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All Journal Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Wiyata Wiyata
Universitas Brawijaya
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Pengaruh Komunikasi Interpersonal pada Pilihan Destinasi Wisata Studi Kasus Film 500 Days of Summer Handya Aulia Dananjaya; Muhammad Pandu Sakha Setiawan; Mohammad Imam Al Baihaqi; Damon Pius Wiryatmoko; Trisakti Trisakti; Arsih Amalia Chandra Permata; Wiyata Wiyata
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 2 No. 4 (2025): November: Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v2i2.649

Abstract

The movie 500 Days of Summer represents the complexity of interpersonal communication in romantic relationships through a multidimensional and realistic approach. This study analyzes the communication dynamics between the main characters, Tom Hansen and Summer Finn, by focusing on the misalignment of verbal and nonverbal messages that trigger ambiguity and miscommunication. In addition, this study explores the implications of the emotional dynamics in the relationship for tourist behavior, especially the phenomenon of emotional tourism as a form of escape and recovery after a breakup. This study also examines the utilization of emotional experience-based tourism as a destination marketing strategy to meet the needs of tourists in emotional transition. The results of the analysis confirm the importance of integrating an understanding of interpersonal communication and emotional dynamics in the development of tourism oriented towards affective and reflective experiences. The findings provide an academic contribution to the study of interpersonal communication and its implications in the tourism industry, particularly in designing destinations that are responsive to the psychological needs of visitors.
Studi Komunikasi Interpersonal dalam Film Penyalin Cahaya : Dinamika Trauma, Relasi Kuasa, Kepercayaan, dan Pengungkapan Kebenaran Amanda Yonnie Citagami; Assyafa Rania Putri; Destya Maharani; Reginna Quena; Arsih Amalia Chandra Permata; Wiyata Wiyata
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 2 No. 4 (2025): November: Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v2i2.660

Abstract

The study aims to analyze interpersonal communication in the film Photocopier, focusing on trauma, power relations, trust, and the process of truth revelation. The film reflects a social phenomenon of sexual violence and abuse of power in a university environment. And how the protagonist copes with conflict and social pressure through interpersonal communication. This research uses a qualitative phenomenological approach and content analysis. The findings show that interpersonal communication in the film potrays the individual struggle against power dynamics, the search of support, and the articulation of truth. This study is relevant as a reflection of communication dynamics within cultural and social insitituations. In addition, this study also reflects how a sense of safety, and trust are essential factors in the tourism industry, particualry in shaping the image of destinasions that are inclusive and welcoming to all individuals.
Peran Film Dilan 1990 dalam Membangun Imajinasi Wisata Kota Bandung Melalui Interaksi Tokoh Utama Recta Yogi Widi Astutik; Tava Julia Putri; Muhammad Athoillah; Muhammad Shofaul Fahmi Priyono; Ariel Dimas Hidayatullah; Arsih Amalia Chandra Permata6; Wiyata Wiyata
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 2 No. 4 (2025): November: Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v2i2.680

Abstract

This research explores the role of the film Dilan 1990 in shaping the tourism imagination of Bandung through the interaction of its main characters and the representation of urban space within the narrative. Employing a descriptive qualitative approach with semiotic analysis and cultural representation theory, the research examines how visual and narrative elements in the film influence audience perceptions of Bandung as a cultural and nostalgic tourist destination. The findings reveal that Dilan 1990 successfully reconstructs collective memory of 1990s Bandung through cultural symbols, youth communication styles, and the depiction of urban spaces such as schools, streets, and city landmarks like Gedung Merdeka and Jalan Asia Afrika. The interpersonal communication between Dilan and Milea enhances the emotional depth and appeal of these urban settings, embedding them within a romantic narrative that resonates with viewers. This representation fosters an emotional connection between the audience and the locations portrayed, contributing to the emergence of film-induced tourism. The study concludes that film can serve as an effective medium for promoting cultural tourism, while also emphasizing the importance of interpersonal communication in enhancing tourism appeal through emotional and symbolic engagement.
Co-Authors Amanda Yonnie Citagami Ariel Dimas Hidayatullah Arsih Amalia Chandra Permata Arsih Amalia Chandra Permata6 Assyafa Rania Putri Damon Pius Wiryatmoko Destya Maharani Handya Aulia Dananjaya Mohammad Imam Al Baihaqi Muhammad Athoillah Muhammad Pandu Sakha Setiawan Muhammad Shofaul Fahmi Priyono Recta Yogi Widi Astutik Reginna Quena Tava Julia Putri Trisakti Trisakti