Revianty Yovinka
Universitas Pelita Harapan

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Harmonization of Carbon Exchange Regulations Towards a New Era of Capital Markets in Indonesia Serlly Waileruny; Henes Kardinata; Revianty Yovinka
Pena Justisia: Media Komunikasi dan Kajian Hukum Vol. 22 No. 2 (2023): Pena Justisia
Publisher : Faculty of Law, Universitas Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/pj.v22i2.4384

Abstract

This article aims to analyze the legislation in relation to carbon exchanges in Indonesia. furthermore, this article seeks to explain the regulation of carbon exchanges in welcoming the new era of capital markets. The type of research used in this legal writing is normative legal research. This research is prescriptive research. Analysis of legal materials using the deductive method where general formulations are drawn to things that are specific. The result of this research is that the regulation on carbon exchange in Indonesia is regulated through the Financial Services Authority Regulation Number 14 of 2023 concerning Carbon Trading through Carbon Exchange (POJK 14/2023). This POJK is certainly very loaded with welcoming a new era of capital market law in Indonesia, although it is unfortunate that carbon exchange organizers need to obtain OJK permission and not automatically obtain permission from the stock exchange. The conclusion of this research is the need to separate the organizers between the stock exchange and the carbon exchange.
Music Copyright Protection in the Indonesian TikTok Era Boy Gabriel Yohanes; Revianty Yovinka; Yossi Niken Respati Artin Soediarto
Journal of Law, Politic and Humanities Vol. 6 No. 3 (2026): (JLPH) Journal of Law, Politic and Humanities
Publisher : Dinasti Research

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/jlph.v6i3.3155

Abstract

The development of digital technology has transformed the patterns of music consumption and distribution globally, including in Indonesia. Short-video–based social media platforms such as TikTok have become spaces for creative expression while simultaneously posing serious challenges to the protection of music copyright. The widespread use of unlicensed song clips, remixes, and viral cover versions on TikTok reflects the weakness of digital law enforcement, even though Indonesia normatively possesses a comprehensive legal framework through Law Number 28 of 2014 on Copyright, Law Number 1 of 2024 concerning the Second Amendment to Law Number 11 of 2008 on Electronic Information and Transactions, and other implementing regulations. This research intends to examine Indonesia's regulations regarding music copyright protection on the TikTok platform and to evaluate how well these rules are applied in real situations. The study uses a standard legal approach that includes statutory, conceptual, and literary methods. It involves qualitatively examining primary and secondary legal resources through legal interpretation. The findings indicate that music copyright protection in Indonesia is normatively established and covers moral rights, economic rights, as well as civil, criminal, and administrative sanctions. However, its practical effectiveness remains limited due to reliance on manual reporting mechanisms (notice and takedown), the absence of regulations on automatic detection systems, and weak inter-agency coordination among the Directorate General of Intellectual Property, the Ministry of Communication and Digital Affairs, and the National Collective Management Organization. This study concludes that adaptive legal policy reforms are necessary through the implementation of technological enforcement, integration of national digital systems, and the enhancement of public legal literacy to strengthen copyright protection in the digital era.