenology’s progression as a philosophical tradition. The study employs a conceptual and thematic analysis method to elucidate these developments by examining their foundational texts. The findings reveal a nuanced understanding of this evolution, highlighting both Husserl’s establishment of transcendental phenomenology focused on pure consciousness and Merleau-Ponty’s transformative turn toward embodied experience. By synthesizing connections between their projects, this analysis provides a comprehensive view of the arc of phenomenological thought. Keywords: Phenomenology, Husserl & Merleau-Ponty, Intentionality, Consciousness, Embodiment
The Semiotics of Snapchat Filters: Understanding Their Influence on User Self-Presentation Iqbal Hussain Alamyar; Javid Hussain
INJECT (Interdisciplinary Journal of Communication) Vol. 9 No. 1 (2024)
Publisher : FAKULTAS DAKWAH UIN SALATIGA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v9i1.1848

Abstract

This research explores the semiotics of Snapchat filters and their influence on user self-presentation. Utilizing the Media Culturalist Perspective and Saussurean Visual Semiotic Theory, it investigates how Snapchat filters, as visual signs, construct meaning and shape user self-presentation on the platform. The study employs a qualitative research design, collecting data through semi-structured interviews with Snapchat users and performing a visual semiotic analysis of the filters. Thematic analysis identifies patterns within the data, providing insights into the cultural implications of Snapchat filters. This research fills a significant gap in existing literature by focusing on the cultural impact of these filters, integral to the Snapchat experience. The findings highlight the role of visual elements in social media self-presentation, contributing to broader discussions on digital culture. These qualitative insights reveal how Snapchat filters shape online self-presentation, offering implications for users, the platform, and future research.